"You have to remember that this came out when I was 10 years old, and my brothers started smoking pot and listening to that all the time. So we lived a lot of our young intense lives with all that cool Led Zeppelin shit playing. But when I hear Led Zeppelin IV, I guess that's where I discovered that idea of a rock group. So for me, Led Zeppelin never really evokes anything other than these dudes playing this bad ass music. Of course, it's impossible to really play like Led Zeppelin. I mean, they're a total fabrication of sounds and moods and little arranging techniques, little quirks. Jimmy Page is a master of that. It's a magical combination of, what, eight songs? When you listen to them altogether, which we do quite often, I don't see how anyone who loves music could listen to that and not think, 'Fuck, that's cool'. Such cool drumming, such cool effects on the guitars. Robert Plant... it's a weird way he sings. People have accepted it now, but it's a weird screech. So high, with so much velocity, he's really singing at the peak of his energy. That is driving the music. You can't take Robert Plant's screeching out of that and get the same effect. It's just what the song is. That song 'Rock N Roll' [sings] "been a long time since I rock 'n rolled"... if you don't sing it like that, it doesn't have the same effect. He screams that shit with that freaky echo on his voice, it's like some truth from beyond. It's fucking amazing. It's still amazing."

"I actually own a print of this. It’s one of those movies that was pivotal [for] me. I remember it screened in 16mm at my high school. The emotional power of that movie — it’s the first time I ever felt such intense emotion watching a film. I wasn’t that well-versed in film in high school, but I knew I was being hit by something incredibly powerful. What really struck me was Marlon Brando’s performance. And I know that’s easy to say, but that’s why I never get tired of watching the film, and why I really wanted to own a print because there’s a level of acting there that went beyond anything I had seen before. And it still ranks as maybe the best performance I’ve ever seen on film. I find it fascinating every time I watch it. Plus he’s surrounded by a brilliant cast and also the location — the way the film was shot on location — at that time, it had never been done before. All of that adds to the fact that I have a pretty lousy print of the movie but that’s what’s fun about it — it even feels more real. And then Criterion — to be completely geeked out — released it again last year, and I didn’t know it was shot in three different formats. Television was becoming popular at the time so they didn’t know if they would go widescreen with it, 1:85, or the typical way I think it was released, which I think is 1:66, but it’s fascinating to look at those versions as well. This is one of the greats."