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It Don't Mean a Thing by Elvin Jones
It Don't Mean a Thing by Elvin Jones
1993 | Rock
(0 Ratings)
Album Favorite

"I first met Chris Bear when I was fifteen. We were both at a jazz programme and he was the one person there that was frighteningly talented, just ridiculously talented, I was very intimidated by him. “He introduced me to this and it was one of the first records the two of us bonded over. I didn’t see him again for a few years, but this record was something I kept with me throughout the last few years of high school and I always remembered this amazing drummer who introduced me to it. “That first meeting with Chris Bear has been influential in my music and my life. We were all trying to be cool kids, trading on stuff that we knew and he had this record. There’s a wildness and a subtle funkiness to it, it’s functioning within the bounds of what the genre is but it’s pushing these tiny gradations of feeling. That’s what makes really good jazz really great, it sucks you into these funny little changes in the way that people are playing. It’s so human you feel like you’re in it, like you’re the person making it happen, it’s very physical. “The playing on this is incredibly fiery, Elvin Jones is a classic player and I think Chris Bear’s drumming comes a little bit from his playing at times, but this record is a little bit outside of pure jazz. I feel in our band, and in Chris Bear’s playing, he’s always had that subtlety of feeling, you can play within any one genre, but there’s this lightness of touch and a really subtle dynamic going on. “It takes knowing the right thing to find what’s good in jazz, it’s got a language and a history and it’s easy to hear terrible shit too, I get that. I remember riding around L.A in the back of someone’s car getting really stoned and listening to the whole record was like seeing colours, it was really intense and overwhelming"

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The Complete Works by Edgard Varese
The Complete Works by Edgard Varese
2018 | Classical, Compilation, Jazz
(0 Ratings)
Album Favorite

"Varese is a universe. A dense universe of objects colliding, crystallising, dissipating and obliterating. I feel like I can relate to what I know of his temperament as well. As well as his obsession with the desert and need to rid himself of the historical baggage of the past is something I can relate to. That guy for me is the origin of a lot of ideas that I'm excited about. It's hard to even talk about him. You know when you've sat with someone for so long that it's difficult to even begin to say. He was one of the first major composers who transitioned into more of a sound artist. As people have said, he kind of liberated sound from the familiar tropes of Western music and turned sound into this absolute state. An appreciation of sound as object. Sound as environment or experience. So, he's that guy. He's someone who, as I grew up, getting into composition and trying to find someone who I can relate to because I love the music but the culture of classical music is stuffy and boring. And I don't give a shit about it. But he was such an intense, probably manic depressive, obsessive-compulsive, beautiful, frustrated, angry, passionate person – and all this stuff came through his music. And I love him for that. He came out of the whole Romantic orchestral universe, and this was pre-electronic age. So he was surrounded by Stravinsky, Debussy, these major models as far as orchestral writing goes. But there wasn't anyone who was taking that model, freezing it and laying to waste the baggage of history that comes with along with that music. He was able to erase all of that and push the idea of orchestral writing forward. If he was alive today, that's a question I would ask him – where are you coming from? Like Feldman though, he's very intuitive in his writing, so he just trusted himself."

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Kristy H (1252 KP) rated Hostage in Books

Jul 1, 2021  
Hostage
Hostage
Clare Mackintosh | 2021 | Crime, Thriller
8
8.5 (2 Ratings)
Book Rating
You'll never want to fly again! ;)
Mina is a flight attendant scheduled for the inaugural non-stop flight from London to Sydney. There is much press and fanfare for the big flight, but Mina is mostly relieved it gets her a few days away from Adam, her estranged husband. The two have been torn apart by his cheating and the difficulties of parenting their young daughter. However, once the plane takes off, Mina receives a note telling her that she must make a terrifying decision, one that forces her to choose between her job and her family.

"Everyone wants a piece of Flight 79. Everyone wants to make history."

Whew, what a tense and stressful thriller! It had a slow start to building up all the drama--it is a lie that it all takes place on a plane, as we get some backstory to Mina and Adam's relationship before Mina steps on said fateful plane. For me, that part dragged a bit. Once she's on the plane, things pick up and it's a fairly twisty and taut journey.

The book flips between Mina and Adam's perspectives, along with some of the plane's passengers. It's a little hard to keep everyone straight, though it's clear from the passenger's narration that something is not right with this flight. Mackintosh, as always, is great at building up the uneasiness. Adam is not the most sympathetic of characters, and I wanted to yell and scream at him during many of his chapters. Their poor child--what parents she has!

It's a unique idea here, and for the most part, it's executed well. Mackintosh gives us a lot to think about, between Mina's situation and some of her other plot points. The story is stressful and intense, leaving you to wonder what on earth will happen next (and perhaps question any desire to take a plane ever again). The ending, too, is excellent. 4 stars.
  
Scary Stories to Tell in the Dark (2019)
Scary Stories to Tell in the Dark (2019)
2019 | Horror
Too scary for kids - not scary enough for teenagers
SCARY STORIES TO TELL IN THE DARK is a good "starter" horror film. A step up from fair like Goosebumps but not quite to the level (in intensity, gore and violence) of a "real" Horror film like HEREDITY, PARANORMAL ACTIVITY or the SAW franchise - and that just might be it's downfall for it is stuck in a very narrow band of viewers who will enjoy this (too intense for younger kids, to "kidd-ish" for teenagers and above).

And that's too bad, for SCARY STORIES is a pretty well put together film. Telling...well...a series of scary stories that come true (to the detriment of the teens that these stories are written about).

Based on the YA series of novels of the same name, Director Andre Overdal stitches together (in some instances quite literally) a creepy (enough) tale of teens in danger by things that go bump into the night. There are good (enough) scares, some real (enough) spine-tingling chills and just (enough) death and destruction to keep things interesting.

And that's good for the cast is pretty bland. Zoe Margaret Coletti, Michael Garza, Gabriel Rush and Austin Zajur are "fine" (but interchangeable) as the 4 teens caught in the crossfire of these stories. Their performances/characters are almost good enough to sustain things, but, ultimately, brought nothing new or interesting to their roles. Neither do Lorraine Toussaint, Gil Bellows and Dean Norris, 3 usually dependable actors that just sort of drift in and out of this film with not much to do.

But that doesn't really matter for the special effects, scares and story threads are what you are there to see and the special effects are good (enough), the scares are scary (enough) and the story is just interesting (enough) to let you have a decent (enough) time at the theater.

Letter Grade: B-

6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
  
    Trigger Fist

    Trigger Fist

    Games and Entertainment

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    Forged in the minds of battle-hardened gamers, Trigger Fist delivers precisely what you want in the...