Awix (3310 KP) rated Ghidorah, the Three-Headed Monster (1964) in Movies
Feb 12, 2019
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Awix (3310 KP) rated Gamera: Advent of Legion (1996) in Movies
Mar 15, 2019 (Updated Mar 15, 2019)
The bare bones of the plot make it sound fairly absurd, but the combination of a clever, cine-literate script that knows exactly when to play it loose and when to get to the point, and superbly accomplished special effects mean this is one of the highlights of the Japanese monster movie tradition; arguably very influential within the genre, not least for the way it plays with all the classic tropes and manages to rationalise many of them. The design of the antagonist monster could have been a bit less weird, but you can't have everything I suppose. Exceeded in its crazed grandiosity only by the third part of the trilogy, but still outscores that in the script department.
Suswatibasu (1701 KP) rated A River in Darkness: One Man's Escape from North Korea in Books
Jan 17, 2018
Ishikawa describes his life under the North Korean regime as gruelling, horrifically terrifying, and there are some completely hopeless moments where you think why even bother anymore.
His journey begins in Japan, the child of a Japanese mother and Korean father, he was forced at a young age to move to North Korea under the pretence of "returning" to his motherland, though he never believed so. His father, an originally extremely violent man became pacified as he realised the perilous situation he bought his family into. But they soon face the truth and brutality of their circumstances.
The narrator defects at a much later stage in life, living around 30 years under the dictatorship, but leaving his family behind. He questions whether he made the right decision in the end as the consequences are revealed and the reader is left writhing in agony at his pain.
It is not an easy read, but it is important to understand the level of complexity and the reality of the situation. An absolute must read.
Awix (3310 KP) rated Dogora (1964) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
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