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Phil Leader (619 KP) rated On the Steel Breeze in Books
Nov 21, 2019
On The Steel Breeze is the second in Reynold's Poseidon's Children trilogy and deals with the relationship between humans and artificial intelligence.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
LeftSideCut (3778 KP) rated Power Rangers (2017) in Movies
Jan 31, 2020
Contains spoilers, click to show
About 85% of this reboot of the popular 90s show Power Rangers is quite a broody and charming enough story about a group of five (mostly outcast) teenagers finding a bond and friendship after discovering that they've be given superpowers. This is spliced with the odd training montage of them all learning how to harness their new found powers.
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly đź–•
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly đź–•
LeftSideCut (3778 KP) rated American Horror Story - Season 7 in TV
Mar 8, 2020
Season 7 of American Horror Story, subtitled Cult, is a weird one. Instead of focusing on the supernatural, ghosts, witches, haunted houses, Cult is a trip through the delicacy of the human mind. It instead looks at fears, real world issues, and of course, the presence of an all too familiar cult like family.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
Emma @ The Movies (1786 KP) rated Nobody (2021) in Movies
Jul 10, 2021
Having been out of the trailer game for a while this one managed to sneak up on me. It looked intriguing enough.
Hutch has a humdrum life. Work, home, sleep, repeat. When that monotony is broken by criminals, his past comes back to mix things up a bit.
This film is short and sweet, I was shocked to come out of the cinema to something that passed for sunlight. At just over an hour and a half it packs an action-filled punch. It does love a montage, which helps its length. I thought I'd get bored of them, but no, each time summed up the scenes well and really gave the non-action great pace to keep up with the actiony bits.
I loved the experience of seeing this in the cinema, the reactions were really entertaining. The air was filled with sharp intakes of breath and winces accompanied by laughter. It was a joyful bit of viewing. (Apart from the three women in front of me, for the second film in a row, who spoke "spoilers" out loud during the screening. They were obvious, and I could see them coming, but that wasn't really the point.)
Bob Odenkirk is one of those actors I recognise, but generally wouldn't be able to identify from anything specific. (Apart from the dad in Little Women.) That for me was worked really well as it's exactly what matched the character, Hutch needs to be forgettably memorable, and the pairing worked really well. His reactions to the violence added that underlying menace that really won me over. And I'm not going to lie, my reaction to my house is the same as his.
Christopher Lloyd was a pleasant surprise in the cast, and I wasn't disappointed with his scenes. Pure ridiculous joy. Could he have done with more to do? Maybe. Was I bothered that he didn't get it? Not really, it just made for a wonderful addition.
Seeing it jump around locations a nice touch, and it used confined spaces particularly well. The bus scene had me ducking and weaving along with the fighting. There were moments though where I wanted to see a little more of what was happening in some of those spaces though. There were some very elaborate setups but we seemed to be left with unanswered questions. The same goes for a couple of the other bits of the film, and while the intrigue sufficed for some, it didn't carry through to all of them.
Nobody proved to be an entertaining action film, John Wick for the "regular" person. It didn't get me so hyped that I was buzzing and couldn't sleep, it got me to the verbalising the action with every gut punch point... and I'm here for it. Can't fault it... apart from it not having more Christopher Lloyd action scenes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/nobody-movie-review.html
Hutch has a humdrum life. Work, home, sleep, repeat. When that monotony is broken by criminals, his past comes back to mix things up a bit.
This film is short and sweet, I was shocked to come out of the cinema to something that passed for sunlight. At just over an hour and a half it packs an action-filled punch. It does love a montage, which helps its length. I thought I'd get bored of them, but no, each time summed up the scenes well and really gave the non-action great pace to keep up with the actiony bits.
I loved the experience of seeing this in the cinema, the reactions were really entertaining. The air was filled with sharp intakes of breath and winces accompanied by laughter. It was a joyful bit of viewing. (Apart from the three women in front of me, for the second film in a row, who spoke "spoilers" out loud during the screening. They were obvious, and I could see them coming, but that wasn't really the point.)
Bob Odenkirk is one of those actors I recognise, but generally wouldn't be able to identify from anything specific. (Apart from the dad in Little Women.) That for me was worked really well as it's exactly what matched the character, Hutch needs to be forgettably memorable, and the pairing worked really well. His reactions to the violence added that underlying menace that really won me over. And I'm not going to lie, my reaction to my house is the same as his.
Christopher Lloyd was a pleasant surprise in the cast, and I wasn't disappointed with his scenes. Pure ridiculous joy. Could he have done with more to do? Maybe. Was I bothered that he didn't get it? Not really, it just made for a wonderful addition.
Seeing it jump around locations a nice touch, and it used confined spaces particularly well. The bus scene had me ducking and weaving along with the fighting. There were moments though where I wanted to see a little more of what was happening in some of those spaces though. There were some very elaborate setups but we seemed to be left with unanswered questions. The same goes for a couple of the other bits of the film, and while the intrigue sufficed for some, it didn't carry through to all of them.
Nobody proved to be an entertaining action film, John Wick for the "regular" person. It didn't get me so hyped that I was buzzing and couldn't sleep, it got me to the verbalising the action with every gut punch point... and I'm here for it. Can't fault it... apart from it not having more Christopher Lloyd action scenes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/nobody-movie-review.html
Andy K (10821 KP) rated Emperor (2013) in Movies
Sep 9, 2019
A tough challenge
The end of Asian campaign of World War II is complicated. The Japanese surrender following the US dropping the pair of atomic bombs; killing hundreds of thousands, wounding many more and leaving cities in ruins. Tensions are still running at a fever pitch and many people are demanding answers and swift justice for those responsible.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
Alice in the Mirrors of Albion
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Meet Alice in the Mirrors of Albion, a captivating new Lewis Carroll–inspired game! Mirrors of...
BankofMarquis (1832 KP) rated The Outfit (2022) in Movies
Jul 1, 2022
Smart, Intelligent and Understated
So much of the success or failure of a film at the Cineplex Box Office depends on the marketing of the film and the timing of it’s release. In the case of the wonderful crime drama THE OUTFIT (who’s release was buried in late January/early February 2022), the marketing did it no favors.
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
"Whatever you've heard about Caraval, it doesn't compare to the reality. It's more than just a game or a performance. It's the closest you'll ever find to magic in this world . . ." Caraval is this indescribable world that you just need to fall into whole-heartedly.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
Kristy H (1252 KP) rated The Twilight Wife in Books
Feb 13, 2018
Kyra Winthrop and her husband, Jacob, are headed to live on a remote island (in the house where Jacob grew up) to get away from it all. Kyra recently suffered a head injury in a diving accident; she hit her head on a rock and while Jacob saved her, she cannot remember the past four years of her life and is having trouble with her current ability to retain things. Kyra and Jacob hope time away, in a quiet place, will let Kyra--and her memory--heal. But once on the island, Kyra begins to remember more and more. About the accident and about her past. She has no one to rely on but Jacob, who tells her much of what she remembers are only dreams. But Kyra is convinced it's more. And what about the shadowy third figure she continually recalls from their diving accident? Kyra isn't sure who to trust, even herself, as she tries to unfold her past and recall not only her accident, but who she has been for the past four years.
This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable (e.g., only forgetting exactly these 4 crucial years, no Internet on the island except at their home, etc.), or where the story felt a bit flat. Kyra is our main character, and she's interesting and complicated, with her memory loss and unknown past. She's truly trying to find out who she is. The others in the novel, mainly Jacob and a few island residents, aren't exactly characters you form an attachment to. Still, I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world.
I found the ending to be a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob (don't want to give anything away). It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 12/27/2016.
This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable (e.g., only forgetting exactly these 4 crucial years, no Internet on the island except at their home, etc.), or where the story felt a bit flat. Kyra is our main character, and she's interesting and complicated, with her memory loss and unknown past. She's truly trying to find out who she is. The others in the novel, mainly Jacob and a few island residents, aren't exactly characters you form an attachment to. Still, I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world.
I found the ending to be a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob (don't want to give anything away). It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 12/27/2016.