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Sarah (7800 KP) rated Memento (2000) in Movies
Nov 29, 2020
One of my favourite films
Film #5 on the 100 Movies Bucket List: Memento
I have to admit, I may be a little biased when it comes to Memento. Christopher Nolan is my favourite director and Memento is both one of my favourite films of his and one of my favourite films of all time. For me, this undoubtedly deserves its place on this bucket list.
Memento is a 2000 psychological thriller starring Guy Pearce as Leonard Shelby, a man suffering from anterograde amnesia searching for the person responsible for the death of his wife, using notes and tattoos to organise his thoughts.
One of the most noticeable features of Memento is the fact that half of the narrative is told backwards. The movie begins at the end, focusing on a rather gruesome Polaroid photograph that fades rather than develops and a victim of a shooting coming back to life. The rest of the film jumps backwards a few minutes at a time, each scene ending where the last one started. For a film about memory loss and amnesia, this mechanism of telling the story really helps put us in Leonard’s shoes. It makes you feel as confused as he is. On the original dvd release, there was a hidden feature that allowed you to play the film in chronological order and this just didn’t have the same impact. These reverse scenes are interspersed with black and white flashbacks of Leonard earlier in his wife’s murder investigation and his life as an insurance investigator, which really help with the exposition. These paired together alongside a haunting score make for an intriguing and not your run of the mill murder mystery.
There are some great performances in this that also help increase the intrigue. Carrie-Anne Moss as the apparently helpful Natalie and Joe Pantoliano as the questionable sidekick appear new to Leonard every time they meet yet their loyalties and motives waver for us as the viewers throughout the film. And Guy Pearce manages to portray the frustrated and not as innocent as he first appears Leonard incredibly well, and holds this film on his own for most of the run time. They’re helped by a clever and smart script that flawlessly blends the sinister and rather dark criminal aspects of this with some surprisingly funny lines.
This story starts at the end so you don’t have to worry about how it turns out, but despite this Memento still comes up with a rather cracking twist and denouement. This entire film is about time and memory and how unreliable it is, and the lies we tell ourselves about our own identities. Even during this, what we thought we knew about Leonard as the black and white flashback meets the backwards story, is revealed to be completely unreliable and quite shocking. Without revealing too much, the outcome of this film is both surprising, sinister and rather emotional, and features some of the best dialogue of the entire movie. Leonard’s actions and motives revealed here and the final voiceover as he drives off makes for a hugely satisfying ending.
I first watched Memento in a psychology class at college around 17 years ago. I loved it then and in the years since, it hasn’t lost its appeal. Watching it back now still evokes the same emotion and feelings when the credits roll as it did all those years ago and will always be one of my favourite films, even possibly my all time favourite.
I have to admit, I may be a little biased when it comes to Memento. Christopher Nolan is my favourite director and Memento is both one of my favourite films of his and one of my favourite films of all time. For me, this undoubtedly deserves its place on this bucket list.
Memento is a 2000 psychological thriller starring Guy Pearce as Leonard Shelby, a man suffering from anterograde amnesia searching for the person responsible for the death of his wife, using notes and tattoos to organise his thoughts.
One of the most noticeable features of Memento is the fact that half of the narrative is told backwards. The movie begins at the end, focusing on a rather gruesome Polaroid photograph that fades rather than develops and a victim of a shooting coming back to life. The rest of the film jumps backwards a few minutes at a time, each scene ending where the last one started. For a film about memory loss and amnesia, this mechanism of telling the story really helps put us in Leonard’s shoes. It makes you feel as confused as he is. On the original dvd release, there was a hidden feature that allowed you to play the film in chronological order and this just didn’t have the same impact. These reverse scenes are interspersed with black and white flashbacks of Leonard earlier in his wife’s murder investigation and his life as an insurance investigator, which really help with the exposition. These paired together alongside a haunting score make for an intriguing and not your run of the mill murder mystery.
There are some great performances in this that also help increase the intrigue. Carrie-Anne Moss as the apparently helpful Natalie and Joe Pantoliano as the questionable sidekick appear new to Leonard every time they meet yet their loyalties and motives waver for us as the viewers throughout the film. And Guy Pearce manages to portray the frustrated and not as innocent as he first appears Leonard incredibly well, and holds this film on his own for most of the run time. They’re helped by a clever and smart script that flawlessly blends the sinister and rather dark criminal aspects of this with some surprisingly funny lines.
This story starts at the end so you don’t have to worry about how it turns out, but despite this Memento still comes up with a rather cracking twist and denouement. This entire film is about time and memory and how unreliable it is, and the lies we tell ourselves about our own identities. Even during this, what we thought we knew about Leonard as the black and white flashback meets the backwards story, is revealed to be completely unreliable and quite shocking. Without revealing too much, the outcome of this film is both surprising, sinister and rather emotional, and features some of the best dialogue of the entire movie. Leonard’s actions and motives revealed here and the final voiceover as he drives off makes for a hugely satisfying ending.
I first watched Memento in a psychology class at college around 17 years ago. I loved it then and in the years since, it hasn’t lost its appeal. Watching it back now still evokes the same emotion and feelings when the credits roll as it did all those years ago and will always be one of my favourite films, even possibly my all time favourite.
Heather Cranmer (2721 KP) rated The Westing Game in Books
Dec 13, 2020
While looking for my next read, I came across The Westing Game by Ellen Raskin. I had never heard of it before, but the synopsis sounded interesting. I decided to give it a read, and I'm glad I did.
Sixteen people all move into Sam Westing's apartment building after receiving a letter inviting them to move in. They are the only tenants in the building. Little do they know that they were picked to play in a game where they could potentially win a lot of money. However, they must play hard to win if they want to inherit millions even if the game may be dangerous.
I didn't realize it while reading The Westing Game, but this book is considered middle grade fiction. The way it is written, I think every age group would enjoy it. It's a fun and easy read. The plot flows smoothly, and the story progresses with ease. Each page is filled with mystery. I found myself guessing who was the murderer and which person would figure out the clues to inherit Sam Westing's inheritance. I will say that The Westing Game's mystery had me stumped. I never could guess who was who which made me love this book even more. This book is chock full of mystery and intrigue. It will leave you scratching your head as you read it trying to figure out who killed Sam Westing. There's plenty of plot twists, and just when you think you have figured everything out, you will find out how wrong your guess was. I've never read a book that stumped me so much while trying to figure out everything! However, by the end of the book, everything is revealed. All questions are answered, and the author lets us know how each character got on in life. One minor annoyance (and I believe it's a personal thing) was that the writing seemed a little choppy to me in how it was written. Maybe it is just that style, but I found it a bit peculiar. However, that didn't take away my interest in the story that much.
I thoroughly enjoyed the characters in Ellen Raskin's The Westing Game. I enjoyed the diversity of the characters in the book. I do wish there was a bit more backstory for each of the characters though. It's not that they didn't feel fleshed out because they did, but I would have enjoyed learning more about each one of them a bit more before they moved in to Westing's apartment building. I enjoyed Turtle's character the most. Although she was often looked over, her determination to prove herself was admirable. I like how, despite her young age, she threw herself into Sam Westing's game. Sydelle was my least favorite character. It wasn't because she wasn't written well, quite the opposite. I just found her personality annoying. I kept hoping she was somehow be kicked out. Even though she wasn't mentioned as much, I really liked Madame Hoo. I enjoyed her scenes and her personality on the pages she was mentioned in.
Trigger warnings for The Westing Game include minor violence, death, suicide, drinking, and minor racism from one of the characters.
With it's mysterious plot and interesting cast of characters, The Westing Game is one of those books that you will love reading while trying to figure out its plot. It will keep you on your toes at all times! I would definitely recommend The Westing Game by Ellen Raskin to those aged 13+ who are after an unpredictable and well written mystery novel.
Sixteen people all move into Sam Westing's apartment building after receiving a letter inviting them to move in. They are the only tenants in the building. Little do they know that they were picked to play in a game where they could potentially win a lot of money. However, they must play hard to win if they want to inherit millions even if the game may be dangerous.
I didn't realize it while reading The Westing Game, but this book is considered middle grade fiction. The way it is written, I think every age group would enjoy it. It's a fun and easy read. The plot flows smoothly, and the story progresses with ease. Each page is filled with mystery. I found myself guessing who was the murderer and which person would figure out the clues to inherit Sam Westing's inheritance. I will say that The Westing Game's mystery had me stumped. I never could guess who was who which made me love this book even more. This book is chock full of mystery and intrigue. It will leave you scratching your head as you read it trying to figure out who killed Sam Westing. There's plenty of plot twists, and just when you think you have figured everything out, you will find out how wrong your guess was. I've never read a book that stumped me so much while trying to figure out everything! However, by the end of the book, everything is revealed. All questions are answered, and the author lets us know how each character got on in life. One minor annoyance (and I believe it's a personal thing) was that the writing seemed a little choppy to me in how it was written. Maybe it is just that style, but I found it a bit peculiar. However, that didn't take away my interest in the story that much.
I thoroughly enjoyed the characters in Ellen Raskin's The Westing Game. I enjoyed the diversity of the characters in the book. I do wish there was a bit more backstory for each of the characters though. It's not that they didn't feel fleshed out because they did, but I would have enjoyed learning more about each one of them a bit more before they moved in to Westing's apartment building. I enjoyed Turtle's character the most. Although she was often looked over, her determination to prove herself was admirable. I like how, despite her young age, she threw herself into Sam Westing's game. Sydelle was my least favorite character. It wasn't because she wasn't written well, quite the opposite. I just found her personality annoying. I kept hoping she was somehow be kicked out. Even though she wasn't mentioned as much, I really liked Madame Hoo. I enjoyed her scenes and her personality on the pages she was mentioned in.
Trigger warnings for The Westing Game include minor violence, death, suicide, drinking, and minor racism from one of the characters.
With it's mysterious plot and interesting cast of characters, The Westing Game is one of those books that you will love reading while trying to figure out its plot. It will keep you on your toes at all times! I would definitely recommend The Westing Game by Ellen Raskin to those aged 13+ who are after an unpredictable and well written mystery novel.
Gareth von Kallenbach (980 KP) rated Passengers (2016) in Movies
Jul 12, 2019
Jim Preston (Chris Pratt) is a man looking for a fresh start on a new world. Along with 5000 other passengers; Jim is sleeping away the 120 year journey in stasis aboard a luxury ship. In the new film “Passengers”, Jim finds his entire world turned upside down when he is awakened 90 years before the completion of his trip. Alone with no way to return to stasis; Jim struggles to keep his wits as despite having food and recreation readily available, his only companions are server robots and an Android bartender named Arthur (Michael Sheen).
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
BankofMarquis (1832 KP) rated Glass Onion: A Knives Out Mystery (2022) in Movies
Dec 31, 2022
Not "just" a Murder Mystery
Move over, James Bond, Daniel Craig has another series to star in.
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
Kara Skinner (332 KP) rated Gunning for Trouble in Books
Jun 12, 2019
Bland Characters Gun Each Other Down in Gunning For Trouble
Genre: Contemporary
Page Count: 217 Pages
Average Goodreads Rating: 3.79 out of 5 stars
My rating: 1 out of 5 stars
Caleb was in a dead sleep until his phone alerts him to a break-in to his apartment. Immediately his defensive instincts — honed by his dangerous work of tracking missing persons and protecting witnesses — surface and he springs out of bed with his gun to tell the would-be burglar they have chosen the wrong apartment. But he ends up pointing the gun at Avery Walters, his former boss and ex-lover.
To Caleb’s irritation, Avery is on an assignment from Caleb’s boss about a string of murders in the witness protection program. Now dangerous people are after her and the only person she could turn to was Caleb. Despite Caleb’s resentment and anger toward Avery, he still feels the need to protect her. While they work together to stop the murders, old anger and mistrust rises between them, but so does the lust they feel for each other. Can they move forward and learn to love each other, or will the past always hold them back?
This book was awful. Caleb and Avery have the chemistry of fifth graders in their Drama Club rendition of Romeo and Juliet.
Caleb is a complete jackass. He protects Avery but it’s clear he doesn’t want to do it out of anything other than a sense of duty. Not only is he angry about her waking him up in the middle of the night– you know, just because her life is in danger. She should stop whining, right?– but he constantly makes her feel stupid and makes it clear he resents the shit out of her. He says she fired him so she could get a promotion, when in reality he was a loose cannon who deserved to be fired.
Even his friends and coworkers think he needs to tone down the anger.
“Haven’t heard you apologize to her,” (Zach, Caleb’s friend and coworker said).
“For what?”
“You tell me.”
“I was blindsided by what she did back then.”
“Any chance you had tunnel vision?”
Caleb is also so hot-headed I wouldn’t be surprised if he took steroids on a regular basis. Even someone like Avery, who has little more character than a stock photo, deserves better than that.
Caleb does eventually realize he’s been acting like a PMSing Neanderthal and “forgives her”, still thinking he did nothing wrong but wanting to put it behind him.
Avery isn’t as bad as Caleb, but Avery isn’t much of anything at all. She probably goes down in history as one of the least interesting protagonists ever created.
I might have cared more about the characters if I understood and liked the plot. But even that was a hot mess. While I get the gist of the situation– someone is selling names of people in the Witness Protection Program– I can’t make sense of the finer details. A hailstorm of minor characters were dumped on me at once and I couldn’t even keep them straight, let alone focus on what they were saying.
On top of that, there are a couple of times Avery seems to just “get” stuff and the reader is supposed to just “get” it too. But these aren’t obvious things, nor are they minor.
These things are like why Avery is too dangerous to be around Caleb’s coworkers’ wives. Avery just accepts that it’s reasonable she would put the wives in danger, but it’s not.
Even after reading the entire book and going back to skim parts of it for this review, I still don’t understand the plot that well.
If you are looking for a good Harlequin Intrigue book, you would be better off reading Scene of the Crime: Black Creek by Carla Cassidy. But don’t waste your time reading a half-assed story like Gunning for Trouble
Page Count: 217 Pages
Average Goodreads Rating: 3.79 out of 5 stars
My rating: 1 out of 5 stars
Caleb was in a dead sleep until his phone alerts him to a break-in to his apartment. Immediately his defensive instincts — honed by his dangerous work of tracking missing persons and protecting witnesses — surface and he springs out of bed with his gun to tell the would-be burglar they have chosen the wrong apartment. But he ends up pointing the gun at Avery Walters, his former boss and ex-lover.
To Caleb’s irritation, Avery is on an assignment from Caleb’s boss about a string of murders in the witness protection program. Now dangerous people are after her and the only person she could turn to was Caleb. Despite Caleb’s resentment and anger toward Avery, he still feels the need to protect her. While they work together to stop the murders, old anger and mistrust rises between them, but so does the lust they feel for each other. Can they move forward and learn to love each other, or will the past always hold them back?
This book was awful. Caleb and Avery have the chemistry of fifth graders in their Drama Club rendition of Romeo and Juliet.
Caleb is a complete jackass. He protects Avery but it’s clear he doesn’t want to do it out of anything other than a sense of duty. Not only is he angry about her waking him up in the middle of the night– you know, just because her life is in danger. She should stop whining, right?– but he constantly makes her feel stupid and makes it clear he resents the shit out of her. He says she fired him so she could get a promotion, when in reality he was a loose cannon who deserved to be fired.
Even his friends and coworkers think he needs to tone down the anger.
“Haven’t heard you apologize to her,” (Zach, Caleb’s friend and coworker said).
“For what?”
“You tell me.”
“I was blindsided by what she did back then.”
“Any chance you had tunnel vision?”
Caleb is also so hot-headed I wouldn’t be surprised if he took steroids on a regular basis. Even someone like Avery, who has little more character than a stock photo, deserves better than that.
Caleb does eventually realize he’s been acting like a PMSing Neanderthal and “forgives her”, still thinking he did nothing wrong but wanting to put it behind him.
Avery isn’t as bad as Caleb, but Avery isn’t much of anything at all. She probably goes down in history as one of the least interesting protagonists ever created.
I might have cared more about the characters if I understood and liked the plot. But even that was a hot mess. While I get the gist of the situation– someone is selling names of people in the Witness Protection Program– I can’t make sense of the finer details. A hailstorm of minor characters were dumped on me at once and I couldn’t even keep them straight, let alone focus on what they were saying.
On top of that, there are a couple of times Avery seems to just “get” stuff and the reader is supposed to just “get” it too. But these aren’t obvious things, nor are they minor.
These things are like why Avery is too dangerous to be around Caleb’s coworkers’ wives. Avery just accepts that it’s reasonable she would put the wives in danger, but it’s not.
Even after reading the entire book and going back to skim parts of it for this review, I still don’t understand the plot that well.
If you are looking for a good Harlequin Intrigue book, you would be better off reading Scene of the Crime: Black Creek by Carla Cassidy. But don’t waste your time reading a half-assed story like Gunning for Trouble
Purple Phoenix Games (2266 KP) rated A Game of Thrones: Hand of the King in Tabletop Games
Jun 12, 2019
I’ll be honest with you. I’m a big A Game of Thrones fan. We watch it religiously on Sunday nights at my dad’s house. Now, when I say “we” I mean my brother Bryan, my dad, and me. My wife has zero interest in it, and it’s really not her style anyway. So imagine my surprise when she agreed to play this little card game featuring the IP and she didn’t hate it! She didn’t really love it either, as shown by her guest score on the graphic above.
A Game of Thrones: Hand of the King (that’s a lot to say/type) is a dueling set collection card game. To setup, you create a grid of randomized character cards that all belong to one of the seven houses (save for Varys, who is our pawn in all this). Also reveal six of the 14 provided companion cards to be used for this game. Each player will control Varys on their turn, spreading influence and intrigue throughout the houses.
On your turn you will announce the house you would like to influence (Stark, Greyjoy, etc), and then move the Varys card in any of the four cardinal directions to a character belonging to your announced house. Any character cards you pass along the way bearing the same house will be collected along with the card on which you stopped. If you now have simple majority of characters in that house, you claim the corresponding house banner and place it in front of you to taunt your opponent. Should you influence the last character of said house you will be able to recruit and use one of the companion cards that are available from the beginning of the game. These cards are game-changers sometimes and provide very powerful abilities. Play continues in this fashion until Varys has no more legal moves. And that’s the game. Each player is trying to have simple majority ownership of the house banners at the end of the game.
Components. This is easy. There are square character cards featuring excellent artwork from The Mico (who always does an amazing job IMO), smaller companion cards, and the house banners. The cards are of good quality, and the banners are good too. I have no complaints about the components at all.
Now, I have only played this with my wife and she can be pretty ruthless when gaming. That’s pretty much expected for a game of this IP. That being said, this is an easy and light filler card game that is enjoyable, but not overly strategic. You really do not have to make many choices, as the placement of characters mostly determine how you are going to attack the grid. The companions, however, make this game much more interesting because they can be loose cannons and otherwise monkey wrenches in your opponent’s plans. Outside of being a simple annoyance, there isn’t a lot of player interaction unless you are specifically hate-drafting (which we typically do not do). After all, it’s not similar to its cousin big boy board game that destroys friendships over a 6 hour+ slog. This one is light and quick and a good filler for two. My wife may not love it, but I don’t think I will be getting rid of it. Kind of a nice surprise from a game I was gifted (and it was not originally on my wish list).
That said, we at Purple Phoenix Games (with the help of my wife Kristin) give this one a 7 / 12. Not the best game based on this IP but worth keeping for a quick filler.
https://purplephoenixgames.wordpress.com/2019/03/13/a-game-of-thrones-hand-of-the-king-review/
A Game of Thrones: Hand of the King (that’s a lot to say/type) is a dueling set collection card game. To setup, you create a grid of randomized character cards that all belong to one of the seven houses (save for Varys, who is our pawn in all this). Also reveal six of the 14 provided companion cards to be used for this game. Each player will control Varys on their turn, spreading influence and intrigue throughout the houses.
On your turn you will announce the house you would like to influence (Stark, Greyjoy, etc), and then move the Varys card in any of the four cardinal directions to a character belonging to your announced house. Any character cards you pass along the way bearing the same house will be collected along with the card on which you stopped. If you now have simple majority of characters in that house, you claim the corresponding house banner and place it in front of you to taunt your opponent. Should you influence the last character of said house you will be able to recruit and use one of the companion cards that are available from the beginning of the game. These cards are game-changers sometimes and provide very powerful abilities. Play continues in this fashion until Varys has no more legal moves. And that’s the game. Each player is trying to have simple majority ownership of the house banners at the end of the game.
Components. This is easy. There are square character cards featuring excellent artwork from The Mico (who always does an amazing job IMO), smaller companion cards, and the house banners. The cards are of good quality, and the banners are good too. I have no complaints about the components at all.
Now, I have only played this with my wife and she can be pretty ruthless when gaming. That’s pretty much expected for a game of this IP. That being said, this is an easy and light filler card game that is enjoyable, but not overly strategic. You really do not have to make many choices, as the placement of characters mostly determine how you are going to attack the grid. The companions, however, make this game much more interesting because they can be loose cannons and otherwise monkey wrenches in your opponent’s plans. Outside of being a simple annoyance, there isn’t a lot of player interaction unless you are specifically hate-drafting (which we typically do not do). After all, it’s not similar to its cousin big boy board game that destroys friendships over a 6 hour+ slog. This one is light and quick and a good filler for two. My wife may not love it, but I don’t think I will be getting rid of it. Kind of a nice surprise from a game I was gifted (and it was not originally on my wish list).
That said, we at Purple Phoenix Games (with the help of my wife Kristin) give this one a 7 / 12. Not the best game based on this IP but worth keeping for a quick filler.
https://purplephoenixgames.wordpress.com/2019/03/13/a-game-of-thrones-hand-of-the-king-review/
Larry Eisner (2082 KP) rated Tomb Raider (2018) in Movies
Jul 18, 2018
Vikander. She is excellent and plays this two-dimensional character far beyond the script. (3 more)
The supernatural elements
Did I mention Vikander’s superb performance?
Damn, Vikander was spectacular!
The script (3 more)
The tropes
The characters’ lack of dimension
Low hope for a sequel
It’s action. It’s rife with plot holes. It’s got an AMAZING lead.
Note: I was given a copy by SmashBomb to review.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
LilyLovesIndie (123 KP) rated Innocence (A Forbidden Love, #1) in Books
Nov 5, 2018
Well firstly, it's no secret that I LOVE anything to do with history, and secondly, it's also a badly kept secret that I have a serious 'thing' for men in floaty shirts, tight breeches and a mop of aristocratic hair. Yep, you've got it, I've got it real bad for Regency men just like Mr Darcy in his wet shirt..... Well, at least I did until dear old Nathaniel came along, and boy did he knock Darcy off his perch! In fact, our author knocked many things off their perches during her fabulously compulsive book. Let me elucidate further as there were so many things I LOVED (capitals completely necessary) about this book that I had to make a list as I was reading so I didn't forget things. Needless to say, Nathaniel, aka the delightfully cheeky Lord Marsden is on there multiple times.
Elise de Sallier has written an absolutely AMAZING storyline. I'm often disappointed by Regency Romance books as they regularly fail to stick to societal norms of the time, or even the basic history, but our author manages this with incredible panache. The story line, as summarised above, contains intrigue, drama, romance, and many other aspects which are all weaved together with great skill and lots of twists and turns. It's incredibly well done and I truly believe it is this which makes this book so brilliantly addictive to read. Honestly, I stayed up many nights well past my bedtime reading into the wee small hours on more than one occasion!
Another thing that needs mentioning (again) are the characters. I've already suggested that I have developed an unhealthy obsession with Nathaniel (he's starred in my dreams many a time since finishing this book). He's the perfect society gentleman, in public, but in the bedroom, well, he's quite the little charmer! I shan't say any more, but honestly, he's the most captivating character I've read in a while. And then we have his partner in crime, his other half, Lisa (Anneliese) or Miss Brown as he seems to prefer. A very innocent, naive young women from the middling levels of society forced to run because if the incredibly repulsive Lord Copeland. Lisa is such a fabulous character to read. She's a damsel in distress, but one with a lot more sass about her than your average kind. She's full of determination and strength, which was delightful to read and really pulled you into her plight. You got behind her, much like you would a character in your favourite tv show, and it's great to see a book do this. As a side night, they're fabulous together, and watching them develop was pure delight in a book.
Second side note, that sort of leads onto my next thing I need to say, 'cause things just keep popping into my head, it was excellent to read a book from this time period which avoids all the obvious Austen traps. There's honestly nothing worse than reading an author of this genre trying to be Austen, but Elise de Sallier completely avoids this. Everything in this story is completely unique, I've honestly never read anything like it, and it was delightfully refreshing for me. It's incredibly imaginative in the ways it portrays the norm for both sexes, as well as the dramatic flair and tweaks, but they all make it so darned interesting to read!
Finally, I have to finish by making it perfectly clear, just in case you didn't get the gist, I ADORED this book. It's incredibly difficult to put down, so I have to warn you, make sure you have the next book ready to go straight onto it, because it's so darned hard to wait even the few seconds it takes to load.
Review first posted as part of a mini feature on Lily Loves Indie, for which an ARC was provided in return for an honest review - http://lilylovesindie.co.uk/?p=477
Elise de Sallier has written an absolutely AMAZING storyline. I'm often disappointed by Regency Romance books as they regularly fail to stick to societal norms of the time, or even the basic history, but our author manages this with incredible panache. The story line, as summarised above, contains intrigue, drama, romance, and many other aspects which are all weaved together with great skill and lots of twists and turns. It's incredibly well done and I truly believe it is this which makes this book so brilliantly addictive to read. Honestly, I stayed up many nights well past my bedtime reading into the wee small hours on more than one occasion!
Another thing that needs mentioning (again) are the characters. I've already suggested that I have developed an unhealthy obsession with Nathaniel (he's starred in my dreams many a time since finishing this book). He's the perfect society gentleman, in public, but in the bedroom, well, he's quite the little charmer! I shan't say any more, but honestly, he's the most captivating character I've read in a while. And then we have his partner in crime, his other half, Lisa (Anneliese) or Miss Brown as he seems to prefer. A very innocent, naive young women from the middling levels of society forced to run because if the incredibly repulsive Lord Copeland. Lisa is such a fabulous character to read. She's a damsel in distress, but one with a lot more sass about her than your average kind. She's full of determination and strength, which was delightful to read and really pulled you into her plight. You got behind her, much like you would a character in your favourite tv show, and it's great to see a book do this. As a side night, they're fabulous together, and watching them develop was pure delight in a book.
Second side note, that sort of leads onto my next thing I need to say, 'cause things just keep popping into my head, it was excellent to read a book from this time period which avoids all the obvious Austen traps. There's honestly nothing worse than reading an author of this genre trying to be Austen, but Elise de Sallier completely avoids this. Everything in this story is completely unique, I've honestly never read anything like it, and it was delightfully refreshing for me. It's incredibly imaginative in the ways it portrays the norm for both sexes, as well as the dramatic flair and tweaks, but they all make it so darned interesting to read!
Finally, I have to finish by making it perfectly clear, just in case you didn't get the gist, I ADORED this book. It's incredibly difficult to put down, so I have to warn you, make sure you have the next book ready to go straight onto it, because it's so darned hard to wait even the few seconds it takes to load.
Review first posted as part of a mini feature on Lily Loves Indie, for which an ARC was provided in return for an honest review - http://lilylovesindie.co.uk/?p=477
Cassie Osbourne (6 KP) rated Chains (Seeds of America, #1) in Books
Nov 9, 2018
When Isabel and Ruth's owner dies, they are sold to the loyalist Locktons and shipped to New York. 'Chains' tells the story of the American Revolution through the eyes of a thirteen-year-old slave, struggling to take care of her little sister and discover what real freedom is and how a person can gain it.
I first read this book in 2010 when I was thirteen while I was stuck at a grammar school open evening that my sister was at. I went to the library and started reading 'Chains' instead of having to traipse around hearing about how many geniuses of that school got into Oxford and Cambridge. I was so hooked that I felt that I couldn't leave without it so I stuck it up my jumper and nicked it. I have recently (and legally) got my hands on a copy of 'Ashes', the final book in the trilogy and so am rereading the first two books which I haven't done in years. I am pleased to say that it is still as good as it was when I read it eight years ago.
While I do like well rounded, complex characters and relationships, there is certainly something to be said for simplicity. None of the characters has too much of a character arc in this book except for the protagonist, who is the one telling the story so this may have something to do with her being an unreliable narrator (something that you learn so much about in English A-Level). Did the characters seem a bit stereotypical and cliched at times? Yes, definitely. Did I really care? No, not especially.
The atmosphere was great throughout, especially in the prison scenes and when Isabel has a fever. Everything felt very real and detailed, right down to the last black hair ribbon stashed in a draw. Every chapter, every page, every sentence felt so real and grounded in reality which is difficult to find in a book.
I really enjoyed the writing style, it all suited Isabel's voice down to the ground. Something that I noticed more reading it this time than I did when I was younger were the extracts at the beginnings of the chapters as it is a really nice and easy way to contextualise what is going on in the chapter in comparison to the date in with the chapter is set. It also gives the book a much more political feel which, again, I didn't quite see as much when I was younger.
The plot as a whole is very good and well written but there were definitely some sections that were just not needed or justified at all. However, that is a very minor thing.
The only real downfall of this book was some of the logic. Isabel gets way too lucky too many times, especially since she is a young black girl with a very distinctive scar on her face. A lot of people just seem too nice to her given that she is a slave and the level of racism back then as well. There is one particular instance at the end with some fireworks that I just pure and simply didn't buy.
This book, as well as 'Forge', has been sitting on my shelf for years just waiting to be picked up again and reread. I am so happy that so many years after I read it the first time it is still just as good.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 8/10
Plot: 8/10
Intrigue: 9/10
Logic: 7.5/10
Enjoyment: 10/10
I first read this book in 2010 when I was thirteen while I was stuck at a grammar school open evening that my sister was at. I went to the library and started reading 'Chains' instead of having to traipse around hearing about how many geniuses of that school got into Oxford and Cambridge. I was so hooked that I felt that I couldn't leave without it so I stuck it up my jumper and nicked it. I have recently (and legally) got my hands on a copy of 'Ashes', the final book in the trilogy and so am rereading the first two books which I haven't done in years. I am pleased to say that it is still as good as it was when I read it eight years ago.
While I do like well rounded, complex characters and relationships, there is certainly something to be said for simplicity. None of the characters has too much of a character arc in this book except for the protagonist, who is the one telling the story so this may have something to do with her being an unreliable narrator (something that you learn so much about in English A-Level). Did the characters seem a bit stereotypical and cliched at times? Yes, definitely. Did I really care? No, not especially.
The atmosphere was great throughout, especially in the prison scenes and when Isabel has a fever. Everything felt very real and detailed, right down to the last black hair ribbon stashed in a draw. Every chapter, every page, every sentence felt so real and grounded in reality which is difficult to find in a book.
I really enjoyed the writing style, it all suited Isabel's voice down to the ground. Something that I noticed more reading it this time than I did when I was younger were the extracts at the beginnings of the chapters as it is a really nice and easy way to contextualise what is going on in the chapter in comparison to the date in with the chapter is set. It also gives the book a much more political feel which, again, I didn't quite see as much when I was younger.
The plot as a whole is very good and well written but there were definitely some sections that were just not needed or justified at all. However, that is a very minor thing.
The only real downfall of this book was some of the logic. Isabel gets way too lucky too many times, especially since she is a young black girl with a very distinctive scar on her face. A lot of people just seem too nice to her given that she is a slave and the level of racism back then as well. There is one particular instance at the end with some fireworks that I just pure and simply didn't buy.
This book, as well as 'Forge', has been sitting on my shelf for years just waiting to be picked up again and reread. I am so happy that so many years after I read it the first time it is still just as good.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 8/10
Plot: 8/10
Intrigue: 9/10
Logic: 7.5/10
Enjoyment: 10/10