"A meditation on the nature of reality by Akira Kurosawa, one of greatest of all Japanese films, with magnificent performances by Toshiro Mifune. Is there such a thing as “objective reality”? Or, as Kurosawa suggests, is it all in the eye of the beholder?"

"The deepest and most thrilling of all Japanese novels, which embodies the refined sensibility and historical burden of a nation just on the cusp of World War II. The novels of Kawabata, the Nobel prizewinner, are also dear to my heart, especially the Sound of the Mountain."

"Generally accepted as Mizoguchi’s greatest work, Ugetsu is based on supernatural Japanese folk tales by the celebrated eighteenth-century author Ueda Akinari. Mizoguchi is most concerned with a compassionate telling of human sorrow, and he finds plenty of substance in Akinari’s short stories. Infamously uncompromising, Mizoguchi was a perfectionist when it came to all aspects of the process. His visual compositions, the production design, the special effects, the lighting, the performances by the actors (especially Machiko Kyo, who adheres in this case to a more traditionally Japanese theatrical style of performance), and the sound design are all so finely tuned and executed, it’s as though Mizoguchi had the ability to be in multiple places at once."

"A collection of magical, supernatural Japanese folk tales, first recommended to me by a well-traveled and well-read friend, this collection has a special significance as a four line footnote from this book about a young boy training to be a samurai inspired the screenplay of my first feature film, “The Warrior.”"