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Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Cori June (3033 KP) rated The Dragonstone (Mithgar, #1) in Books
Dec 3, 2018 (Updated Dec 8, 2018)
The book follows our heroines and heroes hoping to avert a possible disaster by finding the jade egg and defeating a wizard. Their only real map a puzzle of a prophecy that they have to figure out. It does use a lot of what I call "old or high" language where the meanings have changed from today's usage and there are a lot of thee and thine. As well as a peppering of what I think is Japanese and possibly French words. He also really likes the word whelm. The Dragonstone is philosophical inclined and many discussions about free will vs. predestination are inside.
Technically, I rate this book as 7 1/2 stars (I'm not sure how to do a half rating & enjoyed it enough to round up). I received over half of his books over ten years ago about the same time as the LOTR movies came out. Yes, they are very similar. You can tell he is a LOTR fan. Like a lot of his books, this story starts in the middle and builds through flashbacks. One of my favorite things about this books series is that you get multiple p.o.v. And you can read the series all hodgepodge with few as "true" sequels or trilogies- most of those are contained as one book now.
Technically, I rate this book as 7 1/2 stars (I'm not sure how to do a half rating & enjoyed it enough to round up). I received over half of his books over ten years ago about the same time as the LOTR movies came out. Yes, they are very similar. You can tell he is a LOTR fan. Like a lot of his books, this story starts in the middle and builds through flashbacks. One of my favorite things about this books series is that you get multiple p.o.v. And you can read the series all hodgepodge with few as "true" sequels or trilogies- most of those are contained as one book now.
Bong Mines Entertainment (15 KP) rated Runnin' - Single by SHōTA LōDI in Music
Jun 18, 2019
SHōTA LōDI (pronounced Show-Ta Low-Dee) is an LA-based singer-songwriter from Tokyo, Japan. Not too long ago, he released a music video for his “Runnin’” single.
“‘Runnin’ is an upbeat tale about the never-ending rat race to be at the top of the charts. The lyrics are inspired by the trials and errors that take place in the music business on the road to success. Since the release of this record, Adidas has reached out to use the song in their ads. The music video was shot over 5 days in NYC and has been well received by agents and labels since the release.” – SHōTA LōDI
‘Runnin’’ contains a relatable narrative, harmonious vocals, and feel-good instrumentation flavored with neo-soul, hip-hop, and indie-pop elements.
An accomplished clarinetist and pianist, SHōTA LōDI is a self-taught singer-songwriter and guitarist. He can sing fluently in Japanese and English and his unique sound has already landed him a record deal with Warner Asia.
2019 is going to be a busy year for him because of Warner’s overseas support and labels in the U.S. calling his phone. Also, the launching of his clothing brand will keep him active and the release of his upcoming Freshman album, entitled, “High School Dropout”.
https://www.bongminesentertainment.com/shota-lodi-runnin/
“‘Runnin’ is an upbeat tale about the never-ending rat race to be at the top of the charts. The lyrics are inspired by the trials and errors that take place in the music business on the road to success. Since the release of this record, Adidas has reached out to use the song in their ads. The music video was shot over 5 days in NYC and has been well received by agents and labels since the release.” – SHōTA LōDI
‘Runnin’’ contains a relatable narrative, harmonious vocals, and feel-good instrumentation flavored with neo-soul, hip-hop, and indie-pop elements.
An accomplished clarinetist and pianist, SHōTA LōDI is a self-taught singer-songwriter and guitarist. He can sing fluently in Japanese and English and his unique sound has already landed him a record deal with Warner Asia.
2019 is going to be a busy year for him because of Warner’s overseas support and labels in the U.S. calling his phone. Also, the launching of his clothing brand will keep him active and the release of his upcoming Freshman album, entitled, “High School Dropout”.
https://www.bongminesentertainment.com/shota-lodi-runnin/
Otway93 (580 KP) rated BIO HAZARD: The True Story Behind BIO HAZARD in Books
Oct 22, 2019
Story (2 more)
Background Information
Interview with Shinji Mikami (Resident Evil Designer)
A fascinating book from a horror and gaming perspective.
A fun, fascinating book that gives a great deal of information regarding what happened in the Resident Evil/Biohazard series before the first game.
The "Trevor's Letters" section of the book provides a haunting, yet not overly revealing backstory about the notorious mansion's design, but it succeeds in preserving the mystery of what lies ahead, while providing gamers with some subtle game hints.
The main section of the book, "Resident Evil: The Beginning", is a light novel by Hiroyuki Ariga, providing a brief prequel to the game that leads straight into the game itself. Well written and thoroughly enjoyable!
The final section is an interview with Shinji Mikami, the designer of the game, where he talks about his inspirations and previous games. A superb insight into how the game was made, mainly providing details on game design and the games soundtrack (or lack thereof). A smart and funny interview with a man that gamers have a lot to thank for!
The main problem with the book is that it was only released to the Japanese market, but thanks to the wonder of the internet, there is a translation available so we can all enjoy it!
The "Trevor's Letters" section of the book provides a haunting, yet not overly revealing backstory about the notorious mansion's design, but it succeeds in preserving the mystery of what lies ahead, while providing gamers with some subtle game hints.
The main section of the book, "Resident Evil: The Beginning", is a light novel by Hiroyuki Ariga, providing a brief prequel to the game that leads straight into the game itself. Well written and thoroughly enjoyable!
The final section is an interview with Shinji Mikami, the designer of the game, where he talks about his inspirations and previous games. A superb insight into how the game was made, mainly providing details on game design and the games soundtrack (or lack thereof). A smart and funny interview with a man that gamers have a lot to thank for!
The main problem with the book is that it was only released to the Japanese market, but thanks to the wonder of the internet, there is a translation available so we can all enjoy it!
Will Oldham recommended Floating Weeds (1959) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated The Enfield horror trilogy (books 1-3) in Books
May 1, 2022
75 of 230
Kindle
The Enfield horror trilogy ( Books 1-3)
By Ron Ripley
⭐️⭐️⭐️
In the deep woods of Enfield, an autumn windstorm has unleashed a horror that has been trapped for over 100 years. For decades, the beast and its lair have hungered. Now the people of Enfield have to deal with a supernatural hunter with an insatiable appetite for humans.A hunter that is disturbingly good at what it does.As people start disappearing, Officer Tom Henderson finds himself thrust from the role of a rural police officer into that of a savior. Improbable eyewitness accounts tell him that the beast he has to face is merciless. And now, Tom will discover how deep his courage truly runs.
Well I wasn’t expecting that! I thought I was getting some creepy story out in the woods. What I got was a fully fledged Japanese dragon with an appetite for human flesh and an attitude problem lol. Haha I just wasn’t expecting it. Overall I enjoyed it but found it a little strange I can’t quite put my finger on why! I would have liked a li more on the mythological side to explain it all a little better I think. I do like this author his books always find a way to surprise me.
Kindle
The Enfield horror trilogy ( Books 1-3)
By Ron Ripley
⭐️⭐️⭐️
In the deep woods of Enfield, an autumn windstorm has unleashed a horror that has been trapped for over 100 years. For decades, the beast and its lair have hungered. Now the people of Enfield have to deal with a supernatural hunter with an insatiable appetite for humans.A hunter that is disturbingly good at what it does.As people start disappearing, Officer Tom Henderson finds himself thrust from the role of a rural police officer into that of a savior. Improbable eyewitness accounts tell him that the beast he has to face is merciless. And now, Tom will discover how deep his courage truly runs.
Well I wasn’t expecting that! I thought I was getting some creepy story out in the woods. What I got was a fully fledged Japanese dragon with an appetite for human flesh and an attitude problem lol. Haha I just wasn’t expecting it. Overall I enjoyed it but found it a little strange I can’t quite put my finger on why! I would have liked a li more on the mythological side to explain it all a little better I think. I do like this author his books always find a way to surprise me.
Rika, a journalist, wants to interview female serial killer Manako Kajii, but Kajii doesn’t want to talk to anyone, least of all another woman. So Rita appeals to her love of cooking, and asks her for a recipe.
Initially I thought this would be a thriller, and whilst it has elements of that, its so much more. Butter looks at how women are regarded in society - how “thin is King (or Queen?)”, particularly in Japan. Kajii sets Rika tasks, one being to learn to cook and actually enjoy her food (that’s two tasks) - less of the “food is fuel” school of thought.
Rika learns that she’s lonely, her life is centred around her work. She wants independence, but she also wants connection. As Rita gains weight she feels happier in herself, but she’s judged by those around her of being slovenly. I mean, the work she puts in to learning to cook and actually cooking would say otherwise, but then that’s society for you.
I will say not to read this whilst you’re hungry. The descriptions of the food, it’s smell, texture, flavours - I’m getting hungry just thinking about it!
I’m glad I read this. It was a really interesting insight into Japanese culture, more so than ‘just’ a thriller. There were more food descriptions than murders, that’s for certain!!
Initially I thought this would be a thriller, and whilst it has elements of that, its so much more. Butter looks at how women are regarded in society - how “thin is King (or Queen?)”, particularly in Japan. Kajii sets Rika tasks, one being to learn to cook and actually enjoy her food (that’s two tasks) - less of the “food is fuel” school of thought.
Rika learns that she’s lonely, her life is centred around her work. She wants independence, but she also wants connection. As Rita gains weight she feels happier in herself, but she’s judged by those around her of being slovenly. I mean, the work she puts in to learning to cook and actually cooking would say otherwise, but then that’s society for you.
I will say not to read this whilst you’re hungry. The descriptions of the food, it’s smell, texture, flavours - I’m getting hungry just thinking about it!
I’m glad I read this. It was a really interesting insight into Japanese culture, more so than ‘just’ a thriller. There were more food descriptions than murders, that’s for certain!!
Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 30, 2019 (Updated May 30, 2019)
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
LeftSideCut (3776 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Big, loud, fun.
I'm not quite sure where all the bad reviews are coming from with this one, truth be told! I fully accept that there many action film cliches littered throughout, and the dialogue is just silly at times, but how much can you really dislike the spectacle of this sequel when the monsters turn up (and that doesn't take long!)
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
Awix (3310 KP) rated The Beast From 20,000 Fathoms (1953) in Movies
May 31, 2018 (Updated May 31, 2018)
American A-bomb test has unexpected consequences when the blast defrosts a frozen, wholly fictional dinosaur; the creature swims off to devastate the nearest city for no particularly well-explained reason. A decent monster movie with a surprisingly gritty tone (by the standards of the genre, anyway); in terms of cultural impact, utterly eclipsed by an unofficial Japanese remake which came out the following year and has had 31 sequels to date.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.