"I love Hitchcock’s Rear Window. I’m actually developing a movie about Robert Capa, who was a war photographer that Hitchcock seemingly based the movie on. I used to take photographs; I was a photographer for many years, and I’m intrigued by this idea. I think it’s a wonderful idea about being a voyeur. He just watches his next door neighbors, and becomes convinced that one of them has been killed. It’s the idea of what you see versus what you really see. I loved making documentaries for that very reason; you just watch people, even after you’ve shot it. You go back to the edit suite and watch them, and you can understand when they’re telling the truth and when they’re lying. You get to know that stuff. It’s really fascinating — the idea that you can have a movie about something that might have happened… it’s a trick of the eye, or using the camera in a fascinating way. You’re using it to tell a story based on intrigue, and I don’t think I’ve seen that before, or since."