"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

"La Jetée is probably the most powerful example of the use of still photography in cinema. It is a real landmark achievement in the world of low-budget filmmaking, produced primarily through the use of still photos and voice-over narration. Its limitations enhance the dramatic effect of the film, especially in its haunting final frames. I’ve always felt like so much great cinema is storytelling through memories, and here is a perfect example in possibly its purest form (another great example would be Memento, by Christopher Nolan). Similarly, Sans Soleil documents Marker’s journey through Japan, adding his travelogue notes as voice-over narration. A hypnotic and powerful film in its own right."

"La Jetée is probably the most powerful example of the use of still photography in cinema. It is a real landmark achievement in the world of low-budget filmmaking, produced primarily through the use of still photos and voice-over narration. Its limitations enhance the dramatic effect of the film, especially in its haunting final frames. I’ve always felt like so much great cinema is storytelling through memories, and here is a perfect example in possibly its purest form (another great example would be Memento, by Christopher Nolan). Similarly, Sans Soleil documents Marker’s journey through Japan, adding his travelogue notes as voice-over narration. A hypnotic and powerful film in its own right."