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Erika (17788 KP) rated Carnival Row - Season 1 in TV
Sep 8, 2019
I have mixed feelings about this one. I know that this show did well with the critics because it's apparently reflective of our modern times (xenophobia, etc), and, I'm sure that's probably what the writers intended. However, this show seemed to actually reflect the always interesting and complicated relationship between Ireland and England. The fae even had Irish accents (albeit, bad ones in some cases). It made me think, since both of my families are descendants of two races that weren't necessarily welcome in the US, and I get random sneering/weird comments about being half-Polish.
Anyway, the world was interesting, and it was a Steampunky-Victorian mash up. It was also very predictable, I had everything figured out completely by the 6th episode. The script wasn't that great, and good god, Cara Delevigne cannot act her way out of a wet paperbag. The main draw, for me, was Orly. He seemed to be the best actor out of all of them. There was one story line that I'm not sure was strictly necessary, involving the Spurnrose family, and that obnoxious actress that played Catherine Howard in the Tudors. There was also another strange plot line that seemed a little off, because it wasn't introduced with enough detail. There was also unnecessary T&A that I think just slowed down the show in general. I don't like T&A scenes in general, because they're hardily every relevant to the overall story. I just feel like the streaming platforms are trying to be like HBO. This show would have benefited from not having it, because it could have brought in a younger demographic as well as the adults.
I'm glad this was already renewed for a second season, because they left it as a cliffhanger. I wanted more about these different magical races and their country of origin.
Anyway, the world was interesting, and it was a Steampunky-Victorian mash up. It was also very predictable, I had everything figured out completely by the 6th episode. The script wasn't that great, and good god, Cara Delevigne cannot act her way out of a wet paperbag. The main draw, for me, was Orly. He seemed to be the best actor out of all of them. There was one story line that I'm not sure was strictly necessary, involving the Spurnrose family, and that obnoxious actress that played Catherine Howard in the Tudors. There was also another strange plot line that seemed a little off, because it wasn't introduced with enough detail. There was also unnecessary T&A that I think just slowed down the show in general. I don't like T&A scenes in general, because they're hardily every relevant to the overall story. I just feel like the streaming platforms are trying to be like HBO. This show would have benefited from not having it, because it could have brought in a younger demographic as well as the adults.
I'm glad this was already renewed for a second season, because they left it as a cliffhanger. I wanted more about these different magical races and their country of origin.
Erika (17788 KP) rated Sophie: A Murder In West Cork in TV
Jul 31, 2021
Sophie: A Murder in West Cork, is one of Netflix’s newest true crime series offerings. Consisting of three episodes, the series examines the murder case of Sophie Toscan Du Plantier, a French National that was murdered at her rural holiday getaway home in Schull, Ireland in 1996. Du Plantier’s murder was the first in over 100 years in the small town and remains technically unsolved.
The documentary series had a wide variety of talking heads, from Du Planier’s family, friends, locals, various members of the Garda, and surprisingly, the main suspect. Du Planier’s private life seemed complicated, and it was definitely going to be utilized against her throughout the entire thing.
The case was interesting, Du Planier was found in a bramble bush a few days before Christmas. With seemingly no leads, and a haphazard investigation, I didn’t know how they would end up with a suspect. The first episode set everything up, establishing what the town was like by interviewing the locals. There was even a little spookiness brought in. A few days before her death, Du Planier had visited some ruins, and saw a white lady, which was an omen of death. Pretty interesting, and you wouldn’t think it was pertinent, however, Du Planier took it seriously.
If you watch enough true crime documentaries, you know normally what a killer would do, revisit the scene, be overly helpful, etc. It was clear as soon as they introduced the journalist that he was indeed the suspect. However, when the second episode started, the series was taken over by the main suspect, journalist and ‘poet’, Ian Bailey. As one of Du Planier’s family members quipped, he loves to be interviewed.
Somehow, Bailey had all of this insider knowledge, and wrote somewhat salacious articles about Du Planier, painting her as this woman that entertained all sorts of men. He was also very adamant that the murder was French, and probably her partner or another intimate partner. Bailey was somewhat charismatic, but a complete weirdo. It is common for law enforcement to go after the ‘others’ in society, so was he targeted because he was eccentric? Who knows?
It was clear that the Garda in this area had no idea as to what to do. They may have also had a little tunnel vision because the village creep was poking around the crime scene.
I’m all for presenting all sides to a case, but having the suspect take over in a very charismatic way is not the best approach. The Garda in the area, inexperienced in investigating murders, was obviously not equipped to deal with the investigation. It was clear from the beginning that it was the primary reason the case hasn’t been officially prosecuted in Ireland.
Whenever your documentary begins to get overtaken by the number one suspect, rather than the victim, I begin to have issues. It was also interesting that at the end of the series, there was actually a statement that Du Planier had been forgotten throughout the entire event, and while she was present, she wasn’t the center of the story.
Bailey seems to be the most likely culprit, though, the Garda couldn’t have convinced me beyond a reasonable doubt. It was interesting that somehow in France, the evidence was considered solid enough for a conviction.
I did generally enjoy the documentary series, but again, I have an issue with the main suspect overshadowing the victim. Also, I didn’t feel like enough evidence was presented, and the majority of it was slightly repetitive. I’m interested to see if the case is ever resolved. Based upon the series, probably not.
The documentary series had a wide variety of talking heads, from Du Planier’s family, friends, locals, various members of the Garda, and surprisingly, the main suspect. Du Planier’s private life seemed complicated, and it was definitely going to be utilized against her throughout the entire thing.
The case was interesting, Du Planier was found in a bramble bush a few days before Christmas. With seemingly no leads, and a haphazard investigation, I didn’t know how they would end up with a suspect. The first episode set everything up, establishing what the town was like by interviewing the locals. There was even a little spookiness brought in. A few days before her death, Du Planier had visited some ruins, and saw a white lady, which was an omen of death. Pretty interesting, and you wouldn’t think it was pertinent, however, Du Planier took it seriously.
If you watch enough true crime documentaries, you know normally what a killer would do, revisit the scene, be overly helpful, etc. It was clear as soon as they introduced the journalist that he was indeed the suspect. However, when the second episode started, the series was taken over by the main suspect, journalist and ‘poet’, Ian Bailey. As one of Du Planier’s family members quipped, he loves to be interviewed.
Somehow, Bailey had all of this insider knowledge, and wrote somewhat salacious articles about Du Planier, painting her as this woman that entertained all sorts of men. He was also very adamant that the murder was French, and probably her partner or another intimate partner. Bailey was somewhat charismatic, but a complete weirdo. It is common for law enforcement to go after the ‘others’ in society, so was he targeted because he was eccentric? Who knows?
It was clear that the Garda in this area had no idea as to what to do. They may have also had a little tunnel vision because the village creep was poking around the crime scene.
I’m all for presenting all sides to a case, but having the suspect take over in a very charismatic way is not the best approach. The Garda in the area, inexperienced in investigating murders, was obviously not equipped to deal with the investigation. It was clear from the beginning that it was the primary reason the case hasn’t been officially prosecuted in Ireland.
Whenever your documentary begins to get overtaken by the number one suspect, rather than the victim, I begin to have issues. It was also interesting that at the end of the series, there was actually a statement that Du Planier had been forgotten throughout the entire event, and while she was present, she wasn’t the center of the story.
Bailey seems to be the most likely culprit, though, the Garda couldn’t have convinced me beyond a reasonable doubt. It was interesting that somehow in France, the evidence was considered solid enough for a conviction.
I did generally enjoy the documentary series, but again, I have an issue with the main suspect overshadowing the victim. Also, I didn’t feel like enough evidence was presented, and the majority of it was slightly repetitive. I’m interested to see if the case is ever resolved. Based upon the series, probably not.
Hazel (1853 KP) rated Montpelier Parade in Books
May 24, 2017
Sylvia Plath-esque
I received this book for free through Goodreads First Reads.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Hazel (1853 KP) rated Montpelier Parade in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
<i>Montpelier Parade</i> is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanor results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
<i>Montpelier Parade</i> is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, <i>Montpelier Parade</i> will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
<i>Montpelier Parade</i> is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanor results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
<i>Montpelier Parade</i> is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, <i>Montpelier Parade</i> will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Hazel (2934 KP) rated Dead and Buried in Books
Jan 5, 2020
Pretty Good Thriller
I am ashamed to say that this book has been in my "to be read" pile since it was published in 2015; my New Year's Resolution for 2020 is to read at least 1 book per month from my pile in order to get through the backlog - this is the first of the year so doing pretty well so far!
Anyway, this is a pretty good read and although the subject matter is harrowing at times, I enjoyed it and found it an engaging and riveting read.
The book alternates between the past and the present and follows the story of Conor amongst the backdrop of "The Troubles" in Northern Ireland during the 1990's and the present day; I admit you do have to have your wits about you when reading in order not to get confused as to which time you are in however, I found it quite easy to stay on track and only had to check back a couple of times to double check.
The story is told from Conor's perspective throughout and his character is well developed and believable as are all the main characters in this book. What I particularly liked and which felt authentic, was how the internal battle Conor fought with himself around trying to do the right thing whilst being forced to do wrong in order to protect himself and his family.
This is a dark and gritty story with plenty of action and scenes of peril; the writing is at a good pace and easy to read with the difficulties Conor faces being a Catholic married to a Protestant being dealt with sensitively and, in my opinion, without bias towards either side.
Overall, a pretty good thriller set in a time and place that few books I have read previously have touched upon and I would certainly read further books from this author.
Thank you to Carina UK/HQ Digital and NetGalley for my copy in return for an honest review.
Anyway, this is a pretty good read and although the subject matter is harrowing at times, I enjoyed it and found it an engaging and riveting read.
The book alternates between the past and the present and follows the story of Conor amongst the backdrop of "The Troubles" in Northern Ireland during the 1990's and the present day; I admit you do have to have your wits about you when reading in order not to get confused as to which time you are in however, I found it quite easy to stay on track and only had to check back a couple of times to double check.
The story is told from Conor's perspective throughout and his character is well developed and believable as are all the main characters in this book. What I particularly liked and which felt authentic, was how the internal battle Conor fought with himself around trying to do the right thing whilst being forced to do wrong in order to protect himself and his family.
This is a dark and gritty story with plenty of action and scenes of peril; the writing is at a good pace and easy to read with the difficulties Conor faces being a Catholic married to a Protestant being dealt with sensitively and, in my opinion, without bias towards either side.
Overall, a pretty good thriller set in a time and place that few books I have read previously have touched upon and I would certainly read further books from this author.
Thank you to Carina UK/HQ Digital and NetGalley for my copy in return for an honest review.
Laetitia Sadier recommended The Smiths by The Smiths in Music (curated)
Actress is the story of Katherine O’Dell, told by her daughter. She looks back on her mother’s career as Ireland’s darling, as she works her way up through Ireland’s bus-and-truck circuit, London’s West End , Broadway and finally Hollywood. Norah lives through the more successful period of her mothers life, and then has to deal with her fall from Grace after she commits a thoroughly bizarre crime. I really loved this book, and I had to keep reminding myself that it was in fact fiction. The author, Anne Enright, read her book, and she did it so well. It really sounded like someone who was telling their own life story, as opposed to telling ‘a’ story. It was really immersive and well told. I’m not surprised that it was on the long list for the Women’s Prize 2020.
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!
I loved the way that we watched Katherine’s slide into mental health problems through the eyes of her daughter, juxtaposed with the life that she had lived before - the whole bohemian, free living, carelessness of it. And then the reveal that all was not as it seemed. I enjoy books that explore family relationships - in fiction the opportunities are endless.
I really liked the historical element as well: the troubles in Ireland and how they impacted on Katherine and Norah. Not that it’s an enjoyable topic, but I have family connections, and the history of this fascinates me. To be honest, a lot of things impact on the relationship of this mother and daughter. It must have been very difficult for Norah to grow up in the way that she did - and again, I have to remind myself that this isn’t a true story!
This is the first Anne Enright novel that I’ve read/ listened to, and I have another book of hers on my bookcase that I’ll be moving up the ‘to be read’ pile. I think she’s an author that I’ll also be adding to me ‘read everything by them’ list!
Kyera (8 KP) rated The Call (The Call #1) in Books
Feb 1, 2018
Be prepared for a dark ride that will hit you with every emotion. The book starts off a little slow as it lays the groundwork for a riveting and horrifying novel. Once you are introduced to the various characters and the world they find themselves in, the book becomes a really quick read. This book takes place in Ireland, but the island is separated from the rest of the world. Thousands of years ago, the Irish people banished the Sidhe (fairies) to another world and now they're back for their revenge. The people are trapped and their teens are being taken. The Call lasts for 3 minutes and 4 seconds in our world, but they have to survive a day in Sidhe. Most don't. Those that do usually aren't the same, either physically, mentally, or both. When they reappear after those 3 minutes, they're likely dead and quite horribly mutilated. The Sidhe enjoy twisting and bending their prey into new shapes as a form of amusement. Dark.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Isabel Smith (34 KP) rated The Liar's Girl in Books
Jun 28, 2018
What if the person you loved wasn't who you thought they were?
Alison Smith is living the dream. Not only are she and her best friend Liz excited about their freshman year at the prestigious St. John’s College in Dublin, Ireland; Alison has also met someone…he could even be the one. From the instant she meets Will in a night club, sparks fly between them and they become that couple – the one that’s constantly attached at the hip, madly in love, and whose future shines so bright.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
LilyLovesIndie (123 KP) rated ƒire's Viking (ƒire's Viking, #2) in Books
Nov 5, 2018
In this, the second in the Eire's Viking Trilogy, Agnarr has returned to the Emerald Isle with his heart set on finding himself a wife and making a life amongst the people he had pillaged long ago. Cared for by Charis' adoptive daughter, the relationship quickly spirals into more than that of just a patient and his healer.
This story has a great continuation from the first book, flowing smoothly and sucking you straight back in to the trilogy. That said, I would advise against reading this if you have not already read the first in the series. I was sucked instantly into the series, my attention thoroughly grabbed and it kept me wanting to read more and more. It felt like I was actually there in Ireland, the history was so splendid and totally immersed me in the tale being told. It's just enough history, but it never detracts from the story, rather it enhances it as it makes it so much more real and believable.
The romance in this story is well written, as you'd expect having already seen how Layne developed the relationship between Cowan and Charis. Agnarr and Aislinn seem well suited to each other and their initial resistance is balanced, rather than overplayed. The development of their feelings for each other, and their realisation of that fact, is written with skill.
Charis and Cowan remain wonderful characters to read, and their development, both of their relationship and their characterisation in general, is well continued from the first book. The revisiting of other characters like Tuirgeis was a great addition as, not only is it great to see them again, but it helps build a greater degree of reality to the story.
All in all, this was a very pleasant read, a story I enjoyed and one that developed the trilogy well. If I had to, i'd have a little niggle over the pace, as it did slow slightly, but, nevertheless, it was still a very good read. I am, as with the last book, very excited to see how this trilogy will end.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
This story has a great continuation from the first book, flowing smoothly and sucking you straight back in to the trilogy. That said, I would advise against reading this if you have not already read the first in the series. I was sucked instantly into the series, my attention thoroughly grabbed and it kept me wanting to read more and more. It felt like I was actually there in Ireland, the history was so splendid and totally immersed me in the tale being told. It's just enough history, but it never detracts from the story, rather it enhances it as it makes it so much more real and believable.
The romance in this story is well written, as you'd expect having already seen how Layne developed the relationship between Cowan and Charis. Agnarr and Aislinn seem well suited to each other and their initial resistance is balanced, rather than overplayed. The development of their feelings for each other, and their realisation of that fact, is written with skill.
Charis and Cowan remain wonderful characters to read, and their development, both of their relationship and their characterisation in general, is well continued from the first book. The revisiting of other characters like Tuirgeis was a great addition as, not only is it great to see them again, but it helps build a greater degree of reality to the story.
All in all, this was a very pleasant read, a story I enjoyed and one that developed the trilogy well. If I had to, i'd have a little niggle over the pace, as it did slow slightly, but, nevertheless, it was still a very good read. I am, as with the last book, very excited to see how this trilogy will end.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Erika (17788 KP) Sep 9, 2019
AJaneClark (3962 KP) Sep 9, 2019