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Lee (2222 KP) rated Goodbye Christopher Robin (2017) in Movies
Oct 2, 2017
My wife has the entire collection of Winnie the Pooh stories by A.A. Milne, featuring the illustrations by E.H. Shepherd, but they're not something I've ever actually read. I'm probably more familiar with the illustrations than the stories themselves and the fact that Christopher Robin was real, along with the stuffed toys that eventually became the characters and friends we all know and love. But I had no idea that the real Christopher Robin actually grew to hate being Christopher Robin and how much of a negative impact his fathers work had on his early years. Goodbye Christopher Robin tells us that story.
We begin with a brief scene of despair following the receipt of a telegram at the Milne home in 1941. Before we have time to fully understand what's going on, we're whisked back to World War I where A.A. Milne (Domhnall Gleeson) is fighting in the trenches. Following the war, Milne (or "Blue" to his friends) tries to live out a normal life in London, working as a writer with wife Daphne (Margot Robbie) and their young son Christopher Robin. Unfortunately though, Milne suffers from post-traumatic stress disorder, meaning that the bright lights and loud noises of London regularly take him back to the horrors of World War I and begin to effect his life and his work. Deciding to move his family to a farmhouse in Sussex, Milne hopes that the peace and quiet of the countryside will allow him to concentrate on getting back into his writing.
As he struggles to write the book he wants to write, Daphne heads back to London, promising only to return when he begins writing again. At the same time, beloved nanny Olive (Kelly Macdonald) takes time off to look after her mother, meaning that Milne must finally spend some time with Christopher Robin, getting to know his son and enjoying time together in the large woods surrounding their home. It's a slow process though, with the occasional PTSD trigger affecting the already strained father-son relationship, but they soon begin fleshing out stories, characters and habitats for what will become Winnie the Pooh and friends. When Milne invites his friend E.H. Shepherd down to start sketching the woodland and Christopher Robin at play, things really begin to take shape and it's not long before Milne has published his Winnie the Pooh stories. And they're an instant hit.
To the disappoint of A.A. Milne, much of the books attention is focused towards Christopher Robin who is immediately thrust into the limelight. Forced to endure endless photo-shoots and interviews, participating in a tea party with children who have won a competition and being constantly hounded by the press. His parents revel in the success thought, not really acknowledging the effect it's all having on their young son while they swan off to parties and holidays leaving the nanny to look after Christopher Robin and his increasingly busy schedule. Even a telephone call home from Milne to Christopher Robin to see how he is turns out to be part of a radio broadcast. He feels his life isn't his own anymore, and that Christopher Robin is just a character in a book. Even when he heads off to boarding school, he cannot escape the curse of Christopher Robin and is constantly bullied because of it.
It's thanks to the amazing cast, particularly Gleeson and newcomer Will Tilston, that all of this works so well. Building to a highly emotional ending (yeah, I cried!), Goodbye Christopher Robin is a wonderfully touching story. Emotional and hugely enjoyable.
We begin with a brief scene of despair following the receipt of a telegram at the Milne home in 1941. Before we have time to fully understand what's going on, we're whisked back to World War I where A.A. Milne (Domhnall Gleeson) is fighting in the trenches. Following the war, Milne (or "Blue" to his friends) tries to live out a normal life in London, working as a writer with wife Daphne (Margot Robbie) and their young son Christopher Robin. Unfortunately though, Milne suffers from post-traumatic stress disorder, meaning that the bright lights and loud noises of London regularly take him back to the horrors of World War I and begin to effect his life and his work. Deciding to move his family to a farmhouse in Sussex, Milne hopes that the peace and quiet of the countryside will allow him to concentrate on getting back into his writing.
As he struggles to write the book he wants to write, Daphne heads back to London, promising only to return when he begins writing again. At the same time, beloved nanny Olive (Kelly Macdonald) takes time off to look after her mother, meaning that Milne must finally spend some time with Christopher Robin, getting to know his son and enjoying time together in the large woods surrounding their home. It's a slow process though, with the occasional PTSD trigger affecting the already strained father-son relationship, but they soon begin fleshing out stories, characters and habitats for what will become Winnie the Pooh and friends. When Milne invites his friend E.H. Shepherd down to start sketching the woodland and Christopher Robin at play, things really begin to take shape and it's not long before Milne has published his Winnie the Pooh stories. And they're an instant hit.
To the disappoint of A.A. Milne, much of the books attention is focused towards Christopher Robin who is immediately thrust into the limelight. Forced to endure endless photo-shoots and interviews, participating in a tea party with children who have won a competition and being constantly hounded by the press. His parents revel in the success thought, not really acknowledging the effect it's all having on their young son while they swan off to parties and holidays leaving the nanny to look after Christopher Robin and his increasingly busy schedule. Even a telephone call home from Milne to Christopher Robin to see how he is turns out to be part of a radio broadcast. He feels his life isn't his own anymore, and that Christopher Robin is just a character in a book. Even when he heads off to boarding school, he cannot escape the curse of Christopher Robin and is constantly bullied because of it.
It's thanks to the amazing cast, particularly Gleeson and newcomer Will Tilston, that all of this works so well. Building to a highly emotional ending (yeah, I cried!), Goodbye Christopher Robin is a wonderfully touching story. Emotional and hugely enjoyable.
Daniel Boyd (1066 KP) rated The Beatles: Eight Days A Week - The Touring Years (2016) in Movies
Oct 24, 2017
Four Lads Who Shook The World
Last night the Ron Howard directed Beatles documentary, Eight Days A Week: The Touring Years, premiered in London. As much as I would have loved to attend the premier, I have just started a new year at university and couldn’t afford to go both financially and educationally. Therefore I had to settle for going to see it in my local cinema, but it was still an awesome experience. From six o’clock, the cinema streamed the premier in London, hosted by John Bishop and Edith Bowman and featuring interviews from Ron Howard, Paul and Ringo. Then the cinema auctioned off a poster for the film for charity, (which went for £100 if you are curious,) then finally the film started.
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
Daniel Boyd (1066 KP) rated Bohemian Rhapsody (2018) in Movies
Oct 25, 2018 (Updated Oct 25, 2018)
Sublime performance from Rami Malek (1 more)
Sound mixing
They Will Rock You
I feel like I should preface this review with some context. Queen were the first band that I was properly into and the Bohemian Rhapsody/These Are The Days Of Our Loves double A side CD was the first piece of music that I ever bought with my own money. I have loved Queen's music for the vast majority of my life and I have grown up watching their concerts and music videos. I have been waiting for this movie to be made for a long time.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
Gareth von Kallenbach (968 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 19, 2019
When we last saw former cop turned wasteland warrior Max, it was nearly 30 years ago. Writer/Director George Miller had envisioned a follow up back in 2000, but various factors delayed the film so much that star Mel Gibson believed he had become too old to play the character which opened the door for Tom Hardy to don the knee brace of the famous character.
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
Gareth von Kallenbach (968 KP) rated Live Die Repeat: Edge of Tomorrow (2014) in Movies
Jun 19, 2019
When the world falls under attack from a bizarre alien threat the world’s militaries unite to wage a desperate battle to save humanity. In the new film “Edge of Tomorrow”, Tom Cruise stars as Major Cage, a smug p.r. specialist who holds numerous interviews and press conferences convincing people to enlist and join the war effort and promising victory while keeping himself in safe locales far from the action.
When Cage learns that he is to be embedded with fighting units in a major offensive following the first victory by the humans, he balks and attempts to blackmail his new superior General Bringham (Paul Gleeson), into letting him stay away from combat zones.
Gleeson calls his bluff and Cage soon awakens at a forward base where his orders list him as a deserter who impersonates an officer and as such, is not to have any communication and is to be inserted into combat the following morning.
With no combat training at all since he was pulled from a P.R. firm and only had R.O.T.C. in college, Cage is highly unsuited to combat. He is not even capable of getting the weapons on his power suit to go off safety mode.
The battle goes badly and Cage and his fellow troops are decimated but shortly before his death, Cage gets himself up close and personal with the enemy and goes down in a blaze of glory.
Cage then unexpectedly awakens and it is the previous morning but he has all the knowledge of what happened previously. His efforts to warn his superiors fail and once again the invasion becomes a disaster. Cage is caught in a loop repeating the doomed mission but each time out he makes subtle changes and learns from his mistakes.
One such change has him encounter war hero Rita Vrataski (Emily Blunt) who oddly enough recognizes what is happening to Cage and instructs him to find her when he awakens.
Despite some effort, Cage manages to locate and convince Rita and the two of them work to build Cages combat skills all the while attempting to understand the nature of the enemy and what is happening to them.
With the advantage of being able to repeat the same day over and over the unlikely pair becomes the best hope for humanity and set about to save the day.
The film has a very solid and enjoyable premise and I liked the way they handled Cruise’s character. When I first heard of the film I thought he was a bit old to play a combat rookie unless they were hard pressed and forced him into duty but even then he would have some kind of training.
The film has some great supporting performances and great FX that really popped in IMAX 3D. I really enjoyed the action and the story and while if you really stop and analyze it you may find issues with the time loops and possible paradoxes presented, the main thing is that it is an action film that actually gives fans a story, solid characters, and an interesting premise.
Cruise and Blunt work well with one another and I must say that the film is right there with “Captain America: The Winter Soldier” as the best film of the summer offerings to date in my opinion. Check this one out as you will not want to miss it.
http://sknr.net/2014/06/06/edge-tomorrow/
When Cage learns that he is to be embedded with fighting units in a major offensive following the first victory by the humans, he balks and attempts to blackmail his new superior General Bringham (Paul Gleeson), into letting him stay away from combat zones.
Gleeson calls his bluff and Cage soon awakens at a forward base where his orders list him as a deserter who impersonates an officer and as such, is not to have any communication and is to be inserted into combat the following morning.
With no combat training at all since he was pulled from a P.R. firm and only had R.O.T.C. in college, Cage is highly unsuited to combat. He is not even capable of getting the weapons on his power suit to go off safety mode.
The battle goes badly and Cage and his fellow troops are decimated but shortly before his death, Cage gets himself up close and personal with the enemy and goes down in a blaze of glory.
Cage then unexpectedly awakens and it is the previous morning but he has all the knowledge of what happened previously. His efforts to warn his superiors fail and once again the invasion becomes a disaster. Cage is caught in a loop repeating the doomed mission but each time out he makes subtle changes and learns from his mistakes.
One such change has him encounter war hero Rita Vrataski (Emily Blunt) who oddly enough recognizes what is happening to Cage and instructs him to find her when he awakens.
Despite some effort, Cage manages to locate and convince Rita and the two of them work to build Cages combat skills all the while attempting to understand the nature of the enemy and what is happening to them.
With the advantage of being able to repeat the same day over and over the unlikely pair becomes the best hope for humanity and set about to save the day.
The film has a very solid and enjoyable premise and I liked the way they handled Cruise’s character. When I first heard of the film I thought he was a bit old to play a combat rookie unless they were hard pressed and forced him into duty but even then he would have some kind of training.
The film has some great supporting performances and great FX that really popped in IMAX 3D. I really enjoyed the action and the story and while if you really stop and analyze it you may find issues with the time loops and possible paradoxes presented, the main thing is that it is an action film that actually gives fans a story, solid characters, and an interesting premise.
Cruise and Blunt work well with one another and I must say that the film is right there with “Captain America: The Winter Soldier” as the best film of the summer offerings to date in my opinion. Check this one out as you will not want to miss it.
http://sknr.net/2014/06/06/edge-tomorrow/