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Man on Fire (2004)
Man on Fire (2004)
2004 | Action, Drama, Mystery

"Man on Fire, I think what Tony Scott did was ahead of his time, revolutionary. I mean, as far as how he shot it and how he used and maximized his ability to shape a film with sound. He would loop in, like, tiger, animal noises with Lupita Ramos’ scream. He put in a foreshadowing scene, like when we first see Creasy in the cab with the beard, and he flashes to the end when he dies, and then he flashes back to the cab scene, and we didn’t even know. It took me like four times to realize, “Oh, that was at the end!” And just getting introduced to Mexico in that way, how he captured it. How he captured the performances of Christopher Walken and Mr. Washington. It was like an indie film, and then it turned into this beautiful action film in the same movie. To me it was the perfect film. It was the perfect balance of art and commerce. You could sell this thing, but again, like Dances with Wolves, he didn’t compromise anything for the sake of story. Again, how he used language, too., When they’re speaking Spanish, but how he kind of had it where you can read the subtitles — how he did that, and how he mixed sounds and mixed music. I think it’s a perfect film. I love that film. I really do."

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The Perks of Being a Wallflower (2012)
The Perks of Being a Wallflower (2012)
2012 | Drama
I will defend these pretentiously indie YA movies to my last breath; they're my bread and butter, cringe and all - and this one was forever used as the template for quite nearly every single one of these things from then on. The only reason most of this feels so basic, superficial, and emulative in comparison now is because of how many carbon copies of itself this spawned ("13 Reasons Why" is literally just this in *spades*, right down to the eerily similar lead performance). Of course I laugh heartily at lines like "Let's go be psychos together" and "I feel infinite" (wtf who talks like this lmfao) being delivered with a straight face and zero winking, but I'll once again defend how fake-deep this all is because have you ever fucking met a high schooler? They live in the most overexaggerated, toxic, self-absorbed, pointless milieus ever - so naturally this deliciously campy melodrama perfectly represents/exemplifies that. Sweetly and bitingly captures the essence of that time in our lives when we really thought high school mattered, and our worlds were so so small - but also has a nostalgic youthful energy headlong into the poignant transition towards adulthood. Very bittersweet, those last ten minutes are deliriously weird, bro. As somebody who loathed high school, I love this sillyass, weepy movie - it means every ounce of its cheese. Totally understand why people hate this.
  
    kubrain

    kubrain

    Games and Education

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    App

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    Death Worm

    Death Worm

    Games and Entertainment

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    Meet the highly anticipated iOS version of the *ORIGINAL* Death Worm game (a Top-50 indie game of...

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    Goose house

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    YouTube Channel

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