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The Girl in the Letter
The Girl in the Letter
Emily Gunnis | 2018 | Thriller
10
10.0 (1 Ratings)
Book Rating
This novel is told from multiple perspectives, so there is no single protagonist in this novel. Sam is a journalist who finds a letter from Ivy, written in 1956, and she is trying to find out who Ivy was and is she related to her own family. Even though we learn about Ivy through her letters, the whole story kind of circles around her. I really liked all the characters chosen for this novel, I think they are well well developed and truly intriguing. I liked Sam, and her personality, but my most favourite one was Ivy. Her story is mesmerizing, and the way everything unfolds as you carry on reading left me unsettled.

The narrative of this novel is very creatively written, the plot keeps travelling between the present and the past, unravelling long forgotten secrets and mysteries. There is plenty of great turns and twists in this book, and I was kept on my toes page after page. There is plenty of great topics discussed in this book, such as mother-baby bond, couple relationships, family dramas, cruelty and abuse from church workers, revenge, and many more. I really loved the research done for this novel, I could feel the pain Ivy felt and see how this kind of institutions ruined lives instead of saving them.

The writing style of this book is easy to read but difficult emotionally. The setting of this novel constantly changes between different characters, so it doesn’t leave the reader bored. The chapters are pretty short and flew by really quickly for me. The ending rounded up the novel very nicely and left me satisfied with the outcome.

So, to conclude, it is a really powerful book, filled with pain, love, and broken lives. The characters are very well crafted and the narrative just sucked me in from the first pages. If you, like me, like the books about haunting and scary institutions from the past, this book is definitely for you!
  
Jessica is an entertainment journalist and good at it but one celebrity in particular does not get on with her: Tyler Beckett. She's always ready with a scoop on him only for him to go public with it before she can. When Jessica is asked to be on the press junket for Tyler's latest film they clash a few times before getting into an argument that makes them both realise how wrong they've been about each other and they begin to grow closer. It's starts as a kind of friendship before becoming more.

I did enjoy this. Mainly for the relationship between Jessica and Tyler but it wasn't always smooth sailing for them. First they don't even like each other, then they come to a truce to try and get along and before long they actually become friends that want to be more. It was an emotional ride towards the end and I had a good old cry, I'll admit.

I don't think I'd like to be a celebrity, having no privacy and everything from your past being brought back to haunt you. Luckily Tyler has a fairly clean life, though people are always willing to sell false stories about him and others. Tyler is good at handling the press and treats the ones on the tour like friends, taking them out for meals at amazing but little known places, sending them for spa days, etc. With Jessica, Tyler just wants her to spend time with him and they have some really cute days out all over the tour cities.

Some of the secondary characters were cool like Kellie and Tyler's parents. One character I wanted to slap silly and Tyler and Jessica, I just wanted to hug.

I'm intrigued by Kellie's story and her romance with her bodyguard who she has a history with so I'll keep my eyes open for her book.
  
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Noel Gallagher recommended Revolver by The Beatles in Music (curated)

 
Revolver by The Beatles
Revolver by The Beatles
1966 | Pop, Psychedelic, Rock

"When I did ‘Setting Sun’ with The Chemical Brothers it was based loosely on ‘Tomorrow Never Knows’. Do you remember when it went to number one, what song we knocked off the top? ‘Breakfast At Tiffany’s’ by Deep Blue Something. We were like Sir Galahad. 'And she said, 'What about Breakfast At Tiffany's' and I said, ‘I remember the movie.'' And we came in, 'Off with your head you piece of shit.' Revolver was when the sitars really started to come in with The Beatles, and all the backwards stuff on ‘Tomorrow Never Knows’. It’s their first drug album. The drums sound great on it and it’s a masterclass of how to make guitar pop. That’s just it. They took what the Beatles had been, they did Revolver and then the next week they’re making ‘Strawberry Fields Forever’. They’re a completely different band. It’s a cliché to talk about it now because it’s so well-known but this is a mindblowing album. I went to see the premiere of the George Harrison film the other night [Martin Scorsese documentary Living In The Material World] and on the red carpet outside this journalist asked me this question: 'Would you say that The Beatles have been an influence on your music?' I was that amazed I had to take my shades off. I said, 'Is that a serious question?' And he was only young and in all innocence he said, 'Yes. Why?' I was like, 'Are you having me on?' And he was like, 'No.' Now ignoring the fact that it’s me, if you’re in a band and you’re playing guitar, you have been influenced by The Beatles. That really is all you need to know. The psychedelic stuff they did after this was mindblowing and the Fab Four mop top stuff before this was equally as good but on this record it all came together."

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LeftSideCut (3778 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies

Aug 28, 2020 (Updated Aug 28, 2020)  
A Beautiful Day in the Neighborhood (2019)
A Beautiful Day in the Neighborhood (2019)
2019 | Drama
A Beautiful Day in the Neighborhood is genuinely wonderful.
Like any good drama, it if course has its somber moments, but the overall atmosphere is so heart warming, it honestly feels like a lovely hug, but one of those lovely hugs that makes you cry because life is hard sometimes.

Growing up in the UK, I never watched Mr Rogers, but was always aware of him, and just how much he meant to a massive number of people. This film is less a biopic, and concentrates firmly one one point of Fred Rogers life, namely when he met Tom Junod (presented here as fictional character Lloyd Vogel), a journalist writing for Esquire and profiling Mr Rogers for a piece on American Heroes.
Lloyd is a cynical person, who doesn't hold much love for his fellow man. This begins to change as he spends more time with Fred, a man who truly sees the good in everyone.
At the same time, Lloyd's estranged father is trying to reconnect with him, forcing him to relive past trauma as he struggles to forgive.
It's all very emotionally charged, but wrapped up neatly in Oscar-baiting packaging.

Tom Hanks as Mr Rogers, and Matthew Rhys as Lloyd are nothing short of excellent. Their chemistry is thoroughly believable. Tom Hanks is at the top of his game here, just as much as he has ever been.
The supporting cast are great as well, especially Susan Kelechi Watson and Chris Cooper.

ABDITN also looks fantastic. The contrast of real life drama to dream like sequences within Mr Rogers' show is an inspired choice by director Marielle Heller, and the use of model cars and cities as segues is effective.
The original score by her brother Nate Heller is just downright pleasant.

Overall, A Beautiful Day in the Neighborhood is a decent drama about the importance of family, and what it means to love others, whilst remaining a well written love letter to Feed Rogers himself. It's just a really swell movie, definitely check it out.