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The Dirty Streets Of Heaven (Bobby Dollar #1)
The Dirty Streets Of Heaven (Bobby Dollar #1)
Tad Williams | 2012 | Mystery, Paranormal, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Characters (0 more)
Bobby Dollar AKA Doloriel is a snarky, stubborn, cynical, jazz loving, wiseass of an angel. As an angel of the Third Circle his job is that of an Advocate Angel. He's on your side to argue for your soul to get into heaven. When souls start disappearing Bobby is on the hook and finds himself in the middle of a conspiracy that has Heaven and Hell in a tizzy.
This book is a supernatural noir type, Set in Heaven and San Judas, California-named after the patron saint of the hopeless, the unloved, and other lost causes. Told in a first person narrator pov. (Think similar to Brust. The narrator is talking to 'you personally'). The characters are phenomenal and the descriptions are great. As this is not his normal writing style it shows and can be a bit rough at some places.
This fast paced mystery is a delight with its unique show of how heaven and hell could work it makes you think. Even though it is about angels it isn't overly religious it also isn't anti-God. There is drinking, cussing, and violence. Yep the angels drink, some even to the point of drinking their Earthly bodies to death.
Heaven's most problematic angel is figuring out how he can survive being stuck in the middle of this ancient battle.
  
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Vince Clarke recommended Bookends by Simon & Garfunkel in Music (curated)

 
Bookends by Simon & Garfunkel
Bookends by Simon & Garfunkel
1968 | Folk
8.0 (2 Ratings)
Album Favorite

"I saw the film The Graduate when I was 15 and heard the track 'The Sound Of Silence' and I immediately went out and bought the songbook and learned every song. Hearing Simon & Garfunkel was the thing that made me decide I would really like to make music for a living. I could play the songs, and suddenly music seemed much less foreign to me. Before that it was watching people on Top Of The Pops doing their thing, and it was just another world to me, it didn't seem like something that could be homegrown or that I could possibly achieve. At the time I'd just started going to the school guitar club and learning basic chords, and this music came along and I thought, ""Ah, I can learn that"". I like the simplicity of the lyrics, and there's a naivety to the songwriting, and when they write about New York and that, now I live here and have been visiting for years, I can see where their inspirations came from. You can't deliberately be naive, you write simple songs I guess, and hopefully something that you do happens in the writing process. I'm really into melody, I couldn't listen to a jazz fusion record for instance, I'm the opposite end of the scale, that's all."

Source
  
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Moby recommended What's This For? by Killing Joke in Music (curated)

 
What's This For? by Killing Joke
What's This For? by Killing Joke
2005 | Alternative, Pop, Punk, Rock
7.5 (2 Ratings)
Album Favorite

"I remember hearing 'Requiem' on college radio, and it really combined all of my favourite things - it had synths on it, really heavy distorted guitars, tribal drums, this crazy jazz drummer and punk rock vocals. The first album is great, but What's This For is one of those rare albums where the second is actually better. I remember when it came out I went to the record store the week of release, though I couldn't afford to buy it, and looking at the cover and how beautiful it was. It was this collage, with these psychedelic, apocalyptic colours, and the title is one of those great titles where it meant nothing but it was captivating. What are they asking, I don't understand. Standing in the record store, holding this piece of vinyl, hoping that one day I'd be able to buy it... when I finally got it home, the sound quality was even better than the first album, and it just had this sinewy darkness to it that was really amazing. Everything about them from the basslines to the drumming to the way they approach guitar and lyrics... it was the first time I'd ever heard really heavy distorted guitar that the way they were mixed they didn't dominate the music, the fit perfectly within the framework of the song."

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Jeepers Creepers (2001)
Jeepers Creepers (2001)
2001 | Horror, Mystery
Subhuman dumpsterscum Victor Salva adds absolutely nothing to this as an auteur let alone as a basic director: he shoots it mostly in the most unengaging, dated way possible and the writing - which can at best be described as semi-coherent - feels like a Quibi's worth of material thinly stretched into feature length. Overall a very haphazard, spotty experience that doesn't deliver nearly as much of the goods as it should... but definitely still weird, gross, and funny enough to suffice. That Sistine Chapel-esque lair of mutilated bodies, cobwebs, dirt, and vials of various mysterious liquids is almost worth the price of admission alone (in fact just in general the production is A-class when Salva can actually shoot it right), and Justin Long's one continuous panic attack of a performance is so tremendous. And come on, JC is one *hell* of a killer - running on moving cars, foully scarfing down innards, pulling 180s with his swiss army knife collection of bodily contortions, and whistling jazz tunes like some sort of crowd-pleasing merger of Predator and Freddy Krueger. Shame there isn't enough of him, but I just have to admire how that ending takes zero prisoners. It's fun, nowhere near the classic it should have been though even if there are hints of what it could have been sprinkled throughout.