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Entanglement (Teodor Szacki, #1)
8.0
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The morning oafter a gruelling group therapy session, Henry Talek is found dead, a roasting spit...
Courting Light
6.0
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Our days were numbered but precious. Courting Light is the story of Josie, an eighteen-year-old...
F_F Contemporary Romance
Tale of a Tooth
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Four-year-old Danny lives with his mother, Natalie, in a small Sussex town. Life is a struggle and...
Lesbian Domestic Abuse
Memoirs
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Faced with cancer and financial ruin, the Civil War's greatest general and former president, Ulysses...
Bulgarischer Offline Photo Übersetzer und Wörterbuch mit Stimme - übersetzen Text und Fotos ohne Internet zwischen Deutsch und Bulgarisch
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For English text look below. ОФЛАЙН преводач и речник -- безценен...
KyleQ (267 KP) rated Halloween II (2009) in Movies
Jul 20, 2020
Honestly, I thought this was best entry in the series since Carpenter's Original.
Halloween II opens up with a hospital sequence referencing the original Halloween II, and honestly, this hospital scene was not only the most intense and frightening sequence from a Halloween movie, but it was also one of the most frightening and intense sequences I've seen period.
After that Halloween II delves into wholly original territory.
Scout Taylor Compton's Laurie Strode is suffering from PTSD, she lives with her bestie Annie Brackett (Danielle Harris) and Annie's dad, Lee Brackett (Brad Douriff). The sight of Annie causes Laurie to remember that which pains her, straining their relationship. Laurie feels like she is losing her sanity, she's even dreamt of her mother (Sheri Moon Zombie) with a white horse, calling for her.
Meanwhile, Dr. Sam Loomis (Malcolm Mcdowell), truly believing Michael (Tyler Mane) to be dead, is getting rich off of his book which tells the story of the first film. Loomis is now wholly enveloped with this world.
But Michael is returning to Haddonfield once more.
I can see why longtime fans would have trouble getting into this. Michael's look has been changed for the first time, in parts he doesn't wear his mask, he dresses like a hobo, he has long hair and a great big bushy beard.
The movie also obviously takes characters into strange and different directions than previous installments.
But I don't think that's reason enough to hate it and bash it.
Halloween II is one the most brutal, intense, and disturbing horror movies I've seen in a while, and frankly, that's what I want in a horror movie. Horror should try to frighten and disturb its viewers.
It's a very original entry, but well worth it if you have an open mind.
I minus one star because I don't understand the white horse, it feels pointless, otherwise, I thought it was great!
After that Halloween II delves into wholly original territory.
Scout Taylor Compton's Laurie Strode is suffering from PTSD, she lives with her bestie Annie Brackett (Danielle Harris) and Annie's dad, Lee Brackett (Brad Douriff). The sight of Annie causes Laurie to remember that which pains her, straining their relationship. Laurie feels like she is losing her sanity, she's even dreamt of her mother (Sheri Moon Zombie) with a white horse, calling for her.
Meanwhile, Dr. Sam Loomis (Malcolm Mcdowell), truly believing Michael (Tyler Mane) to be dead, is getting rich off of his book which tells the story of the first film. Loomis is now wholly enveloped with this world.
But Michael is returning to Haddonfield once more.
I can see why longtime fans would have trouble getting into this. Michael's look has been changed for the first time, in parts he doesn't wear his mask, he dresses like a hobo, he has long hair and a great big bushy beard.
The movie also obviously takes characters into strange and different directions than previous installments.
But I don't think that's reason enough to hate it and bash it.
Halloween II is one the most brutal, intense, and disturbing horror movies I've seen in a while, and frankly, that's what I want in a horror movie. Horror should try to frighten and disturb its viewers.
It's a very original entry, but well worth it if you have an open mind.
I minus one star because I don't understand the white horse, it feels pointless, otherwise, I thought it was great!
BookInspector (124 KP) rated The Push in Books
Jul 1, 2021
The protagonist in this book is a nameless woman, a daughter, a wife, a mother, and this story is told from her perspective, kind of. The woman is telling us her life story: how she met her husband, about her pregnancy and her troubles with her daughter Violet, and other events that traumatise her for life. The characters in this book are quite disturbed, intense and very complex. For some strange reason, I could really relate to the protagonist. I understood her and her thoughts resonated with mine sometimes.
At the beginning of the book, I was not very impressed, I had no idea what it was about. But the more I got into it, the more absorbed I became. The narrative has several different lines and is telling the story of women from three generations. The protagonist is sharing the deepest and scariest thoughts of her life, and it got very intense for me sometimes. I really enjoyed the suspense, turns and twists. The topics discussed in this book are marriage, pregnancies, lack of motherhood instinct, mother-daughter relationship, children behavioural issues, grief, depression, trauma and many more.
The book is set somewhere American sounding (might be Canada), the atmosphere of this book is pretty dark and shrouded with mystery. I really liked the writing style of this novel, it is very honest, detailed and the mystery was kept perfectly. The chapters are pretty short, so this book was a true page-turner for me. I really loved the ending, because I was pretty confused with some stuff happening in the book, but the ending kind of clarified it for me. I have to throw in a warning, that this book has triggers when it comes to pregnancies, cheating, death of children, grief, psychotic behaviour.
So, to conclude, this book is a very intense life story, filled with very well crafted characters, that are intriguing, absorbing and the plot that is layered, complex and brutally honest.
At the beginning of the book, I was not very impressed, I had no idea what it was about. But the more I got into it, the more absorbed I became. The narrative has several different lines and is telling the story of women from three generations. The protagonist is sharing the deepest and scariest thoughts of her life, and it got very intense for me sometimes. I really enjoyed the suspense, turns and twists. The topics discussed in this book are marriage, pregnancies, lack of motherhood instinct, mother-daughter relationship, children behavioural issues, grief, depression, trauma and many more.
The book is set somewhere American sounding (might be Canada), the atmosphere of this book is pretty dark and shrouded with mystery. I really liked the writing style of this novel, it is very honest, detailed and the mystery was kept perfectly. The chapters are pretty short, so this book was a true page-turner for me. I really loved the ending, because I was pretty confused with some stuff happening in the book, but the ending kind of clarified it for me. I have to throw in a warning, that this book has triggers when it comes to pregnancies, cheating, death of children, grief, psychotic behaviour.
So, to conclude, this book is a very intense life story, filled with very well crafted characters, that are intriguing, absorbing and the plot that is layered, complex and brutally honest.
Bookapotamus (289 KP) rated Do This For Me in Books
May 29, 2018
Can I give a 5 star rating for PART of a book?!? I was ALL-IN from page one of this book. The beginning was so fast, so awesome, with such manic intensity - I was like, this chick is BAD ASS! I TORE through the first quarter of this book. And then... meh. I guess we needed a bit of a breather because the first quarter of this book is one serious wild ride. It got back to it's intense awesomeness almost mid-way through, but then I felt it just got sappy and fizzled.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
LeftSideCut (3776 KP) Jul 21, 2020