Search
Search results
Euripides: Iphigenia at Aulis: Volume 1: Introduction, Text and Translation: Volume 2: Commentary and Indexes
James Morwood and Christopher Collard
Book
'Euripides: Iphigenia at Aulis' comprises two volumes (Volume 1: Introduction, Text and Translation;...
TI
The Index of Middle English Prose: Handlist XXIII: The Rawlinson Collection, Bodleian Library, Oxford
Book
In 1755 Richard Rawlinson bequeathed his vast collection of books and manuscripts to the Bodleian...
Bong Mines Entertainment (15 KP) rated Cover Me - Single by Camille Miller in Music
Jun 17, 2019
Camille Miller is a German-born singer-songwriter who was raised on military bases all over Canada. Not too long ago, she released a cool indie-alternative tune, entitled, “Cover Me”.
“Stand before me, let me your soul. Let me feel the warmth of your touch. Hearts unguarded, bodies perfect in their flaws. I can’t do this on my own. Modern life through the telephone staring in and fading out. We’re all covered in lonely, we’re all covered in doubt.” – lyrics
‘Cover Me’ contains a relatable narrative, pleasing vocals, and lush instrumentation flavored with indie-pop and alternative elements. Also, the track possesses a tasty guitar solo.
“Thinking about how technology and social media sometimes make us doubt ourselves. How something that can brilliantly bring us together, can also keep us separated in ways we have never experienced before. How the need and want of human interaction is so important and deeply needed.” – Camille Miller
Camille Miller was brought up on a hearty diet of Motown, Carly Simon, The Carpenters, Aretha Franklin, Stevie Wonder, and the Rolling Stones.
With the sound of these greats of yesteryear oozing through her veins, she continues her global trend of turning listeners into lifelong fans.
https://www.bongminesentertainment.com/camille-miller-cover-me/
“Stand before me, let me your soul. Let me feel the warmth of your touch. Hearts unguarded, bodies perfect in their flaws. I can’t do this on my own. Modern life through the telephone staring in and fading out. We’re all covered in lonely, we’re all covered in doubt.” – lyrics
‘Cover Me’ contains a relatable narrative, pleasing vocals, and lush instrumentation flavored with indie-pop and alternative elements. Also, the track possesses a tasty guitar solo.
“Thinking about how technology and social media sometimes make us doubt ourselves. How something that can brilliantly bring us together, can also keep us separated in ways we have never experienced before. How the need and want of human interaction is so important and deeply needed.” – Camille Miller
Camille Miller was brought up on a hearty diet of Motown, Carly Simon, The Carpenters, Aretha Franklin, Stevie Wonder, and the Rolling Stones.
With the sound of these greats of yesteryear oozing through her veins, she continues her global trend of turning listeners into lifelong fans.
https://www.bongminesentertainment.com/camille-miller-cover-me/
Bong Mines Entertainment (15 KP) rated Rarest Of Birds by Grizfolk in Music
Jun 21, 2019
Grizfolk is an LA- & Nashville-based outfit with roots in Sweden. Not too long ago, they released a hearty indie-rock tune, entitled, “Hurricane”.
“Can we love like a hurricane? When the storm is here it’s hard to tame. Are we lost ‘cause we took it too far. If what it is isn’t all we are, shut the lights out, leave me in the dark. It wasn’t all supposed to fall apart.” – lyrics
‘Hurricane’ tells an interesting tale of a young guy who is head-over-heels in love with his significant other.
Apparently, he compares his stormy love for his partner to the nature of a hurricane, which means what he feels is very hard to tame.
‘Hurricane’ contains a relatable storyline and pleasing vocals. Also, the song possesses guitar-driven instrumentation flavored with a groovy indie-rock aroma.
“This song is about loving someone or something as hard and as fast as you can, like you’re eventually going to lose it” – Adam Roth
Grizfolk consists of Adam Roth, Sebastian Fritze, Fredrik Eriksson, and Bill Delia.
Their ‘Hurricane’ single will be featured on their upcoming sophomore album, entitled, “Rarest of Birds”, which will be released on July 19, 2019.
“Can we love like a hurricane? When the storm is here it’s hard to tame. Are we lost ‘cause we took it too far. If what it is isn’t all we are, shut the lights out, leave me in the dark. It wasn’t all supposed to fall apart.” – lyrics
‘Hurricane’ tells an interesting tale of a young guy who is head-over-heels in love with his significant other.
Apparently, he compares his stormy love for his partner to the nature of a hurricane, which means what he feels is very hard to tame.
‘Hurricane’ contains a relatable storyline and pleasing vocals. Also, the song possesses guitar-driven instrumentation flavored with a groovy indie-rock aroma.
“This song is about loving someone or something as hard and as fast as you can, like you’re eventually going to lose it” – Adam Roth
Grizfolk consists of Adam Roth, Sebastian Fritze, Fredrik Eriksson, and Bill Delia.
Their ‘Hurricane’ single will be featured on their upcoming sophomore album, entitled, “Rarest of Birds”, which will be released on July 19, 2019.
The Greatest Gift Mixtape by Sufjan Stevens
8.3
Rate It
Album Watch
The Greatest Gift is a mixtape of outtakes, remixes and demos from Sufjan’s 2015 album Carrie &...
indie pop
Cameron (13 KP) rated Devil and God Are Raging Inside Me by Brand New in Music
Dec 21, 2020
all vocal performances are majorly improved (1 more)
Guitars almost have an indie sound to them with them being the standout in a lot of songs
the drums and bass are overshadowed by the guitars and vocals (1 more)
the final half is a little less
a dark and brooding masterpiece
when i first heard sowing season i knew i had stumbled upon something special, such a restrained piece of music with melancholy singing into these punk/indie esq guitars, it was unlike anything i heard at the time, not to say the rest of the devil and god follow this laid out path, but it's a very restrained piece of music, only letting it's restraint go at certain points for the ultimate moment or chorus, the masterpiece of this album has to go to limousine, it starts off slow with soft singing and acoustic guitars until the vocals and guitars kick in, after that it slows down again, letting the soft and passionate singing take centre to then build up to this brooding and beautiful catharsis that when it peaks is some of my favourite music ive ever heard, both conceptually and in practise, i encourage anyone who sees this to listen to the devil and god, it's a brooding masterpiece that surely won't disappoint
As You Please by Citizen
Album Watch
For their third album As You Please, Citizen is looking inward. Pairing up again with longtime...
alternative indie rock
Erika (17788 KP) rated Parasite (2019) in Movies
Dec 4, 2019
After @Andy K 's review, I moved this film up on my to-see list and watched it after Honey Boy at my local indie theater. I'm so glad I did.
The movie clocks in at over 2 hours long, but it didn't feel like it. The interesting thing about the title, is which family are the parasites referred to in the title. The tension is on point, and when the climax of the film finally hits, it pays off.
I don't want to say too much more about it, only that it's a must-see.
The movie clocks in at over 2 hours long, but it didn't feel like it. The interesting thing about the title, is which family are the parasites referred to in the title. The tension is on point, and when the climax of the film finally hits, it pays off.
I don't want to say too much more about it, only that it's a must-see.
Ross (3284 KP) rated Stone Roses by The Stone Roses in Music
Apr 30, 2020
Rolling Stone's 498th greatest album of all time
I would have said I knew this album, but there a couple of songs I didn't know. Packed full of indie bangers (I am the Resurrection, Waterfall, Fools Gold, I Wanna Be Adored), a true classic. But a surprising amount of filler in this album, including Don't Stop (Waterfall played backwards) which made me feel a little sick. I would have expected this album to be higher up the list, but I am guessing the US base of Rolling Stone has dictated this somewhat (the NME list has this at 94th).
