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Sarah (7798 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Darren (1599 KP) rated The Furnace (2019) in Movies
Oct 14, 2019
Characters – Mary starts this film married and about to go on a honeymoon the pair had been dreaming off, this goes in an instant, leaving her needing an oxygen tank to get through the day, with any hopes of running dashed. Angry at the world, she starts to close off, finding any attempts at returning to her passion ending in hospital trips, until she meets Coffin, here she learns about faith and new technology to overcome her odds to compete in the race that was her honeymoon plan, one that is a test for even the toughest runners in the world. Coffin is a gravedigger in America, even though he is trained as a doctor back in Africa, he offers to help Mary get back to her former self, teaching her to pace herself, preparing her for the impossible sounding race. He must watch from the side lines, with hope that she will make it through each stage of the race. Raphaella is a fellow runner that Mary meets along the way, one to help support her over the course of the journey.
Performances – Jamie Bernadette steps away from the action horror roles we have seen her in recently for a much more serious role, one that does play into her strengths, she deals with the athletic demand of the performance with ease, while bringing the emotional impact of her character’s journey through the film. Luthuli Dlamini does a wonderful job in his role too bringing the calmness to help make Mary strong through the film.
Story – The story here follows one woman that loses everything she had a dreamt off until she finds her faith and pushes herself to get back on the track and complete the race she was meant to do with her husband. This is a story that shows the inspiration of wanting to overcome tragedy and finding a way to achieve this in a world you wouldn’t normal consider. We do get a normal montage of training, while a large part of the story follows the race being competed in. we do get to see just how much needed to be overcome, though it could have given us more of a time frame and just what the injury Mary had, like how likely it is to overcome, or would it be something she was meant to be living with for the rest of her life.
Settings – The film uses the settings to show us just how her life changes in America, while it does get the beauty shots of the African wild reserve seeing the different animals around area.
Scene of the Movie – The race final leg.
That Moment That Annoyed Me – Not getting a full look at the time frame.
Final Thoughts – This is an inspiring story of overcoming tragedy to get back to the former strength, with powerful performances throughout.
Overall: Inspiring Throughout.
Performances – Jamie Bernadette steps away from the action horror roles we have seen her in recently for a much more serious role, one that does play into her strengths, she deals with the athletic demand of the performance with ease, while bringing the emotional impact of her character’s journey through the film. Luthuli Dlamini does a wonderful job in his role too bringing the calmness to help make Mary strong through the film.
Story – The story here follows one woman that loses everything she had a dreamt off until she finds her faith and pushes herself to get back on the track and complete the race she was meant to do with her husband. This is a story that shows the inspiration of wanting to overcome tragedy and finding a way to achieve this in a world you wouldn’t normal consider. We do get a normal montage of training, while a large part of the story follows the race being competed in. we do get to see just how much needed to be overcome, though it could have given us more of a time frame and just what the injury Mary had, like how likely it is to overcome, or would it be something she was meant to be living with for the rest of her life.
Settings – The film uses the settings to show us just how her life changes in America, while it does get the beauty shots of the African wild reserve seeing the different animals around area.
Scene of the Movie – The race final leg.
That Moment That Annoyed Me – Not getting a full look at the time frame.
Final Thoughts – This is an inspiring story of overcoming tragedy to get back to the former strength, with powerful performances throughout.
Overall: Inspiring Throughout.
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Matthew Krueger (10051 KP) rated Bastion in Tabletop Games
Jul 30, 2020 (Updated Jul 30, 2020)
The Strategy (3 more)
Think Ten Steps Ahead
Replay Value
Different Scenarios
Excellent Tower Defense Game With A Twist
Bastion is a cooperative strategy game for one to four players. Taking inspiration from extremely popular tower defense video games, Bastion subjects players to an unrelenting stream of attacks by an army of vicious monsters. By channeling the sources within the city’s districts, defense towers, and citadel, players work together to defend its borders, all the while gaining useful spells from the enemies they defeat. Only by properly managing their mana, spells, and rituals will they have any hope of withstanding the onslaught.
In Bastion, you and your friends are the city’s last hope. Only you can stem the tide of the invading hordes. The tension constantly mounts during each game as a new card is drawn from the enemy deck and advances along the city walls after every player’s turn. You must clear them all from the walls by spending mana tokens if you hope to stem the tide. Players win or lose together, so make sure to coordinate your actions before the city is overrun. It will take a careful balance between channeling mana, moving throughout the city, and defeating enemies to claim victory.
Staring down a horde of vicious monsters is intimidating for even the most experienced of heroes. Luckily for you, defeating enemies converts their life-force into powerful spells that can provide an advantage at critical moments. Reduce an enemy to dust with a powerful fireball spell or use the plenty spell to give yourself a quick influx of extra mana tokens. Determining the best time to use these spells is up to the you, of course, but waiting for perfect moment can turn the tide of battle in your favor.
Once you’ve mastered the introductory game, there are even more ways to play Bastion. More powerful enemies await those seeking even more of a challenge, including the fearsome Black Knight or the revolting Knellerwyrm. In turn, the heroes respond to this increased threat by harnessing the power of ancient rituals that make it easier to obtain mana of the color they need. On top of the extra monsters, Bastion also includes four unique scenarios that add special rules and more variety. Can you handle an enemy army made up of flying creatures? What would happen if you arrived at the city after the enemy forces? Each scenario demands new strategies and offers a unique spin on the Bastion experience. The enemy is at the gates. Take up arms and fight for victory!
Its a excellent strategy game and has a excellent replay value with the different scenarios, you can go solo or play with others. Its a excellent twist on the tower defense genre. If you want to learn more go to BoardGameGeek, Dice Tower Reviews or Rahdo Walkthroughs. I learn about it through Dice Tower Reviews and bought it right away. Its a excellent game.
In Bastion, you and your friends are the city’s last hope. Only you can stem the tide of the invading hordes. The tension constantly mounts during each game as a new card is drawn from the enemy deck and advances along the city walls after every player’s turn. You must clear them all from the walls by spending mana tokens if you hope to stem the tide. Players win or lose together, so make sure to coordinate your actions before the city is overrun. It will take a careful balance between channeling mana, moving throughout the city, and defeating enemies to claim victory.
Staring down a horde of vicious monsters is intimidating for even the most experienced of heroes. Luckily for you, defeating enemies converts their life-force into powerful spells that can provide an advantage at critical moments. Reduce an enemy to dust with a powerful fireball spell or use the plenty spell to give yourself a quick influx of extra mana tokens. Determining the best time to use these spells is up to the you, of course, but waiting for perfect moment can turn the tide of battle in your favor.
Once you’ve mastered the introductory game, there are even more ways to play Bastion. More powerful enemies await those seeking even more of a challenge, including the fearsome Black Knight or the revolting Knellerwyrm. In turn, the heroes respond to this increased threat by harnessing the power of ancient rituals that make it easier to obtain mana of the color they need. On top of the extra monsters, Bastion also includes four unique scenarios that add special rules and more variety. Can you handle an enemy army made up of flying creatures? What would happen if you arrived at the city after the enemy forces? Each scenario demands new strategies and offers a unique spin on the Bastion experience. The enemy is at the gates. Take up arms and fight for victory!
Its a excellent strategy game and has a excellent replay value with the different scenarios, you can go solo or play with others. Its a excellent twist on the tower defense genre. If you want to learn more go to BoardGameGeek, Dice Tower Reviews or Rahdo Walkthroughs. I learn about it through Dice Tower Reviews and bought it right away. Its a excellent game.
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