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Language. Sex. Violence. Other? by Stereophonics
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Language. Sex. Violence. Other? is the fifth studio album by alternative rock band Stereophonics....
Zora Books Her Happy Ever After
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A heart-pounding, curvy romance about an indie bookstore owner who finds herself in a love triangle...
Contemporary RomCom
Bob Mann (459 KP) rated Peaks and Valleys (2020) in Movies
Apr 29, 2021
Acting of the two leads (2 more)
Cinematography of the beautiful Alaskan wilderness
Script and direction both good
Two strangers forced to over-winter in Alaskan wilderness
In “Peaks and Valleys”, Jack (Kevin T. Bennett) is living as a recluse in a remote cabin in Alaska. His solitude is rudely interrupted by a plane which drops a naked, trussed-up and drugged-up girl into his lake. Traumatised by her experiences, the girl (Bailey, played by Kitty Mahoney) is unwilling to trust the man. But trust him she must, since they are in the Alaskan wilderness and Jack tells her that the supply plane might not come for a couple of months.
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
Steven Sklansky (231 KP) rated Free Fire (2017) in Movies
Jan 14, 2018
Well this was a fun movie. So much can happen in 90 minutes when there tons of guns. I have never seen anyone waste so many bullets.
This movie is about a 2 groups, one buying guns and one selling guns. Everything seems to be going great until one guy recognizes someone on the crew buying the guns and all hell breaks loose. Now for a movie about gun running there was a good amount of story and dialogue.
The 2 sides were at each others throats for the whole movie and a lot of flying bullets. At some point it looked like people were switching sides and switching back. The plot took an interesting twist when the phone in the warehouse started ringing and both sides thought they could call for help. At that point they all thought they could get out and it was a race to the phone.
With a mix of comedy and action this was a good movie. Very well written and directed. The fact that it was all filmed to appear to be about 2 hours in a warehouse is a cool twist on a single day type movie. It all worked very well. These types of indie movies should always get a watch. Even if it is only once.
This was such a good watch that I think everyone that reads this should watch it. You can watch it on Amazon Prime right now, so if you have it take a look. As always, enjoy the show.
This movie is about a 2 groups, one buying guns and one selling guns. Everything seems to be going great until one guy recognizes someone on the crew buying the guns and all hell breaks loose. Now for a movie about gun running there was a good amount of story and dialogue.
The 2 sides were at each others throats for the whole movie and a lot of flying bullets. At some point it looked like people were switching sides and switching back. The plot took an interesting twist when the phone in the warehouse started ringing and both sides thought they could call for help. At that point they all thought they could get out and it was a race to the phone.
With a mix of comedy and action this was a good movie. Very well written and directed. The fact that it was all filmed to appear to be about 2 hours in a warehouse is a cool twist on a single day type movie. It all worked very well. These types of indie movies should always get a watch. Even if it is only once.
This was such a good watch that I think everyone that reads this should watch it. You can watch it on Amazon Prime right now, so if you have it take a look. As always, enjoy the show.
Eddie Redmayne: The Biography
Book
In February 2015, when Eddie Redmayne won the Oscar for Best Actor for his portrayal of the...
The Publishing Profits Podcast Show | Writing | Marketing | Books | eBooks | Audiobooks | Authors | Entrepreneurs
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We believe authors change the world by sharing important stories and ideas. Let us help you get your...
Ian McCulloch recommended Automatic for the People by REM in Music (curated)
LoganCrews (2861 KP) rated Spiral: From the Book of Saw (2021) in Movies
Jul 4, 2021
That final trap is as heart-stopping and clever a piece of political commentary that's been put into any horror film this decade thus far - but the rest (I'm immeasurably disappointed to report) is a bland, run-of-the-mill police procedural which only occasionally resembles a 𝘚𝘢𝘸 movie. Don't know whose idea it was to have less gore and crappier traps but fire them immediately. I think outside of that grievous oversight the other major problem is that this tries to be both a Saw movie as well as a modern movie - way less of the 2000s scary crackhead camerawork + editing, much fewer unnerving layers of overexposed shots, and now a clean frame replaces what was once a grimy sheen of iconic dilapidation. If you want this franchise to stay ahead of the pack in a day in age where even the cheapest indie flicks can have solid gore, you can't be this polished. No cutting away from the action right as it happens, and don't be afraid to cling onto what worked during its inception just because the passage of time may have left those trends behind - with this kind of cleanliness it's too easy to see the inherent seams of these things. Also you'd have to be an idiot not to see this 'twist' coming from a mile away. But Chris Rock is awesome in the last 20 minutes when he's snapping at everybody. Without a shadow of a doubt the worst film in the series.
Bong Mines Entertainment (15 KP) rated I'll Find You in Dreams - Single by Tiphanie Doucet in Music
Jun 26, 2019
The Racer is an indie-band from New York’s Hudson Valley. Not too long ago, they released their “I’ll Find You in Dreams” single featuring singer Tiphanie Doucet.
“Head down can’t keep from falling over. Eyes blurred with grief, we’ve grown like the trees, now slowly older, and I’ll never be your island king. The city sings her song to me. The only soul alone on these tangled streets.” – lyrics
‘I’ll Find You in Dreams’ tells an emotional tale of an individual who yearns for something or someone who seems completely out of reach.
The likable tune contains a dreamy storyline, heartfelt vocals, and emotional instrumentation flavored with great piano lines, evocative synths, and nostalgic elements.
The Racer consists of Pete Marotta (vocals, keys), Mike Esserman (guitar, keys), Eric Sosler (bass, keys, sax).
One day, while looking for artists in New Jersey to be on a show they were organizing, they came across Tiphanie Doucet’s music and loved it.
Shortly afterward, they performed live with Doucet at their show. Later, while hanging out, they asked her to sing on their “I’ll Find You in Dreams” single.
At the age of 15, Tiphanie Doucet starred in the film Le bébé d’Elsa, and later in the Glee-like TV series Chante!
Those exposures increased her popularity in France, where she grew up studying ballet and harp. After her career in TV ended, she made her way to America for a fresh start.
Since then, she’s been writing songs and testing them out on street corners, cruises, and cafés throughout New York and Jersey City.
“Head down can’t keep from falling over. Eyes blurred with grief, we’ve grown like the trees, now slowly older, and I’ll never be your island king. The city sings her song to me. The only soul alone on these tangled streets.” – lyrics
‘I’ll Find You in Dreams’ tells an emotional tale of an individual who yearns for something or someone who seems completely out of reach.
The likable tune contains a dreamy storyline, heartfelt vocals, and emotional instrumentation flavored with great piano lines, evocative synths, and nostalgic elements.
The Racer consists of Pete Marotta (vocals, keys), Mike Esserman (guitar, keys), Eric Sosler (bass, keys, sax).
One day, while looking for artists in New Jersey to be on a show they were organizing, they came across Tiphanie Doucet’s music and loved it.
Shortly afterward, they performed live with Doucet at their show. Later, while hanging out, they asked her to sing on their “I’ll Find You in Dreams” single.
At the age of 15, Tiphanie Doucet starred in the film Le bébé d’Elsa, and later in the Glee-like TV series Chante!
Those exposures increased her popularity in France, where she grew up studying ballet and harp. After her career in TV ended, she made her way to America for a fresh start.
Since then, she’s been writing songs and testing them out on street corners, cruises, and cafés throughout New York and Jersey City.