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JT (287 KP) rated Hereafter (2010) in Movies

Mar 10, 2020  
Hereafter (2010)
Hereafter (2010)
2010 | Drama, Mystery
It’s an interesting film that will leave you asking yourself one question, “did Clint Eastwood really direct it?” And the answer, yes, he did. It’s not that the film is particularly bad but then it’s not really that good either, and you wonder if while his latest film J. Edgar was in pre-production he got bored and decided to fill the void.

Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.

Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.

I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.

With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
  
Behind Every Lie
Behind Every Lie
Christina McDonald | 2020 | Mystery, Thriller
8
8.0 (2 Ratings)
Book Rating
When Eva Hansen wakes up in the hospital, burned and battered after being struck by lightening, she learns a horrible fact: her mother, Kat, is dead. Even worse, the police tell her Kat was murdered. It quickly appears Eva is their number one suspect, having been found unconscious down the street from her mother's home. After the lightening strike, Eva can't remember what happened, but some clues from her mother's home lead her to London, her mother's former home, where she works to unravel both Kat's past and her own. But it quickly becomes apparent that someone doesn't want Eva uncovering her mother's secrets. And the more Eva begins to remember the events of that evening, the more danger she is in.


"Memories could be come distorted, twisted to suit the teller, or ignored and forgotten, pushed away. I should know. I'd been doing it for years."


This was my first book by Christina McDonald, but I'll definitely be tracking down her first book now as well. This was a spellbinding thriller, which I found quite difficult to put down. It's told in the alternating perspectives of Eva, in present-day, and her mom, Kat, in the past. The format works quite effectively and somehow gives the book a frenetic, frantic pacing and feel.

It's hard to know if Eva is telling us the truth, as she's been struck by lightning (!) and alludes to previous problems, too. Kat quickly emerges as a mysterious and dynamic character, too. As their stories unfold and start to converge, I was quite fascinated and intrigued, and the pages just flew by. I guessed quite a bit, but it didn't diminish my enjoyment at all, and I enjoyed all the twists and turns. (There's much more than Kat and Eva, but I don't want to spoil anything!)

Overall, I'm glad I followed all the #bookstagram hype and picked this one up. It was a quick, intense read. Different and engaging! 4 stars.
  
Red Riding Hood (2011)
Red Riding Hood (2011)
2011 | Horror, Romance
5
5.5 (11 Ratings)
Movie Rating
In a small village a wolf has been killing villagers who wander out alone. Yet for rule-breaking Valerie the desire to venture out and spend time with her true love overpowers all logic. However, drama sets in when Valerie finds she has been betrothed to a wealthy villager around the same time that that the big bad wolf returns.

Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.

The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.

The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.

The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.