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Mary Queen of Scotland and The Isles
Book
She became Queen of Scots when she was only six days old. Life among the warring factions in...
A Winter's Promise
Book
Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in...
IT
Innocent Traitor
7.0
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Book
I am now a condemned traitor . . . I am to die when I have hardly begun to live. Historical...
The Foreign Correspondent
Book
From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an...
Game of Greed (Francis Scott-Wren Series Book 1)
Book
Earth provides enough to satisfy every man's needs, but not every man's greed. Breathtaking...
crime thriller Swedish fiction Game of Greed Francis Scott-Wren
Christmas in The Sisters: A Holiday Mystery Novel (The Sisters, Texas Mystery Series Book 6)
7.3
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Book
Seasonal intrigue in the Award-Winning The Sisters, Texas Mystery Series! Madison Reynolds...
mystery fiction adult series crime Women's Fiction
Merissa (11805 KP) rated The Pig Wars in Books
Jan 18, 2022
THE PIG WARS is a standalone fantasy set in a world of Elves, Half-Elves, and Humans, although it does feel as though this is a follow-on or spin-off from a previous set of stories. Our main female, Renna, is a Half-Elf and a strong warrior who has hung up her sword after a long and heart-breaking battle. Gorsfeld is human and wants to rule the Marches, either by marrying Renna or taking over her lands. He's not bothered which. Renna has a dodgy leg from birth which is used as the reason she is still alone.
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (11805 KP) rated The Silver Ones (The Silver Series, #1) in Books
Sep 20, 2022
A very different shifter story that stands out from the crowd.
THE SILVER ONES is the first book in The Silver Series and we learn about a world inhabited by shifters, hunters, vampires, witches, and the 'normal' folk. Except something has happened recently that means some of the normals have turned into Silvers. They have silver hair and their eyes changed colour. This marks them out from the crowd but no one knows why.
In Rem's village, the witches control everything. No one is taught how to read and write in case it gives them too many ideas. She is one of the newly changed Silvers and doesn't know what to do. The plans that were made were too late as Rem and her brother, Oliver, were kidnapped by shifters, and Rem was cursed by an Elder Witch. How will she protect her brother and break this curse?
I loved this story! It's a long one so I was able to fully immerse myself in it. I loved how the different factions were described, especially the shifters. I love that Finnish is their native language and the difficulties Rem has trying to learn it. As someone learning German, it was brilliant to read that she translated everything in her head first, instead of just being able to speak fluently within a couple of days!
Hold onto your hats though because it is Intrigue Central. There are so many twists and turns to hold your interest. Some are obvious, some are not; all are fantastic.
It is a slow burn for the majority of the story, with a steamy scene near the end. The connection between Ronan and Rem leaps off the pages though and I can't wait to see where their story takes them next.
A very different shifter story that stands out from the crowd. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
In Rem's village, the witches control everything. No one is taught how to read and write in case it gives them too many ideas. She is one of the newly changed Silvers and doesn't know what to do. The plans that were made were too late as Rem and her brother, Oliver, were kidnapped by shifters, and Rem was cursed by an Elder Witch. How will she protect her brother and break this curse?
I loved this story! It's a long one so I was able to fully immerse myself in it. I loved how the different factions were described, especially the shifters. I love that Finnish is their native language and the difficulties Rem has trying to learn it. As someone learning German, it was brilliant to read that she translated everything in her head first, instead of just being able to speak fluently within a couple of days!
Hold onto your hats though because it is Intrigue Central. There are so many twists and turns to hold your interest. Some are obvious, some are not; all are fantastic.
It is a slow burn for the majority of the story, with a steamy scene near the end. The connection between Ronan and Rem leaps off the pages though and I can't wait to see where their story takes them next.
A very different shifter story that stands out from the crowd. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
D.B. and Me
Book
In the gripping tale of D.B. and Me, the enigmatic hijacker, D.B. Cooper, parachutes into the...
Contemporary MM Romance True Crime Suspense Mystery
Emma @ The Movies (1786 KP) rated Little Joe (2019) in Movies
Feb 6, 2020
I managed to get a ticket to see this at the London Film Festival, it had made my long shortlist, the premise looked interesting and the graphics were extremely appealing. I was very excited to see what Little Joe had in store.
Alice is developing a new breed of flower, a beautiful crimson flower that has an incredible therapeutic value to its owner. Look after it properly, speak to it nicely, and it will make you happy.
After Alice sneaks one home to her son she soon notices that rather than a happy demeanour he starts acting strangely, and he's not the only one showing odd behaviour after being around Little Joe.
Little Joe has some very strong style choices. The colour palette is beautiful, and I wish I could find the notes I made about it from the Q&A after the film. The vibrant pastels are homely and comforting while at the same time unsettling around the normal tones of life.
That's what a lot of the film is made to do though, the music is something I noted frequently. The oriental music works directly against what's happening in the story, an intentional choice by the composer. I also wrote down the word "whistling" a lot with regards to sound. While I can understand (sort of) why the composer went that way with the music I didn't feel like it worked. I didn't dislike the music itself, but my comments were mainly exclaiming that it stuck out and felt too different from everything around it that it became distracting.
Another piece of the film that didn't sit well with me was camera work. There are some very well shot scenes, when we first encounter Little Joe in Alice's home and a scene later on inside the greenhouse (that I won't go into because of spoilers), that draw the viewer in with intrigue. But then... you know when you're doing something and you get bored and realise you've drifted off looking at a point in the distance? The camera appears to get bored too and it'll zoom to the gaps between characters. Maybe I'm just programmed to expect this sort of shot to reveal something secret to the audience that the characters haven't noticed... I found it more distracting and annoying than having any artistic benefit.
Alice (Emily Beecham) has a dual mother role, firstly with her son Joe and secondly with her plants. Little Joe appears to be more like a son to her than her own flesh and blood, her scientific mind perhaps finding it easier to interact with an inanimate object that begins to defy what she knows to be possible. The film gets across her struggle quite well with her therapy sessions and the interactions with those around her as we get deeper into the story. Beecham's performance is... relaxed? Even when there's urgency nothing ever seems to be very urgent.
That's something that is common throughout, the pace plods. You would expect a somewhat subdued pace in this sort of invasion storyline, but there are no real points of climax and that makes it more of a meander... perhaps those exciting moments happened when the camera zoned out.
There are touches here and there that do make you hopeful for the film, but overall it feels like Little Joe went for subtle and took it slightly too far. Everything felt too calm, the only one that seemed to react as you'd expect was Bella, but the nature of her part of the story meant that this was over the top because it was so far from everything else.
I like the idea behind this and we know from many different films that this sort of thing can work, but the lack of a real punch anywhere made this a struggle to watch. Oddly, I think this would have worked as a limited series without a lot of changes. The slow pace wouldn't have been so evident if it was broken down into episodes, there are small peaks in there that would give just enough intrigue to hold over to the next episode, I even feel like the ending as it is would have worked more in this style. Sadly, as it was I don't feel like there was enough reward for the time invested in watching it as a film, there's a different expectation between and film and a TV series but it's very difficult to explain it here without revealing spoilers.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/little-joe-movie-review.html
Alice is developing a new breed of flower, a beautiful crimson flower that has an incredible therapeutic value to its owner. Look after it properly, speak to it nicely, and it will make you happy.
After Alice sneaks one home to her son she soon notices that rather than a happy demeanour he starts acting strangely, and he's not the only one showing odd behaviour after being around Little Joe.
Little Joe has some very strong style choices. The colour palette is beautiful, and I wish I could find the notes I made about it from the Q&A after the film. The vibrant pastels are homely and comforting while at the same time unsettling around the normal tones of life.
That's what a lot of the film is made to do though, the music is something I noted frequently. The oriental music works directly against what's happening in the story, an intentional choice by the composer. I also wrote down the word "whistling" a lot with regards to sound. While I can understand (sort of) why the composer went that way with the music I didn't feel like it worked. I didn't dislike the music itself, but my comments were mainly exclaiming that it stuck out and felt too different from everything around it that it became distracting.
Another piece of the film that didn't sit well with me was camera work. There are some very well shot scenes, when we first encounter Little Joe in Alice's home and a scene later on inside the greenhouse (that I won't go into because of spoilers), that draw the viewer in with intrigue. But then... you know when you're doing something and you get bored and realise you've drifted off looking at a point in the distance? The camera appears to get bored too and it'll zoom to the gaps between characters. Maybe I'm just programmed to expect this sort of shot to reveal something secret to the audience that the characters haven't noticed... I found it more distracting and annoying than having any artistic benefit.
Alice (Emily Beecham) has a dual mother role, firstly with her son Joe and secondly with her plants. Little Joe appears to be more like a son to her than her own flesh and blood, her scientific mind perhaps finding it easier to interact with an inanimate object that begins to defy what she knows to be possible. The film gets across her struggle quite well with her therapy sessions and the interactions with those around her as we get deeper into the story. Beecham's performance is... relaxed? Even when there's urgency nothing ever seems to be very urgent.
That's something that is common throughout, the pace plods. You would expect a somewhat subdued pace in this sort of invasion storyline, but there are no real points of climax and that makes it more of a meander... perhaps those exciting moments happened when the camera zoned out.
There are touches here and there that do make you hopeful for the film, but overall it feels like Little Joe went for subtle and took it slightly too far. Everything felt too calm, the only one that seemed to react as you'd expect was Bella, but the nature of her part of the story meant that this was over the top because it was so far from everything else.
I like the idea behind this and we know from many different films that this sort of thing can work, but the lack of a real punch anywhere made this a struggle to watch. Oddly, I think this would have worked as a limited series without a lot of changes. The slow pace wouldn't have been so evident if it was broken down into episodes, there are small peaks in there that would give just enough intrigue to hold over to the next episode, I even feel like the ending as it is would have worked more in this style. Sadly, as it was I don't feel like there was enough reward for the time invested in watching it as a film, there's a different expectation between and film and a TV series but it's very difficult to explain it here without revealing spoilers.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/little-joe-movie-review.html