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Alexis Taylor recommended Hard to Earn by Gang Starr in Music (curated)

 
Hard to Earn by Gang Starr
Hard to Earn by Gang Starr
1994 | Rock
(0 Ratings)
Album Favorite

"When I was growing up, hip-hop was pretty new. My oldest brother was really into it. Also, we had MTV from about 1990 onwards, so you'd see all these different people - A Tribe Called Quest, Public Enemy and Gang Starr - just became a soundtrack to whatever we were doing. I picked that one because I love DJ Premier's production, but also Guru's voice. I'm a big fan of the experimentation within hip-hop. Nowadays, people feel hip-hop has gone mainstream or whatever, but at that time, people were making records that were sampling very out there, experimental music, but combining them with parts from classical or jazz recordings, resulting in this very dense collage of sounds that is at times not even very melodic, but it's always got an amazing groove to it. It was those aspects in combination with Guru's voice, I just found it really inventive and exciting. Also, I would listen to it, and want to know where the samples had come from, and then I would go on missions to try and track things down. I think there was a Monk Higgins sample used on the track, 'Code Of The Streets', and that's just very alien-sounding. It's very basic, but it uses this beautiful violin part all the way through the track. They must have just been listening to such a wide variety of music, and what they've come out with is much more interesting that what came out post that era of hip-hop. You get some songs where there's a whole song taken, with just new lyrics added on. Back then though, there would have been as many as forty songs sampled in one song sometimes."

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40x40

Alexis Taylor recommended Mid-Eighties by Robert Wyatt in Music (curated)

 
Mid-Eighties by Robert Wyatt
Mid-Eighties by Robert Wyatt
(0 Ratings)
Album Favorite

"Old Rottenhat is an album that came out in 1985, and Works In Progress is an EP from the same time. They get grouped together on a compilation album called Mid-Eighties. On that album, he's using a lot more synthesiser, and a lot less acoustic and jazz instrumentation. I heard that when I was working at Domino where I used to work a few years ago, and it was just on in the office. I'd heard plenty of other Robert Wyatt but this was the stuff that I liked the most. I liked the combination of his very frail, beautiful voice mixed with properly 80s-sounding synthesisers. I like the claustrophobic sound, and the reverbs, and the synths. They're not nasty-sounding synths. For me, it's just very colourful-sounding music. I got to work with him more recently with Hot Chip, because we were such fans, and it was a real pleasure to be in the studio with him. He gave a lot of himself to the project, and came up with some amazing parts to add to our tracks. He would sing one song of mine, but he wouldn't sing another because he needed them to feel like something he had lived. I have to feel like stuff resonates with me. I liked his honesty, and what he bought to those recordings was amazing. There's a lot to learn from him - he's very political, and I'm not like that at all. And one of the things he was doing when he made Old Rottenhat was creating lyrics that nobody could misunderstand, in terms of political meaning. I was impressed by him not hiding anything, and that's something I like to do with my music in terms of the emotional content."

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