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LeftSideCut (3778 KP) rated Halloween (1978) in Movies
Sep 29, 2020
What is there to say about Halloween that hasn't already been said? Not quite the first slasher, but arguably the film to throw this particular sub genre and all its tropes into the spotlight, and it's pretty much the perfect horror.
Halloween is iconic in several ways. A big part of that is it's characters. Laurie Strode is considered by many to be the quintessential scream queen/final girl and that is completely down to Jamie Lee Curtis. Her character is down to earth and relatable, realistic but shows resolve by the time the credits role. This has resulted in her return many times throughout the franchise and is still beloved now.
Donald Pleasance as Dr Loomis is another main stay of the franchise. His character arc is more tempestuous than Laurie's and as a result is less impactful overall, but is an important part nonetheless, especially in the original.
But what would Halloween be if it wasn't for Michael Myers, and indisputable behemoth of horror. His first outing is easily his best, with just enough back story to intrigue, and a quiet determination in the way he mercilessly and calmly stalks his victims. His souless, white mask (a mask infamously modelled after William Shatner) and dark jumpsuit is a simple yet effective aesthetic.
Some of the shots in Halloween are genuinely chilling - they got me when I was a kid, and they still get me now. One shot that always sticks in my head is when Laurie clocks Michael a little way down the street staring at her from behind a bush in broad daylight. The whole film is creepy, something that has seldom been imitated in the huge number of Slashers that followed in its wake.
This is all topped off by the instantly recognisable music score, composed by director John Carpenter (the talented bastard). I'm an unashamed Carpenter fan, and my love for his work started right here, as it did for many others.
Halloween is a film that is rightly still talked about today. It will never fade away, and it's simply down to how good it is, even all these years later. It's a must see piece of cinema, and it stands shoulder to shoulder with The Thing as my personal favourite horror of all time.
Halloween is iconic in several ways. A big part of that is it's characters. Laurie Strode is considered by many to be the quintessential scream queen/final girl and that is completely down to Jamie Lee Curtis. Her character is down to earth and relatable, realistic but shows resolve by the time the credits role. This has resulted in her return many times throughout the franchise and is still beloved now.
Donald Pleasance as Dr Loomis is another main stay of the franchise. His character arc is more tempestuous than Laurie's and as a result is less impactful overall, but is an important part nonetheless, especially in the original.
But what would Halloween be if it wasn't for Michael Myers, and indisputable behemoth of horror. His first outing is easily his best, with just enough back story to intrigue, and a quiet determination in the way he mercilessly and calmly stalks his victims. His souless, white mask (a mask infamously modelled after William Shatner) and dark jumpsuit is a simple yet effective aesthetic.
Some of the shots in Halloween are genuinely chilling - they got me when I was a kid, and they still get me now. One shot that always sticks in my head is when Laurie clocks Michael a little way down the street staring at her from behind a bush in broad daylight. The whole film is creepy, something that has seldom been imitated in the huge number of Slashers that followed in its wake.
This is all topped off by the instantly recognisable music score, composed by director John Carpenter (the talented bastard). I'm an unashamed Carpenter fan, and my love for his work started right here, as it did for many others.
Halloween is a film that is rightly still talked about today. It will never fade away, and it's simply down to how good it is, even all these years later. It's a must see piece of cinema, and it stands shoulder to shoulder with The Thing as my personal favourite horror of all time.
Shelle Perry (66 KP) rated The Drop-Dead Temple of Doom (The Alvarez Family Murder Mysteries) in Books
Sep 22, 2021
Get ready for a wild ride
Get ready for a wild ride, this book is non-stop from beginning to end. Sure it starts on a calm Sunday morning and escalates quickly when Lee’s husband is called into action to find his cousin’s husband, Martin, who is missing in the Guatemalan jungle. Despite her being an indoor kind of girl, he recruits Lee onto the mission because he senses there is a mystery to solve at the archeological dig where his cousin works. He is of course right. Kidnapping, vandalism, theft, maybe murder? Lee is on a roll pulling together the facts and clues with her “survival trained” CEO mother in tow and her trusty, IT genius brother on the sat phone. The Alvarez Family is on the case. Twists and turns abound leading to a grand reveal that is as humorous as it is serious. I certainly never picked up on all the secrets.
I loved this book.
I chose to read it because I live with a junior archeologist and my daily life is filled with words like stratigraphy, digs, grants, and finds. Plus, there is lecture upon lecture about ancient artifacts, ancient history, and just what it all means (spoiler alert: It’s probably ritual). The fairly recent discoveries of LIDAR enhanced ruins covering the jungles of Central America are of particular interest around here at the moment. This book looked like fun and I am always looking to see if someone writing a story about this stuff gets it right. Heather Haven definitely did.
This is a story of intrigue, backstabbing, and just plain greed and that is just the academics on staff. Once people start dying the story really gets interesting. This book has a large cast of characters, all of them vivid and well written and so perfectly suspect. The relationship between Lee and her mom, Lila, is hilarious. On one hand, Lee is a grown woman who has proven time and again that she is quite capable, yet Lila can reduce her to gibbering incoherence in a single glance. “But, Mom!” is the comedic subtext behind most of their dialogue. Still, the two make a terrific sleuthing team and there is a lot of ground to cover in this tale. In addition to great characters, the description of the look and feel of the jungle and rainforests is spot on and puts the reader right in it.
I loved this book.
I chose to read it because I live with a junior archeologist and my daily life is filled with words like stratigraphy, digs, grants, and finds. Plus, there is lecture upon lecture about ancient artifacts, ancient history, and just what it all means (spoiler alert: It’s probably ritual). The fairly recent discoveries of LIDAR enhanced ruins covering the jungles of Central America are of particular interest around here at the moment. This book looked like fun and I am always looking to see if someone writing a story about this stuff gets it right. Heather Haven definitely did.
This is a story of intrigue, backstabbing, and just plain greed and that is just the academics on staff. Once people start dying the story really gets interesting. This book has a large cast of characters, all of them vivid and well written and so perfectly suspect. The relationship between Lee and her mom, Lila, is hilarious. On one hand, Lee is a grown woman who has proven time and again that she is quite capable, yet Lila can reduce her to gibbering incoherence in a single glance. “But, Mom!” is the comedic subtext behind most of their dialogue. Still, the two make a terrific sleuthing team and there is a lot of ground to cover in this tale. In addition to great characters, the description of the look and feel of the jungle and rainforests is spot on and puts the reader right in it.
Merissa (11805 KP) rated Shadow Seer (Blood Shadows #2) in Books
Nov 21, 2022
SHADOW SEER is the second book in the Blood Shadows trilogy and although it is sort of standalone - in that it is Zach and Emma's story - it is better to read in sequence so you get the big picture. As for Zach and Emma, they were childhood friends who were separated by sad circumstances. Zach sets out to find her, not knowing what he will find. Is Emma innocent or is she involved with her father's wrongdoings?
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lindsay (1706 KP) rated Bound Across Time (Bound #1) in Books
Jun 16, 2024
Bound Across Time is intrigued with the title. The description also pulled me in. Who doesn't like a bit of paranormal with historical fiction mixed in? I was surprised by something I usually do not read, which brings in some magic.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Emma @ The Movies (1786 KP) rated Underwater (2020) in Movies
Mar 5, 2020
Underwater was in my top picks for February, it looked like a cross between Deep Rising, Alien and a selection of Doctor Who episodes... I was definitely in.
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
Phillip McSween (751 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Apr 1, 2019
Good, But Was Hoping For More
The plot is exactly what the title entails: A man who settles down in a small town after killing Hitler is called back into action years later one last time…to kill bigfoot. You may love it, you may hate it, but you won’t be able to knock its originality. Ten minutes in and it didn’t take me long to figure out I was watching something I had never seen before.
Acting: 10
Beginning: 10
From the beginning, you will be focused on this movie as it grabs your attention immediately. You find yourself wondering, What exactly is this man doing? I loved the intrigue to start, hooks you in right away. You also quickly learn that Calvin Barr (Sam Elliott) is nothing to be trifled with. You get to see his first taste of action and it’s fun to watch.
Characters: 10
Calvin isn’t that hard to figure out. He kicks ass and takes names and gives zero shits about it. He’s the kind of guy you can get behind. He’s hardened by the things he has seen, causing him to shell up into himself. Life experiences, man. They have a way of shaping people.
Cinematography/Visuals: 9
Conflict: 8
Genre: 4
I can’t rate this any higher because I don’t think the movie ever really decided what it wanted to be. Sometimes action, sometimes drama there is a mix here that puts it in a weird place. I would be fine with it if it did one or the other exceptionally well, but I feel like it missed the boat in some spots, just shy of being a really solid movie.
Memorability: 9
Hate it or love it, this is a movie you won’t soon forget. I expected to get short-changed when it came to the bigfoot, but, no, you get to see the creature in all its glory. And what a creature! Definitely an interesting spin on the mythical beast. It’s imagery like this that really has a way of sticking out in my mind.
Pace: 9
Plot: 8
Resolution: 2
Overall: 79
I’m mad because I wanted this to be better than just a “Folding Clothes” movie. It’s good, but falls just short of great unfortunately. I think a little more tonal direction and a better ending could have put it in the range of a classic. Alas, The Man Who Killed Hitler and Then the Bigfoot is just ok.
Acting: 10
Beginning: 10
From the beginning, you will be focused on this movie as it grabs your attention immediately. You find yourself wondering, What exactly is this man doing? I loved the intrigue to start, hooks you in right away. You also quickly learn that Calvin Barr (Sam Elliott) is nothing to be trifled with. You get to see his first taste of action and it’s fun to watch.
Characters: 10
Calvin isn’t that hard to figure out. He kicks ass and takes names and gives zero shits about it. He’s the kind of guy you can get behind. He’s hardened by the things he has seen, causing him to shell up into himself. Life experiences, man. They have a way of shaping people.
Cinematography/Visuals: 9
Conflict: 8
Genre: 4
I can’t rate this any higher because I don’t think the movie ever really decided what it wanted to be. Sometimes action, sometimes drama there is a mix here that puts it in a weird place. I would be fine with it if it did one or the other exceptionally well, but I feel like it missed the boat in some spots, just shy of being a really solid movie.
Memorability: 9
Hate it or love it, this is a movie you won’t soon forget. I expected to get short-changed when it came to the bigfoot, but, no, you get to see the creature in all its glory. And what a creature! Definitely an interesting spin on the mythical beast. It’s imagery like this that really has a way of sticking out in my mind.
Pace: 9
Plot: 8
Resolution: 2
Overall: 79
I’m mad because I wanted this to be better than just a “Folding Clothes” movie. It’s good, but falls just short of great unfortunately. I think a little more tonal direction and a better ending could have put it in the range of a classic. Alas, The Man Who Killed Hitler and Then the Bigfoot is just ok.
Kristy H (1252 KP) rated Black-Eyed Susans in Books
Feb 13, 2018
When she was sixteeen, young Tessa "Tessie" Cartwright was found, hanging on to life, in a field of Black-Eyed Susans. The other girls "dumped" with Tessa did not survive (in fact, some were just bones), and Tessa is doomed to live her life as the surviving "Black-Eyed Susan" in the press. Justifiably, the event haunts her life and her nightmares. Further, she is tormented by the fact that her testimony about what happened helped put the suspect, Terrell, on death row.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Sensitivemuse (246 KP) rated The Ninth Daughter (Abigail Adams #1) in Books
Mar 12, 2018
Substantial characters in a good historical fiction mystery
I didn’t expect to enjoy this book as much as I would! It was a great mystery with a hefty set of characters (historical and otherwise) with an underlying theme of political tension playing throughout the plot.
I think that’s what made the book enjoyable, was despite the mystery being the main hook, the political tension and bickering between the patriots and the British was always in the forefront and mentioned when need be as it was central to the story. Every so often you had mention of Abigail’s refusal to drink tea for example, or minor scuffles happening between citizens and the Redcoats.
Despite the tensions however, Abigail puts her ideas and beliefs aside and works alongside the British to solve this mystery. I enjoyed reading her character. She’s strong willed and has a good retort every so often when she needs to speak out, which shocks other characters as it wasn’t considered “proper”. I enjoy Abigail’s unorthodox behavior and it may seem as if she gives an air of an annoying stubborn woman, but it’s because of her personality that things get done no matter whose side you’re on or who you support.
John and Abigail’s relationship was also nice to read. They’re both equals and you can see a subtle quiet strength between them and they compliment each other perfectly. There’s a mutual respect between the two and if they were alive now, they would probably be a political supercouple ;)
The mystery aspect of the book was good and the intrigue is definitely noted. The setting is superbly done and very descriptive. The list of suspects was substantial and revelation of the culprit isn’t much of a surprise but the execution of obtaining the criminal and his background story was excellent to read , and was very satisfying to see the bad guys get their dues. The supporting characters are also well done - although I have to admit, there are just a little too many for me. Even minor characters have their personality and details and although it’s good and makes the world building more detailed and rich, sometimes it’s a bit hard to follow as to who’s who. (Perhaps a section of cast of characters would help in this case - especially when some characters share the same last name)
I’ll be picking up the next book to read. It’s definitely worth looking into for those that love historical fiction mysteries. The tea has been dumped!!! So you have to figure out what sort of chaos is going to happen and what mystery Abigail will solve next.
I think that’s what made the book enjoyable, was despite the mystery being the main hook, the political tension and bickering between the patriots and the British was always in the forefront and mentioned when need be as it was central to the story. Every so often you had mention of Abigail’s refusal to drink tea for example, or minor scuffles happening between citizens and the Redcoats.
Despite the tensions however, Abigail puts her ideas and beliefs aside and works alongside the British to solve this mystery. I enjoyed reading her character. She’s strong willed and has a good retort every so often when she needs to speak out, which shocks other characters as it wasn’t considered “proper”. I enjoy Abigail’s unorthodox behavior and it may seem as if she gives an air of an annoying stubborn woman, but it’s because of her personality that things get done no matter whose side you’re on or who you support.
John and Abigail’s relationship was also nice to read. They’re both equals and you can see a subtle quiet strength between them and they compliment each other perfectly. There’s a mutual respect between the two and if they were alive now, they would probably be a political supercouple ;)
The mystery aspect of the book was good and the intrigue is definitely noted. The setting is superbly done and very descriptive. The list of suspects was substantial and revelation of the culprit isn’t much of a surprise but the execution of obtaining the criminal and his background story was excellent to read , and was very satisfying to see the bad guys get their dues. The supporting characters are also well done - although I have to admit, there are just a little too many for me. Even minor characters have their personality and details and although it’s good and makes the world building more detailed and rich, sometimes it’s a bit hard to follow as to who’s who. (Perhaps a section of cast of characters would help in this case - especially when some characters share the same last name)
I’ll be picking up the next book to read. It’s definitely worth looking into for those that love historical fiction mysteries. The tea has been dumped!!! So you have to figure out what sort of chaos is going to happen and what mystery Abigail will solve next.
Ross (3282 KP) rated Resistance in Books
Sep 20, 2018
Contains spoilers, click to show
A dystopian sci-fi tale in which people ("elementals") are split into 4 classes (air - artistic types, water - scientific types, fire - law-enforcing types, and earth - working class grunts) with a strict set of rules and beliefs to be followed. Any attempt to betray these rules would result in swift punishment by the peacekeepers.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Sensitivemuse (246 KP) rated Timeless in Books
Oct 18, 2018
I missed out on a lot!
Contains spoilers, click to show
***Spoilers ahead, you’ve been warned***
It’s greatly recommended you read previous novels leading up to this one. Mind you, it would help immensely if you read the entire Drizzt timeline (which is a lot!) but since that is a lot of books to catch up on, the last few trilogies leading up to this one would likely help. My mistake was not doing so and I was left with lots of gaps and holes that I didn't quite understand. A lot of references were made about past adventures. Admittedly, I was lost for some parts of the book but, since I love Drizzt and his buddies I definitely will go back and reread this one and read the past novels to catch up on what I have missed.
The best part of about this book is Zaknafein and how he meets up with Jarlaxle - which is always an adventure in itself. The chapters are divided evenly into both past and present. I preferred the chapters featuring Zaknafein and Jalaxle. You had past characters appear again and that old nostalgic feeling comes back when you’re reading about them. Their adventures and intrigue were fun to read, the fighting scenes excellent, and there’s even a slight comedic section of Jalaxle and the subject of his hair.
The chapters set in the present are all right. Zaknafein is resurrected to reasons unknown and it’s encountered with suspicion. You’ll have all your characters coming back and naturally you’ll be happy to see them. I noticed some things have definitely changed with them. So it really felt like I was missing something (I probably did, hence why I have to go back and read the past novels for this) I like the exchanges between Zaknafein and Drizzt. Ah but the fighting scenes that included them both were enjoyable to read. They were in sync and it felt like watching a dance. It was beautifully descriptive.
The plot was good and it obviously leaves room for more to come. That being said, I can’t wait to hear further and read more about Zaknafein. He’s got a long way ahead of him and lots to catch up on. I look forward to it. In the meantime, I think it’s time to play catch up on Drizzt and company.
As mentioned earlier, really don’t recommend if you haven’t read Drizzt before. You’ll be lost and the read won’t be as enjoyable. I suspect if read in the particular order, it will be a great read and can’t be missed.
It’s greatly recommended you read previous novels leading up to this one. Mind you, it would help immensely if you read the entire Drizzt timeline (which is a lot!) but since that is a lot of books to catch up on, the last few trilogies leading up to this one would likely help. My mistake was not doing so and I was left with lots of gaps and holes that I didn't quite understand. A lot of references were made about past adventures. Admittedly, I was lost for some parts of the book but, since I love Drizzt and his buddies I definitely will go back and reread this one and read the past novels to catch up on what I have missed.
The best part of about this book is Zaknafein and how he meets up with Jarlaxle - which is always an adventure in itself. The chapters are divided evenly into both past and present. I preferred the chapters featuring Zaknafein and Jalaxle. You had past characters appear again and that old nostalgic feeling comes back when you’re reading about them. Their adventures and intrigue were fun to read, the fighting scenes excellent, and there’s even a slight comedic section of Jalaxle and the subject of his hair.
The chapters set in the present are all right. Zaknafein is resurrected to reasons unknown and it’s encountered with suspicion. You’ll have all your characters coming back and naturally you’ll be happy to see them. I noticed some things have definitely changed with them. So it really felt like I was missing something (I probably did, hence why I have to go back and read the past novels for this) I like the exchanges between Zaknafein and Drizzt. Ah but the fighting scenes that included them both were enjoyable to read. They were in sync and it felt like watching a dance. It was beautifully descriptive.
The plot was good and it obviously leaves room for more to come. That being said, I can’t wait to hear further and read more about Zaknafein. He’s got a long way ahead of him and lots to catch up on. I look forward to it. In the meantime, I think it’s time to play catch up on Drizzt and company.
As mentioned earlier, really don’t recommend if you haven’t read Drizzt before. You’ll be lost and the read won’t be as enjoyable. I suspect if read in the particular order, it will be a great read and can’t be missed.