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Down and Dirty (Cole McGinnis #5)
8.0
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Book
From the moment former LAPD detective Bobby Dawson spots Ichiro Tokugawa, he knows the man is...
Contemporary MM Romance Crime Mystery Suspense
Rika, a journalist, wants to interview female serial killer Manako Kajii, but Kajii doesn’t want to talk to anyone, least of all another woman. So Rita appeals to her love of cooking, and asks her for a recipe.
Initially I thought this would be a thriller, and whilst it has elements of that, its so much more. Butter looks at how women are regarded in society - how “thin is King (or Queen?)”, particularly in Japan. Kajii sets Rika tasks, one being to learn to cook and actually enjoy her food (that’s two tasks) - less of the “food is fuel” school of thought.
Rika learns that she’s lonely, her life is centred around her work. She wants independence, but she also wants connection. As Rita gains weight she feels happier in herself, but she’s judged by those around her of being slovenly. I mean, the work she puts in to learning to cook and actually cooking would say otherwise, but then that’s society for you.
I will say not to read this whilst you’re hungry. The descriptions of the food, it’s smell, texture, flavours - I’m getting hungry just thinking about it!
I’m glad I read this. It was a really interesting insight into Japanese culture, more so than ‘just’ a thriller. There were more food descriptions than murders, that’s for certain!!
Initially I thought this would be a thriller, and whilst it has elements of that, its so much more. Butter looks at how women are regarded in society - how “thin is King (or Queen?)”, particularly in Japan. Kajii sets Rika tasks, one being to learn to cook and actually enjoy her food (that’s two tasks) - less of the “food is fuel” school of thought.
Rika learns that she’s lonely, her life is centred around her work. She wants independence, but she also wants connection. As Rita gains weight she feels happier in herself, but she’s judged by those around her of being slovenly. I mean, the work she puts in to learning to cook and actually cooking would say otherwise, but then that’s society for you.
I will say not to read this whilst you’re hungry. The descriptions of the food, it’s smell, texture, flavours - I’m getting hungry just thinking about it!
I’m glad I read this. It was a really interesting insight into Japanese culture, more so than ‘just’ a thriller. There were more food descriptions than murders, that’s for certain!!
Butter
7.0
Rate It
Book
The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent...
Women in translation Japan
widget weather - offline forecast, your own style
Weather and Reference
App
Even bad weather can be forecasted beautifully! widget weather will make any weather look good on...
Snap2PDF - Scan Documents & Share Searchable PDF
Business and Productivity
App
* The Best Document Management App * • Snap2PDF secured a spot among the Top 10 apps in the...
Cryptocurrency - Wallet Value
Finance and Business
App
Wallet Value for Cryptocurrency Track & Trace your Cryptocurrency Wallet Value whenever and...
Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 30, 2019 (Updated May 30, 2019)
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
LeftSideCut (3778 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Big, loud, fun.
I'm not quite sure where all the bad reviews are coming from with this one, truth be told! I fully accept that there many action film cliches littered throughout, and the dialogue is just silly at times, but how much can you really dislike the spectacle of this sequel when the monsters turn up (and that doesn't take long!)
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
Awix (3310 KP) rated The Beast From 20,000 Fathoms (1953) in Movies
May 31, 2018 (Updated May 31, 2018)
American A-bomb test has unexpected consequences when the blast defrosts a frozen, wholly fictional dinosaur; the creature swims off to devastate the nearest city for no particularly well-explained reason. A decent monster movie with a surprisingly gritty tone (by the standards of the genre, anyway); in terms of cultural impact, utterly eclipsed by an unofficial Japanese remake which came out the following year and has had 31 sequels to date.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
Phil Leader (619 KP) rated Dragon (Dirk Pitt #10) in Books
Nov 12, 2019
At the end of the Second World War, America sends more than two atomic bombs to be dropped on Japan, but the other planes crashed. Fast forward fifty years and against a backdrop of US paranoia about the rise of Japanese industry, it seems that at least one of those missing bombs has been found.
Dirk Pitt must race against the clock to uncover the fate of the weapons and what use they may be put to. And not all of his foes are human.
It has to be said you generally know what you are going to get with a Cussler book and this is exactly what you get. There's a villainous bad guy who wants to destroy America, almost insurmountable odds, incredible chases and ingenious escapes.
The whole is equal to the sum of its parts, so this is a completely standard Pitt adventure novel, but there are many of those parts that aren't quite up to scratch. With the fall of the Soviet Union as the Enemy Nation, Cussler has transferred this status to Japan, but it doesn't really work very well and comes across as more than a little xenophobic. And the threats aren't particularly threatening. By this point the plot twists that made the earlier novels so intriguing are basically absent with very little happening that isn't signposted. So although it's a standard Cussler thriller, it isn't anywhere near being one of the best
Dirk Pitt must race against the clock to uncover the fate of the weapons and what use they may be put to. And not all of his foes are human.
It has to be said you generally know what you are going to get with a Cussler book and this is exactly what you get. There's a villainous bad guy who wants to destroy America, almost insurmountable odds, incredible chases and ingenious escapes.
The whole is equal to the sum of its parts, so this is a completely standard Pitt adventure novel, but there are many of those parts that aren't quite up to scratch. With the fall of the Soviet Union as the Enemy Nation, Cussler has transferred this status to Japan, but it doesn't really work very well and comes across as more than a little xenophobic. And the threats aren't particularly threatening. By this point the plot twists that made the earlier novels so intriguing are basically absent with very little happening that isn't signposted. So although it's a standard Cussler thriller, it isn't anywhere near being one of the best