"In the winter of 2005, I received Thomas Keller’s The French Laundry Cookbook as a Christmas present. It was during my early, struggling-writer years, when I was working as a chef to support my family (and my writing), and I often wondered if I’d ever make it as an author. I remember sitting down on Christmas Day to read Keller’s book in my small apartment in Colorado. I was inspired by his love for cooking, his artistry and creativity, and his deep dedication to his art. The book was an inspiration to me to keep writing and pursuing my dream of publication, and I promised myself that when I published my first book, I would celebrate at one of his restaurants. Ten years later, I signed my contract for Children of the New World with Picador. This past November, I invited my family to Per Se as a thank you for all their love and support throughout my years of writing, and I lifted a glass in thanks to Keller."

"My old man got me into The Streets. I was quite young when they first came out and I remember him having them on in the car constantly. Original Pirate Material was a complete game-changer for me, I can recite that whole album word for word. ‘Blinded by the Lights’ was on the second album, A Grand Don't Come for Free, and I could probably recite that whole album as well, I think it’s one of the greatest concept albums ever written. “With ‘Blinded by the Lights’ I just love the tune, it really catches a theme and I can really relate to how he’s feeling in it. It’s that feeling of being pilled-up in a club, of losing control and not really knowing what’s going on, it’s a big tune. “I really like the storytelling element of it and that was an inspiration to me. Storytelling in a song is a complete art and I definitely don’t feel like I’ve managed to do it as good as this does, I don’t know if anyone ever will."

"One of my favourite voices of all time, guy or girl. I have a lot of respect for Siouxsie and she’s given me a lot of inspiration over the years. My sister and I used to listen to her a lot and just dance around. It’s all about the tone, there’s something about that band that’s pretty rare – something dark but also slightly poppy and accessible about their records. This is a song that my husband and I bonded over – we’d definitely heard it individually before, but one day we were just playing the album and that song stopped us in our tracks… played it on repeat for the whole night. I understand why some people can hear a little Siouxsie in what we do. I mean, when we started the band, everybody had grown up differently and we were coming from completely different musical backgrounds. Everybody brings in what they like, and although we may have similar tastes we’re all still coming from somewhere different. Hopefully we’re never considered strictly derivative of any one thing."