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A dense, rich plot (1 more)
Tons of interesting cultural glimpses
I loved this book. Translated works can sometimes be clunky, with little nuances lost along the way, but this one was so smooth and evocative that it didn't really feel translated at all. Kudos to Jonathon Lloyd-Davies.
The basic plot involves 2 missing girls: the 1989 kidnap and murder of a 7 year old and the more recent disappearance of Press Director Mikami's teenage daughter. With the anniversary of the original crime coming up, Mikami is charged with organizing a PR visit by the police commissioner to the family of the murdered 7 year old and discovers a previously unseen clue in the case files along the way. The insight into the minutiae of Japanese daily life is fascinating: the sense of failure Mikami feels from having been transferred to criminal investigations to press director, cops stopping to purchase a visiting gift of rice crackers before stopping at the victim's home, Mikami's knowledge from the glimpse of a home shrine that a key witness has passed away.
While this can be a slow read, I suggest sticking with it. Take it in small doses. It's worth it.
The basic plot involves 2 missing girls: the 1989 kidnap and murder of a 7 year old and the more recent disappearance of Press Director Mikami's teenage daughter. With the anniversary of the original crime coming up, Mikami is charged with organizing a PR visit by the police commissioner to the family of the murdered 7 year old and discovers a previously unseen clue in the case files along the way. The insight into the minutiae of Japanese daily life is fascinating: the sense of failure Mikami feels from having been transferred to criminal investigations to press director, cops stopping to purchase a visiting gift of rice crackers before stopping at the victim's home, Mikami's knowledge from the glimpse of a home shrine that a key witness has passed away.
While this can be a slow read, I suggest sticking with it. Take it in small doses. It's worth it.
Mayhawke (97 KP) rated Windtalkers (2002) in Movies
Feb 7, 2018
Not the film it was pitched as
I bought this when it first came out on video (yes, that long ago) excepecting a good action film centered around an interesting historical fact. If that is what you are hoping for, don't bother.
The trailers and the blurb made a great deal about the American use of the Navajo language as an unbreakable 'code' during WW2,and gave the impression that this was the central theme of the film. It is not. In fact that aspect of the story is almost completely incidental. Instead the film focuses on the character of Joe Enders (Nicholas Cage), in a thin and worn out story of the 'Only-Man-To-Survive-Out-Of-his-Unit-and-Now-he's-racked-with-Guilt' genre.
Trouble is, it's not even a good example of it's kind, and rapidly degenerates into the worst kind of John Wayne-esq war film, where one good/troubled/hard-arse American Marine manages to defeat the entire force of the Japanese/Germans/whoever.
It's a real shame, because the opportunity was there to do something really interesting and informative but - it seems - once again Hollywood has been blinded by the myopic belief that Testosterone, lots of big bangs and screaming characters makes for better entertainment.
The trailers and the blurb made a great deal about the American use of the Navajo language as an unbreakable 'code' during WW2,and gave the impression that this was the central theme of the film. It is not. In fact that aspect of the story is almost completely incidental. Instead the film focuses on the character of Joe Enders (Nicholas Cage), in a thin and worn out story of the 'Only-Man-To-Survive-Out-Of-his-Unit-and-Now-he's-racked-with-Guilt' genre.
Trouble is, it's not even a good example of it's kind, and rapidly degenerates into the worst kind of John Wayne-esq war film, where one good/troubled/hard-arse American Marine manages to defeat the entire force of the Japanese/Germans/whoever.
It's a real shame, because the opportunity was there to do something really interesting and informative but - it seems - once again Hollywood has been blinded by the myopic belief that Testosterone, lots of big bangs and screaming characters makes for better entertainment.
Sean Farrell (9 KP) rated Unbroken in Books
Mar 15, 2018
Considering that this book has been out for quite a while, and the movie has already hit theaters, I am going to assume that anyone who is interested is already aware of the plot. And I am going to guess there isn't really much left to say about this rather popular book that hasn't already been said, so just let me say that if you haven't read it yet, you really should. While primarily being about Louis Zamperini, it does touch on the lives of other soldiers on both sides of the war to varying levels of detail, which really helps one to understand the mindsets of those involved, a necessary achievement when dealing with some of the atrocities committed in these pages. And those atrocities are quite shocking. A lot of attention has been given to what the Germans did during World War II (and rightly so), but very few of us really know about some of the shocking violence carried out by the Japanese. This is an important chapter of world history that we all should remember, and it is told here in a very compelling style that should make it easy to get into for anyone. One of the best non-fiction stories of recent years.
Awix (3310 KP) rated Godzilla (1954) in Movies
Mar 24, 2018 (Updated Mar 24, 2018)
The very first Godzilla movie is essentially an unlicensed remake of Eugene Lourie's The Beast from 20,000 Fathoms, with a prehistoric monster roused by atomic testing and going on the rampage - but being a bit worried about atom bombs is clearly not the same thing as actually having them used on your country, for this movie has a dark, traumatised quality to it completely absent from American monster movies.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
Caitlin Ann Cherniak (85 KP) rated The Dragon Queen in Books
Oct 20, 2018
A very strong and intelligent female protagonist (2 more)
The Korean history
Rich detail
Mr. Simon bits (1 more)
The king is so weak!
Taken from my review on Goodreads: I won this book during a Kindle giveaway, and I'm very happy I was one of the lucky winners of this book. For a book that almost has five stars on this forum, it definitely deserves its ranking. This book not only tells a legend to an ignorant American government official, it tells the story of how a shy girl became a queen that sparked a revolution between the Koreans and the Japanese in the late 1800's. Honestly, the present day parts didn't add much except for why Anna is telling the story in the first place, which I guess adds some relevance, but the core of the story is the story of Ja-young, who should count as a princess Disney will never write about considering how sexist and violent her situation got throughout the entire novel. My greatest advice for encountering this book is skip the beginning and go straight to Ja-young's story. Waaaaaaaaaaay more influential than listening to a white man ramble about North and South Korean issues any day of the week.
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