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Profile (2018)
Profile (2018)
2018 |
8
8.0 (1 Ratings)
Movie Rating
Profile is based upon a true story of a French journalist who went undercover online to report on how ISIS recruits young, recently converted, European women to the jihadi cause. This film uses the same narrative style as Searching, everything is witnessed via screens, and it really works for this story.
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.
  
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David McK (3425 KP) rated Marvels in Books

Jan 30, 2019  
M
Marvels
4
4.0 (1 Ratings)
Book Rating
Well, that was … different.

By now, we're all used to witnessing the current Superhero phenomenon - Spiderman, The Fantastic Four, The X-Men, etc - from the point of view of those characters, drawn (predominantly) as larger-than-life.

This eschews all that, focusing instead on the point of view of a bystander on the street (photo journalist Phil Sheldon), with the characters drawn in an almost photo-realistic manner. As such, this deals more with how the public (would) view those characters and the massive property damage than inevitably follows one of their battles, picking and reinterpreting various scenes - Captain America at war, Mister Fantastic and Sue Storms marriage, The X-Men and the Sentinels, Spiderman and the death of Gwen Stacey, etc - from the decades of comics now available.