Search
Hazel (1853 KP) rated Janna of Castle Ambrose in Books
Sep 10, 2019
Janna of Castle Ambrose is the first book in The Serpent Riders series by the versatile Jordan Elizabeth. Set in the fictional land of Hamlin, Janna, who lives in Castle Ambrose, loses her father, brother and sister when an usurper invades the kingdom and slaughters hundreds of people. From then on, Janna has vows that the new king will be destroyed, however, it is not until she is 18 and discovers two of her friends are alive and imprisoned in the capital city that Janna finds the will-power to escape her tattered home and put the world to rights.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
Monster Messenger
Social Networking and Education
App
Monster Messenger is a safe instant messaging app for our little monsters. With Monster Messenger,...
Dr. Panda Candy Factory
Education
App
CREATE THE PERFECT CANDY! Explore the exciting and delicious world of Dr. Panda Candy Factory! ...
Dr. Panda Space
Education
App
**"There is so much to learn and explore, both for us and our kids" by Geeks with Juniors** 3…...
Dr. Panda Train
Education
App
Dr. Panda Train has pulled into the station! Put on your conductor hat and take passengers on a...
Kristy H (1252 KP) rated Keep the Ends Loose in Books
Feb 13, 2018
I wanted to like this book. I really did. It was a quick read, but honestly, I kept reading partly because the ridiculous and far-fetched plot sucked me in and partially because I just wanted it to be over. There were times when I found myself gritting my teeth because of the rather annoying diction and narration. You sort of became lulled into it the more you read, but it really was awful.
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)
Cynthia Armistead (17 KP) rated Places to Be, People to Kill in Books
Mar 1, 2018
I enjoyed this anthology more than one might expect from a collection of stories about killers, but then I've read a couple of volumes edited by [a:Brittiany A. Koren|12300|Brittiany A. Koren|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] and [a:Martin H. Greenberg|26064|Martin H. Greenberg|http://photo.goodreads.com/authors/1247759305p2/26064.jpg] now, and I trust the pair. (Greenberg has turned out so many anthologies that I don't assume anything at all when I see his name.)
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
Gareth von Kallenbach (980 KP) rated Due Date (2010) in Movies
Aug 8, 2019
What could possibly go wrong when you pair a stressed out father-to-be, Peter (Robert Downey Jr.), with the world’s worst road trip partner, Ethan (Zach Galifianakis), on a trip from Atlanta to Los Angeles? In a karmic way, at least these two men appear to be meant for each other.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
LGV Theory Test and Hazards
Education and Productivity
App
* * * Includes OFFICIAL DVSA Theory Test preparation materials and Hazard Perception Test Module * *...
TutoPLAY Best TutoTOONS Games
Games and Education
9.0
Rate It
App
TutoPLAY is an all-in-one app pack of most wanted TutoTOONS games. We hand-selected and added the...