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JT (287 KP) rated Richard Jewell (2019) in Movies

Mar 10, 2020

Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.

When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.

Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.

The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.

Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.

The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.

One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.

Kudos

ClareR (5945 KP) rated Frankissstein in Books

Aug 6, 2019

Frankissstein

Jeanette Winterson | 2019 | Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy

10.0

(1 Ratings)

Book Rating

A novel with a lot to think about!

I feel a sense of satisfaction having finished this book. I loved it, and I can really see why it has made the Booker Prize longlist (2019).
It is set in two different timelines. The first begins in 1816 with Mary Shelley, Percy Shelley (actually, before they were married), Lord Byron, Mary’s stepsister and Byron’s lover, Claire Clairmont and Polidori, Byron’s doctor. During a particularly wet two weeks on Lake Geneva, Byron sets them all the task of writing a horror story. And so Frankenstein; or, The Modern Prometheus is born.

In the modern day, we follow Ry Shelley, a transgender doctor, Victor Stein (a ‘mad’ scientist), Ron Lord (a very successful sexbot producer), Clare (a staunch Christian, who seems to be working undercover in the most unlikely places!) and Polly Dory (a journalist for Vanity Fair. Do you see what she did here? It took me a couple of ‘chapters’, sadly! This is the Frankenstein of the modern age. Where Mary Shelley was terrified at the idea of creating a living man from parts of the dead, Victor Stein in the present day wants to preserve the brains and thoughts of the dead - and it’s equally terrifying.

Mary Shelley and Ry Shelley are very similar (the same, but in different times?) characters, even though they are in two very different times. Mary is at the mercy of her female body - she falls pregnant and loses two babies before she has the third who survives. Ry is trying to change his body from female to male so that he has control over it. But society has very fixed ideas about these characters in both timelines.

It’s a very current book with mention of Brexit and Trump, but I think it will hold up well in the future because it is so well written, and it has a lot to say about society and gender.
I thoroughly enjoyed it - and now I’m going to go and find more books in Jeanette Wintersons back catalogue!

Many thanks to Penguin Random House/ Jonathan Cape and NetGalley for a copy of this book (which I actually went and bought as well - it needs to be sat on my bookshelf!)