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Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
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Erika (17789 KP) rated Stillwater (2021) in Movies
Aug 3, 2021
The film Stillwater is based upon and exploits the Amanda Knox story. Swapping Italy for the town of Marseille, France, Allison (Abigail Breslin), an American university student is convicted of killing her girlfriend, Lina. Bill (Matt Damon), Allison’s estranged father, visits her regularly in prison, and is convinced of her innocence.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
Gareth von Kallenbach (980 KP) rated The Hitman's Wife's Bodyguard (2021) in Movies
Jun 9, 2021
When audiences last saw Bodyguard Michael Bryce (Ryan Reynolds); he was dealing with the aftermath of helping save the day and his long-time nemesis Darius Kincaid (Samuel L. Jackson). Taking place shortly after the events of the first film; “The Hitman’s Wife’s Bodyguard” finds Michael trying therapy after he has a reoccurring and disturbing dream following the loss of his AAA Bodyguard license.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.