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Sugar: My Life as a Sugar Babe
5.3
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A single mother, a secret life… After her divorce, Monique decides to inject some fun into the...
Wolf by Wolf (Wolf by Wolf, #1)
9.3
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Book
Her story begins on a train. The year is 1956, and the Axis powers of the Third Reich and...
Would it be Okay to Love You? (Would It Be Okay to Love You? #1)
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A robot fanboy. An erotic voice actor. When love comes calling, will they shed their armor? ...
M_M Contemporary Romance
Lindsay (1812 KP) rated Our Moon Festival: Celebrating the Moon Festival in Asian Communities in Books
Sep 4, 2021
Are you looking for a book about different Asian cultures and other traditions? I found one that talks about their Moon Festival. It is good to learn about different cultures and not change that culture because we do not like it. We should try and understand it.
“Our Moon Festival” by Yobe Qui is a beautiful picture book about three different families and how they celebrate the Moon and their traditions. The first one is about a Chinese festival and talks about Singapore. The second story talks about the Vietnamese and their lovely traditions. The last story is about the Japanese and how they celebrate the holiday with their traditions.
This book shows and illustrates the holiday; it talks about what is similar and how they are different. The illustrations in the book are displayed well and beautifully. The images are bright and colorful. Great for children and parents to learn about Asian communities and a bit of Asian culture.
Children will want to learn more about these three Asian countries, Japan, Singapore, Chinese, and the culture. Children want to learn about the Moon Festivals. I think they are different but similar. I enjoyed learning about other holidays and the traditions of different cultures. I enjoy learning about the Our Moon Festival.
“Our Moon Festival” by Yobe Qui is a beautiful picture book about three different families and how they celebrate the Moon and their traditions. The first one is about a Chinese festival and talks about Singapore. The second story talks about the Vietnamese and their lovely traditions. The last story is about the Japanese and how they celebrate the holiday with their traditions.
This book shows and illustrates the holiday; it talks about what is similar and how they are different. The illustrations in the book are displayed well and beautifully. The images are bright and colorful. Great for children and parents to learn about Asian communities and a bit of Asian culture.
Children will want to learn more about these three Asian countries, Japan, Singapore, Chinese, and the culture. Children want to learn about the Moon Festivals. I think they are different but similar. I enjoyed learning about other holidays and the traditions of different cultures. I enjoy learning about the Our Moon Festival.
Escape: Designing the Modern Guest House
Book
A book showcasing guest house design which merges practicality with motifs of nature and art, to...
Suswatibasu (1703 KP) rated Creepy (Kuripi: Itsuwari no rinjin) (2016) in Movies
Nov 29, 2017 (Updated Nov 29, 2017)
The title spells it out to a tee
This absolutely stomach-wrenching film from the masters of Japanese cinema, literally blows your socks off. It is understatedly creepy, no dramatic background music and a deeply horrifying body count. For fans of psychological thrillers such as @Sympathy for Lady Vengeance (2014) and @Oldboy (2013) (Korean version) this is another expertly crafted movie that leaves you in knots.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.