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Mary Ellen Mark recommended Bicycle Thieves (1948) in Movies (curated)

"This 1948 film is a classic Italian neorealist film that takes place in post–World War II Italy. It is a beautifully told and photographed story about a close relationship between a father, Antonio, and his young son, Bruno, who idolizes his father. As the story opens, Antonio is desperately searching for work and finally gets a job posting signs. In order to do this job, he must have a bicycle. His wife, Maria, pawns her wedding sheets to buy him a bicycle, but it is stolen on the first day of his new job. The rest of the film, father and son pursue the thieves to get the bicycle back. They fail. In the end, Antonio is forced to steal a bicycle so he will not lose his job. Bruno witnesses this and Antonio is humiliated in front of his son. For me, the film was about the ultimate and heartbreaking betrayal of trust between a father and his son. I’ve always photographed families and family relationships. This wonderful film encouraged me to look beyond the surface and find the real relationships that exist between family members. The epic quality of the film was a great inspiration for me."

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LoganCrews (2861 KP) rated The Nun (2018) in Movies

Oct 26, 2020

The Nun (2018)

2018 | Horror

5.9

(57 Ratings)

Movie Rating Watch

Have the exact same problems with this as I do with 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦 𝘊𝘰𝘮𝘦𝘴 𝘏𝘰𝘮𝘦 but cranked up to 11. A lot of overloud, vexatious noise plastered crudely with bargain bin visuals and lifeless acting with nothing going on underneath it. I think this movie maybe has less than seven seconds total of half-decent material cumulatively, one of the very worst things ever created for the screen. At a mere 96 minutes it felt like I was growing cobwebs in my seat from the ungodly slow de-spinning of this piece of shit's collective nothingness. Some have found inspiration in its Italian horror vibe but not only do I think it looks terrible and feels more like rip-off than homage, but is the bar really so low that this bland, unmistakably modern (in the worst ways) visual dogshit passes off as nostalgic? Easily the worst entry (so far) in a franchise that has no business being a franchise with really only one notably good movie under its belt. The only pseudo-memorable thing about this is when I saw it in the theater and the old couple in front of me were complaining the entire time because they thought it was going to be a Christian movie.