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A suspenseful read about the ownership of stories
Jacob Finch Bonner, the once promising author of the debut novel The Invention of Wonder, is now a struggling writer teaching at Ripley College in Vermont. At Ripley, basically anyone can attend to receive a MFA. This includes Evan Parker, a pompous jerk who declares he doesn't need Jake--or anyone's--help to make his novel a success. But when Evan actually deigns to share his plot with Jake, Jake can't help but agree. He waits for Evan's inevitable success, but it never comes. When he learns that Evan has died--without having published his book--Jake feels that his story must be told. So Jake writes it, and he is soon basking in the success he was so sure Evan would have. He's rich, famous, and touring the country on a book tour. But then he receives the first email: "You are a thief." Jake feels everything he has about to slip away. As the threats increase, Jake begins to dig into Evan's past. What he finds is horrifying--he may not be the only one who stole this story--and the consequences could be deadly.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
Merissa (11800 KP) rated Shadow Seer (Blood Shadows #2) in Books
Nov 21, 2022
SHADOW SEER is the second book in the Blood Shadows trilogy and although it is sort of standalone - in that it is Zach and Emma's story - it is better to read in sequence so you get the big picture. As for Zach and Emma, they were childhood friends who were separated by sad circumstances. Zach sets out to find her, not knowing what he will find. Is Emma innocent or is she involved with her father's wrongdoings?
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kristy H (1252 KP) rated Somebody's Daughter in Books
Apr 4, 2019
So this is a very timely book--as it seems like sexting and its repercussions is everywhere right now--and its horrifying to see how quickly one bad decision can affect the course of so many kids' lives. Unfortunately, this one fell flat for me. I actually really liked Zoe--and even her twin, though she wasn't as prominently featured--but the book was told from Emma's perspective, and she drove me crazy.
It's made clear from the beginning that Zoe's incident parallels something Emma herself did as a teen or young woman. But, of course, we can't just be told what that is. Heaven forbid. Instead, there are constant allusions to whatever happened, or Emma mentioning it (to herself, since it's a secret) and agonizing whether she should tell Zoe or her husband, or blah blah blah. We go over half the book before finding out what really happened and by then I was way too annoyed to care.
Not to mention, Emma's husband, Bobby, is a total jerk. The guy turns on his teenage daughter when she needs him and then spends the majority of the book being a total a** to his wife and kids. I had zero sympathy for him and honestly wished either Emma or the kids would just kick him to the curb. Most of the book is Bobby sniping at Emma (or his fifteen-year-old daughter, who has just been through a huge trauma!), or Emma endlessly worrying about Bobby and the state of things. Ugh. Rinse and repeat. I found myself sort of skimming waiting to see if more was going to happen. (It really didn't.)
It's a shame, because there was real potential with Zoe's character, and the message of the book--about the dangers of sexting--is a good one, I think.
“There’s a monster out there,” she says. “It can be anyone pushing a button and ruining my life. I can’t see them, but they’re out there, and I’m terrified.”
Alas, the book was just too melodramatic and repetitive for me. I couldn't handle how long it took to reveal Emma's past, especially after all the build-up to said revelation. The rehashed bickering between Emma and Bobby is just way too much (and I couldn't stand Bobby whatsoever). I felt so bad for those poor kids. And, of course, to end it all, we have a predictable ending that you could see coming a mile away. I should have abandoned this one, but I kept holding out hope it would surprise me. It did not. 2 stars.
It's made clear from the beginning that Zoe's incident parallels something Emma herself did as a teen or young woman. But, of course, we can't just be told what that is. Heaven forbid. Instead, there are constant allusions to whatever happened, or Emma mentioning it (to herself, since it's a secret) and agonizing whether she should tell Zoe or her husband, or blah blah blah. We go over half the book before finding out what really happened and by then I was way too annoyed to care.
Not to mention, Emma's husband, Bobby, is a total jerk. The guy turns on his teenage daughter when she needs him and then spends the majority of the book being a total a** to his wife and kids. I had zero sympathy for him and honestly wished either Emma or the kids would just kick him to the curb. Most of the book is Bobby sniping at Emma (or his fifteen-year-old daughter, who has just been through a huge trauma!), or Emma endlessly worrying about Bobby and the state of things. Ugh. Rinse and repeat. I found myself sort of skimming waiting to see if more was going to happen. (It really didn't.)
It's a shame, because there was real potential with Zoe's character, and the message of the book--about the dangers of sexting--is a good one, I think.
“There’s a monster out there,” she says. “It can be anyone pushing a button and ruining my life. I can’t see them, but they’re out there, and I’m terrified.”
Alas, the book was just too melodramatic and repetitive for me. I couldn't handle how long it took to reveal Emma's past, especially after all the build-up to said revelation. The rehashed bickering between Emma and Bobby is just way too much (and I couldn't stand Bobby whatsoever). I felt so bad for those poor kids. And, of course, to end it all, we have a predictable ending that you could see coming a mile away. I should have abandoned this one, but I kept holding out hope it would surprise me. It did not. 2 stars.
Phillip McSween (751 KP) rated Office Christmas Party (2016) in Movies
Oct 13, 2018
Fun Holiday Film
A Branch Manager of a struggling tech company looks to throw the mother of all parties to help recruit a major client. He has to do it under the nose of his jerk sister who is the CEO of the company.
Acting: 10
Stellar cast all around, each of them bringing a different type of hilarity to the film. Kate McKinnon is my personal favorite, playing the role of Office Manager Mary Winetoss. Her against-the-grain role makes you cringe and laugh at the same time.
Jennifer Aniston plays Carol Vanstone, the CEO you love to hate. Aniston, typically an innocent good girl, is actually quite good at being bad. One scene in particular has her squaring up with a little girl in a lounge and it’s easily one of the best parts of the film.
Beginning: 7
Pretty plain lift-off as you are introduced to the majority of the players in the film. It’s not the greatest start, but it still has its moments. Ten minutes was enough to make me want to see more.
Characters: 10
Office Christmas Party would fall short without hilarious characters like Vanstone and Winetoss. They keep the narrative interesting and the party entertaining. There’s random cameos, a crazy black DJ, and a nutty pimp. This film has it all!
Cinematography/Visuals: 10
Conflict: 4
Easily one of the film’s weak spots. The film’s goal is to throw a huge party for a potential client and hope the CEO doesn’t find out. When you think about it, there’s not too much room for conflict here, at least not enough to raise concern. If you go into the film with that in mind, you’ll have a much better time.
Genre: 8
Memorability: 6
There are quite a few fun moments that ultimately save the film. They don’t hit you like machine gun fire, rather they are more sporadic hence the lower score. I did walk away with some good quotable lines that cracked me up (“Something’s happening in my diaper"!).
Pace: 5
Plot: 8
Resolution: 6
Overall: 74
As I’m sitting here watching Olivia Munn and Jason Bateman do their dance routine in giant snowman costumes, I can’t help but think that a few tweaks here and there could have really made this film a classic. I enjoyed Office Christmas Party and have no problem adding it to my holiday rotation. If you’re looking to expand out of the feel good, innocent Christmas films of the year, this definitely one to check out.
Acting: 10
Stellar cast all around, each of them bringing a different type of hilarity to the film. Kate McKinnon is my personal favorite, playing the role of Office Manager Mary Winetoss. Her against-the-grain role makes you cringe and laugh at the same time.
Jennifer Aniston plays Carol Vanstone, the CEO you love to hate. Aniston, typically an innocent good girl, is actually quite good at being bad. One scene in particular has her squaring up with a little girl in a lounge and it’s easily one of the best parts of the film.
Beginning: 7
Pretty plain lift-off as you are introduced to the majority of the players in the film. It’s not the greatest start, but it still has its moments. Ten minutes was enough to make me want to see more.
Characters: 10
Office Christmas Party would fall short without hilarious characters like Vanstone and Winetoss. They keep the narrative interesting and the party entertaining. There’s random cameos, a crazy black DJ, and a nutty pimp. This film has it all!
Cinematography/Visuals: 10
Conflict: 4
Easily one of the film’s weak spots. The film’s goal is to throw a huge party for a potential client and hope the CEO doesn’t find out. When you think about it, there’s not too much room for conflict here, at least not enough to raise concern. If you go into the film with that in mind, you’ll have a much better time.
Genre: 8
Memorability: 6
There are quite a few fun moments that ultimately save the film. They don’t hit you like machine gun fire, rather they are more sporadic hence the lower score. I did walk away with some good quotable lines that cracked me up (“Something’s happening in my diaper"!).
Pace: 5
Plot: 8
Resolution: 6
Overall: 74
As I’m sitting here watching Olivia Munn and Jason Bateman do their dance routine in giant snowman costumes, I can’t help but think that a few tweaks here and there could have really made this film a classic. I enjoyed Office Christmas Party and have no problem adding it to my holiday rotation. If you’re looking to expand out of the feel good, innocent Christmas films of the year, this definitely one to check out.
Carma (21 KP) rated Beauty and the Greek Billionaire in Books
Jun 17, 2019
Marianna is crossing things off her bucket list and one of those things is to lose her virginity finally. While in Greece with her brother she thinks now is the perfect time to explore the possibility. She makes up a fake name and goes in search of a one night stand. Never would she imagine her ideal man would be a purse snatcher (of sorts).
Nico has his eye on the beautiful sister of the man trying to lure him into investing in his company. She was leaving the café with her brother when a purse thief grabbed at her bag. Nico leaned in to help and got a nose full of her fist, in the scuffle she realized she had struck the wrong man and invited him for drinks. Introducing herself in a different name than hed known her by he wondered what her game was. Did her brother send her in to spy on him?
Marianna has no idea Nico knows exactly who she is but she sleeps with him all the same. When he kicks her out of his house at the end of a beautiful day she is more confused than ever. She goes back to Australia broken but not beaten until about 2 months later when she fails a test.
Nico doesnt let anyone in, not into his life, heart or house and yet somehow Marianna got into all 3 quickly. He feels bad for sending her away and when she returns he thinks it is a sign to try and make it work for the sake of parenting anyway. He is a jerk, cold, stubborn and rude but he takes care of what he feels he should without question.
Marianna and Nico struggle through getting to know one another while trying to make their brief relationship look lengthy. Nico does not bend to the give and take relationships take however and fights every step forward Marianna tries to take. In the end she leaves him because he doesnt trust her. Nico has to make the ultimate choice of what means more to him, Marianna and his future or the past and their mistakes.
I enjoyed the traveling porcelain cat and what it symbolized. I received a copy without expectation for review, any and all opinions expressed are my own. While this didn't grab me fully, I still enjoyed the bones of the story. 3 3/4 stars for this read.
Nico has his eye on the beautiful sister of the man trying to lure him into investing in his company. She was leaving the café with her brother when a purse thief grabbed at her bag. Nico leaned in to help and got a nose full of her fist, in the scuffle she realized she had struck the wrong man and invited him for drinks. Introducing herself in a different name than hed known her by he wondered what her game was. Did her brother send her in to spy on him?
Marianna has no idea Nico knows exactly who she is but she sleeps with him all the same. When he kicks her out of his house at the end of a beautiful day she is more confused than ever. She goes back to Australia broken but not beaten until about 2 months later when she fails a test.
Nico doesnt let anyone in, not into his life, heart or house and yet somehow Marianna got into all 3 quickly. He feels bad for sending her away and when she returns he thinks it is a sign to try and make it work for the sake of parenting anyway. He is a jerk, cold, stubborn and rude but he takes care of what he feels he should without question.
Marianna and Nico struggle through getting to know one another while trying to make their brief relationship look lengthy. Nico does not bend to the give and take relationships take however and fights every step forward Marianna tries to take. In the end she leaves him because he doesnt trust her. Nico has to make the ultimate choice of what means more to him, Marianna and his future or the past and their mistakes.
I enjoyed the traveling porcelain cat and what it symbolized. I received a copy without expectation for review, any and all opinions expressed are my own. While this didn't grab me fully, I still enjoyed the bones of the story. 3 3/4 stars for this read.
Gareth von Kallenbach (971 KP) rated Jobs (2013) in Movies
Aug 6, 2019
Whatever you may think of the Apple line of products, Apple as a company, or Steve Jobs himself; one cannot deny that Apple is an innovator and one of those companies that shape economies as well as how we see ourselves.
JOBS is the story of Steve Jobs who, after dropping out of college, created the billion-dollar company so many people buy phones from now. Ashton Kutcher portrays Jobs right down to his many behavioral quirks, and does a very good job; there were even times I forgot I was watching Kutcher. He even mimicked the set of Jobs’ mouth perfectly. I found myself wondering if the people who knew Jobs would feel like they were seeing a ghost.
The movie follows Jobs as he drops acid in the 60s, finds computers in the 70s, “grows up”, while growing his business, in the 80s, and then actually grows up in the early 90s (kind of). It is well known that Jobs was hard to with, but this film shows that he was a gigantic jerk at times. He cut people out of things others would think they deserved; he treated his friends and coworkers alike, and never batted an eyelash at the hurtful things he said to those people. That being said; he truly had a vision and knew what it would take to make that vision come to life. Most driven people tend to be selfish and Jobs was no exception to this; he actually took it to a whole new level at times. The movie doesn’t shy away from this side of his personality, but it does try to explain some of the ticks. This was an area that I thought could have been done a bit better; it would have been nice to see what about his childhood left such an impression that he felt it was ok to be so mean to people. At times I found the movie difficult to watch simply due to his treatment of others, and total lack of understanding how what he said and did affected them. “Oh, that’s just Steve” was an actual line said in the film.
Other than this I found JOBS to be a very interesting look into a modern day legend. One that doesn’t pull as many punches as I thought it would, but that also doesn’t make a villain of a man who, while having extraordinary vision, was nothing more than a man.
If you are a fan of Apple, Jobs, or are just looking for a break from the summer block buster movies, check out JOBS.
JOBS is the story of Steve Jobs who, after dropping out of college, created the billion-dollar company so many people buy phones from now. Ashton Kutcher portrays Jobs right down to his many behavioral quirks, and does a very good job; there were even times I forgot I was watching Kutcher. He even mimicked the set of Jobs’ mouth perfectly. I found myself wondering if the people who knew Jobs would feel like they were seeing a ghost.
The movie follows Jobs as he drops acid in the 60s, finds computers in the 70s, “grows up”, while growing his business, in the 80s, and then actually grows up in the early 90s (kind of). It is well known that Jobs was hard to with, but this film shows that he was a gigantic jerk at times. He cut people out of things others would think they deserved; he treated his friends and coworkers alike, and never batted an eyelash at the hurtful things he said to those people. That being said; he truly had a vision and knew what it would take to make that vision come to life. Most driven people tend to be selfish and Jobs was no exception to this; he actually took it to a whole new level at times. The movie doesn’t shy away from this side of his personality, but it does try to explain some of the ticks. This was an area that I thought could have been done a bit better; it would have been nice to see what about his childhood left such an impression that he felt it was ok to be so mean to people. At times I found the movie difficult to watch simply due to his treatment of others, and total lack of understanding how what he said and did affected them. “Oh, that’s just Steve” was an actual line said in the film.
Other than this I found JOBS to be a very interesting look into a modern day legend. One that doesn’t pull as many punches as I thought it would, but that also doesn’t make a villain of a man who, while having extraordinary vision, was nothing more than a man.
If you are a fan of Apple, Jobs, or are just looking for a break from the summer block buster movies, check out JOBS.
BankofMarquis (1832 KP) rated Rain Man (1988) in Movies
Jun 11, 2020
Hoffman and Cruise pair well together
Some films grow over time, some diminish and others are unfairly maligned. I feel that such is the case with 1988's RAINMAN, the film that won 4 Oscars including Best Director, Actor and Picture. I, too, thought that this film might be "cringe-worthy" in the harsh light of 2020, so it was with some trepidation that we fired it up as my wife's choice for "Secret Cinema" in our house.
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Merissa (11800 KP) rated The Royal Marine (The Sin Bin #4) in Books
Nov 17, 2017
The Royal Marine (The Sin Bin #4) by Dahlia Donovan
The Royal Marine is the fourth book in The Sin Bin series, and it's time for Hamish's story. He has worked with Earp for a while now, and get set up on a blind date with Akash. Luckily (or unluckily) Akash is set up with Scottie on the same evening. Now we all know that Scottie is having major issues at the moment and, to be fair, acting like a jerk. So it comes as no surprise when Akash chooses to be with Hamish. Scottie is none too pleased about this, and continues to pop up throughout the book, with pleas and demands for Akash to go for a drink with him. During this time, Akash and Hamish are slowly getting to know each other. The spark is there, but it needs to be more than just sex. In between Akash's bakery and Hamish's work overseas, their relationship continues to move forward.
Now, I'm stopping right there, because I could go on. I could tell you about what a first class prize prat Scottie is, and how I think (hope) that I know who his match is. I could tell you how amazingly written the twins are, and how brilliant Akash is with them. I could tell you about the constant wit and banter, in amongst the danger, from Hamish, Earp, and the rest of the team. But seriously? Why would I do that? Why would I HAVE to do that? This is the fourth book in the series, and I would recommend that you read them in order for total enjoyment. So therefore, you know about Dahlia Donovan's writing style, her quick wit and sense of humour that comes across loud and clear in her writing. You know some of the previous characters and like/love the updates on their lives. So really, I don't have to tell you ANYTHING about this book, series, or author!
In case you haven't realised yet, I love Dahlia Donovan's books, her writing style, her characters, her charm. What I don't like is not having a mascara warning, and sobbing into my breakfast as I desperately try to finish The Royal Marine before I start work. Oh my, this book ripped my heart out. Did I get a happy ending? I'll leave that to you to read and find out.
I absolutely recommend this book, and the series, so GO READ IT! Now!
(And, no, I wasn't serious about the mascara warning before someone says it should be written on the cover somewhere!)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, I'm stopping right there, because I could go on. I could tell you about what a first class prize prat Scottie is, and how I think (hope) that I know who his match is. I could tell you how amazingly written the twins are, and how brilliant Akash is with them. I could tell you about the constant wit and banter, in amongst the danger, from Hamish, Earp, and the rest of the team. But seriously? Why would I do that? Why would I HAVE to do that? This is the fourth book in the series, and I would recommend that you read them in order for total enjoyment. So therefore, you know about Dahlia Donovan's writing style, her quick wit and sense of humour that comes across loud and clear in her writing. You know some of the previous characters and like/love the updates on their lives. So really, I don't have to tell you ANYTHING about this book, series, or author!
In case you haven't realised yet, I love Dahlia Donovan's books, her writing style, her characters, her charm. What I don't like is not having a mascara warning, and sobbing into my breakfast as I desperately try to finish The Royal Marine before I start work. Oh my, this book ripped my heart out. Did I get a happy ending? I'll leave that to you to read and find out.
I absolutely recommend this book, and the series, so GO READ IT! Now!
(And, no, I wasn't serious about the mascara warning before someone says it should be written on the cover somewhere!)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hannah May (3 KP) rated Rolling Dice in Books
Mar 8, 2018
Contains spoilers, click to show
It maybe because I was struggling with my work load and social life, that I found it difficult to really get into this story. The Kissing Booth and Out of Tune hooked me from the first word. I'm saddened to admit that Rolling Dice did not. There are a number of things about this novel that really let it down. The first, I think, is the lack of character development. Throughout the novel, I was waiting for Madison to grow some back-bone, maybe some common sense, especially when it came to Tiffany and Bryce. I have been in Madison's shoes. I have made friends with people who, in their own sly way, put me down and made me feel small. And I put up with it, because I was too timid to say anything, because I was afraid of losing the only people who wanted me around, or who wanted to be my friend. I guess some part of me wanted her to learn from my mistakes and do things differently. I was satisfied, however, when Madison kept refusing Bryce for sex and told him he was being a jerk. I was not surprised, when he cheated. He annoyed the hell out of me! Madison was too much a damsel in distress for me; always worrying, always looking back, reminding herself of the pain and humiliation she endured in Maine. She may have reinvented her appearance, but NOT her emotional and mental state. Those are the things that need to change first. Everything else can wait. I would have also liked to see more back story on Madison's life in Maine and the death of Dwight's father. That would have been MOST interesting!The second was the plot. I liked the idea of "new girl comes to town and struggles to find her place at school," but I would have liked to see more conflict. I would have liked to see Madison really struggling with her feelings and loyalties, both for Tiffany and Co. and Dwight. The lastly was the ending. I was disappointed. Madison retreated to New York to escape the drama. What seemed like a good move at the time, only put her back RIGHT where she started. That was the time to show everyone what kind of person she was and not be intimidated. Instead, she ran away. Not happy with the ending at all, but it was redeemed by the rekindle of Madison and Dwight's friendship/ relationship, whichever it turned in to. Overall, not her best book, but I did enjoy Reekles' writing style, language and in depth understanding of high school life and everyday teenage struggles.