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Emma @ The Movies (1786 KP) rated Line of Duty (2019) in Movies
Jul 12, 2020
I know a throwaway action film when I see it and they're usually either brilliant films to relax to or a great opportunity to catch up on your social media feeds.
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Lottie disney bookworm (1056 KP) rated Wendy, Darling in Books
Jun 17, 2021
Have you ever wondered what happened when Wendy, John and Michael returned from Neverland? Wendy, Darling by A. C Wise is about to reveal all, but let me warn you, it is far from a fairytale!
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Jesters_folly (230 KP) rated Magical Girl Ore in TV
Sep 30, 2019
Contains spoilers, click to show
Saki and Sakuyo want to be an Idol duo but when Sakuyo’s brother, Mohiro gets into trouble Saki find that the power of love (and a hand from a fairy) can transform her in to a magic girl with a difference. Now she must juggle working towards her dreams with protecting Mohiro and the world from rampaging demons
Magic Girl Ore is a subversive parody of the normal ‘Magic Girl’ series’, it takes the tropes of series’ like ‘Sailor Moon’ and turns them on their head and it is these subversions that make the show. The story line is, to be honest a bit bland, in most episodes the girls are doing some kind of Idol related activity then the demons turn up and try to kidnap Mohiro, who is always around often for convoluted reason, then the girls change and save the day. Each demon attack seems to get worst, building up to the final plan. It takes a few episode to realise that the formulaic, almost dull nature of the show is deliberate, until the end the action is not really important because what you are watching is a subversion of a genre. If you take any number of shows you can see the same plot, ‘Sailor Moon’, ‘Miraculous’, ‘Power Rangers’ and even ‘Scooby Doo’ all have the same plot, a ‘big Bad’ is trying to take over the world/amusement park and the heroes have to stop them.
There are any number of ‘Magic girl’ series’, the genre started in Japan but soon became popular all over the world with many countries creating their own spin on the idea. Most of the time the main character is a young girl who is given the power to transform into their Magic form to fight evil. This is still the standard plot for ‘Magic Girl Ore’ however; the fairy is a normal looking business man, the transformation changes the school girl into a 20 something muscular man, still in the tradition magic girl dress and the demons are cute and buff, there is a hunky possibly gay feel to the demons. This bring us to the transformations, the magic girls change by concentrating on saving the person they love, with Saki this follows a common theme, the school girl in love with her best friend’s brother, the brother doesn’t know. Then Sakuyo get the power but the person she loves is Saki. It’s also hinted that Mohiro prefers Saki in her male form. There are two other magic girls, Michiru, who’s love is male Saki but she hides her feelings so much that her transformations take more energy and ages her and her partner, Ruka who’s love is Michiru.
‘Magic Girl Ore’ could have easily fallen into concentrating on these relationships turning the series into a LGB.. statement but it doesn’t, girls like girls or magic girl men or men who like men but it’s just treated as the way it is and, I think that is the right way to do it.
Over all ‘Magic Girl Ore’ is a lot of fun but does seem to drag occasionally.
Magic Girl Ore is a subversive parody of the normal ‘Magic Girl’ series’, it takes the tropes of series’ like ‘Sailor Moon’ and turns them on their head and it is these subversions that make the show. The story line is, to be honest a bit bland, in most episodes the girls are doing some kind of Idol related activity then the demons turn up and try to kidnap Mohiro, who is always around often for convoluted reason, then the girls change and save the day. Each demon attack seems to get worst, building up to the final plan. It takes a few episode to realise that the formulaic, almost dull nature of the show is deliberate, until the end the action is not really important because what you are watching is a subversion of a genre. If you take any number of shows you can see the same plot, ‘Sailor Moon’, ‘Miraculous’, ‘Power Rangers’ and even ‘Scooby Doo’ all have the same plot, a ‘big Bad’ is trying to take over the world/amusement park and the heroes have to stop them.
There are any number of ‘Magic girl’ series’, the genre started in Japan but soon became popular all over the world with many countries creating their own spin on the idea. Most of the time the main character is a young girl who is given the power to transform into their Magic form to fight evil. This is still the standard plot for ‘Magic Girl Ore’ however; the fairy is a normal looking business man, the transformation changes the school girl into a 20 something muscular man, still in the tradition magic girl dress and the demons are cute and buff, there is a hunky possibly gay feel to the demons. This bring us to the transformations, the magic girls change by concentrating on saving the person they love, with Saki this follows a common theme, the school girl in love with her best friend’s brother, the brother doesn’t know. Then Sakuyo get the power but the person she loves is Saki. It’s also hinted that Mohiro prefers Saki in her male form. There are two other magic girls, Michiru, who’s love is male Saki but she hides her feelings so much that her transformations take more energy and ages her and her partner, Ruka who’s love is Michiru.
‘Magic Girl Ore’ could have easily fallen into concentrating on these relationships turning the series into a LGB.. statement but it doesn’t, girls like girls or magic girl men or men who like men but it’s just treated as the way it is and, I think that is the right way to do it.
Over all ‘Magic Girl Ore’ is a lot of fun but does seem to drag occasionally.
Ross (3282 KP) rated Split (2016) in Movies
Apr 19, 2019
A half-decent film in its own right. A dreadful desperate attempt to link to Unbreakable at the end
Contains spoilers, click to show
I had watched over half of this film before someone mentioned to me it was part of the Unbreakable "trilogy". I had heard of Glass, and had noticed that McAvoy looked similar in the two films but hadn't realised they were linked (I guess I assumed he got bored of growing his hair back to then have to become Professor X again). I had wondered what the second film in the trilogy was. Unbeknownst to me, I was watching it.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
Gareth von Kallenbach (965 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Andy K (10821 KP) rated 3 From Hell (2019) in Movies
Oct 18, 2019 (Updated Oct 18, 2019)
Very disappointing
It seems 3 From Hell was doomed before it began for several reasons.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
365Flicks (235 KP) rated Cute Little Buggers (2017) in Movies
Nov 20, 2019
What the hell exactly did I just watch? Now where will I start with Cute Little Buggers, apart from fact that its the coolest movie title I have seen in a long time.
Cute Little Buggers… Hmmmmm
Cute Little Buggers…
Right okay. Let me start by saying that there is a movie here, A pretty decent one at that. When this movie knows exactly what it is and can be, it is great (a guilty pleasure if you will) when this movie shoots for the stars and trys to be what it wants to be it falls just short for me, however if there is one thing I love and can get behind, its when a director and his crew do what they can with what they have.
Let’s crack on with the pitch… We open up this very, very, very British horror movie in a small town in the south of England that is full of your typical small town England movie characters. Characters like the put upon farmer whose son left town to make it big and for the purposes of story-line has returned this very day. Then we have said prodigal sons old flame who is with the local village asshole now but the candle still burns bright. Local law enforcement, yes you guessed it, as dumb as a box of rocks. Then of course all your regular locals. One other thing, everyone seems to be a bit of a sexual deviant. We are about to spend a day and night with these crazy madcap zany characters as Aliens (Yes I said Aliens) have come to town and are going to use Rabbits (Yes I said Rabbits) to infiltrate and kidnap the women of earth… Oh shit nearly forgot heres the trailer…
I know right the movie is as mental as this trailer looks. I was completely sold for the first half of this movie, Director Tony Jopia was taking his time to build up these characters and every member of the cast knew what kind of flick they were making (a sort of crossover between Hot Fuzz and Critters) so while you could see they were having a bit of fun it also helped the chemistry flow. My god did the movie need that chemistry so we could up the laugh-ability and like-ability factor because on an estimated budget of 25k, the digital on the scares (Tentacle Bunny Things) were pretty laughable. Now as I said I give credit to any director who goes out and makes his passion so I don’t blame Jopia for one second, it was a budget thing and he absolutely made up for it everywhere else by casting well and having a pretty solid script with some cracking one liners. Just the effects left me feeling MEH. We just wont mention the Alien cut scenes on this review.
For me this is a recommend but its a pretty weak one as you may have guessed. That cast all play there parts and they do play them well on just the other side of bonkers and in some cases crazy beautiful. Tony Jopia as a director definitely has something, I dunno maybe with a bit more of a budget but I will say again there is a movie here.
Cute Little Buggers… Hmmmmm
Cute Little Buggers…
Right okay. Let me start by saying that there is a movie here, A pretty decent one at that. When this movie knows exactly what it is and can be, it is great (a guilty pleasure if you will) when this movie shoots for the stars and trys to be what it wants to be it falls just short for me, however if there is one thing I love and can get behind, its when a director and his crew do what they can with what they have.
Let’s crack on with the pitch… We open up this very, very, very British horror movie in a small town in the south of England that is full of your typical small town England movie characters. Characters like the put upon farmer whose son left town to make it big and for the purposes of story-line has returned this very day. Then we have said prodigal sons old flame who is with the local village asshole now but the candle still burns bright. Local law enforcement, yes you guessed it, as dumb as a box of rocks. Then of course all your regular locals. One other thing, everyone seems to be a bit of a sexual deviant. We are about to spend a day and night with these crazy madcap zany characters as Aliens (Yes I said Aliens) have come to town and are going to use Rabbits (Yes I said Rabbits) to infiltrate and kidnap the women of earth… Oh shit nearly forgot heres the trailer…
I know right the movie is as mental as this trailer looks. I was completely sold for the first half of this movie, Director Tony Jopia was taking his time to build up these characters and every member of the cast knew what kind of flick they were making (a sort of crossover between Hot Fuzz and Critters) so while you could see they were having a bit of fun it also helped the chemistry flow. My god did the movie need that chemistry so we could up the laugh-ability and like-ability factor because on an estimated budget of 25k, the digital on the scares (Tentacle Bunny Things) were pretty laughable. Now as I said I give credit to any director who goes out and makes his passion so I don’t blame Jopia for one second, it was a budget thing and he absolutely made up for it everywhere else by casting well and having a pretty solid script with some cracking one liners. Just the effects left me feeling MEH. We just wont mention the Alien cut scenes on this review.
For me this is a recommend but its a pretty weak one as you may have guessed. That cast all play there parts and they do play them well on just the other side of bonkers and in some cases crazy beautiful. Tony Jopia as a director definitely has something, I dunno maybe with a bit more of a budget but I will say again there is a movie here.
Heather Cranmer (2721 KP) rated Night Chill (Night Chill, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
The cover and synopsis of this book sounded creepy, and I love creepy! I'm always after a great horror novel, and this was definitely didn't disappoint. In fact, it reminded me a lot of Richard Laymon's novels except a lot better (and Richard Laymon is one of my favorite horror authors).
How creepy is that cover!?! (Hint: the answer is very)! I'm not sure who the little girl is on the cover. I thought it may be Melissa (not going into details due to spoilers), but I could be wrong. Still, the cover definitely grabbed my attention.
I don't really know how the title pertains to the story, but it's definitely a creepy title nonetheless.
The world building was done very well which is what makes this story that much spookier. Gunhus does a fantastic job making the readers believe that something like this could actually happen. Not once did I doubt anything in the story line. I felt that all my questions were answered throughout the book except one question about Max although it's not relevant to the story.
The pacing reels you in from the very first sentence. I devoured this book, and it held my attention very much so throughout the whole book. Never once does it slow down or go too fast that I don't know what's going on.
The plot was super spooky! The idea that a stranger with supernatural powers is trying to kidnap your child, and no one believes what you say even though it's the truth is definitely frightening. While it's probably been done before, Gunhus takes the idea and nurtures it, giving it wings to grow into something horrorific. There were some good plot twists although I did predict one early on. The ending of the book leaves it open to become a series although you can read this book as a standalone. However, if there is another book, I definitely will be reading it!
I thought the characters were very well written. Jack came across as a very devoted dad. At first, I did doubt his sanity, and I did wonder if he was hallucinating, but he quickly quashed those ideas. I loved how Jack was willing to do whatever it took to save Sarah and keep his family together. I found Nate Huckley to be an awesome bad guy although simply referring to him as "bad guy" seems so wrong because he is so much more. Huckley is intelligent, witty, and knows exactly what he wants. I found him to be scary mostly due to how he could be anywhere he wanted no matter what. He could also make people do whatever he wanted them too. He's definitely one of my favorite baddies in a book. My favorite character, however, was Joseph Lonetree. I loved how hardcore he came across although he proved to be a big softie. I understood his need to do what he did. Lonetree didn't take any crap from anyone.
I enjoyed the dialogue and found that it flowed smoothly and freely. I mostly enjoyed reading about Jack though. There is some swear words as well as violence and gore so be warned if that's not your thing.
Overall, Night Chill is a creepy story that leaves you wondering what if this really did and has been happening. The plot is fantastic, the world building spooky, and the characters amazing!
I'd recommend this book to those aged 18+ who are fans of classic horror and for fans of writers such as Richard Laymon.
(I received this title in ebook format for free from the tour host in exchange for a fair and honest review).
The cover and synopsis of this book sounded creepy, and I love creepy! I'm always after a great horror novel, and this was definitely didn't disappoint. In fact, it reminded me a lot of Richard Laymon's novels except a lot better (and Richard Laymon is one of my favorite horror authors).
How creepy is that cover!?! (Hint: the answer is very)! I'm not sure who the little girl is on the cover. I thought it may be Melissa (not going into details due to spoilers), but I could be wrong. Still, the cover definitely grabbed my attention.
I don't really know how the title pertains to the story, but it's definitely a creepy title nonetheless.
The world building was done very well which is what makes this story that much spookier. Gunhus does a fantastic job making the readers believe that something like this could actually happen. Not once did I doubt anything in the story line. I felt that all my questions were answered throughout the book except one question about Max although it's not relevant to the story.
The pacing reels you in from the very first sentence. I devoured this book, and it held my attention very much so throughout the whole book. Never once does it slow down or go too fast that I don't know what's going on.
The plot was super spooky! The idea that a stranger with supernatural powers is trying to kidnap your child, and no one believes what you say even though it's the truth is definitely frightening. While it's probably been done before, Gunhus takes the idea and nurtures it, giving it wings to grow into something horrorific. There were some good plot twists although I did predict one early on. The ending of the book leaves it open to become a series although you can read this book as a standalone. However, if there is another book, I definitely will be reading it!
I thought the characters were very well written. Jack came across as a very devoted dad. At first, I did doubt his sanity, and I did wonder if he was hallucinating, but he quickly quashed those ideas. I loved how Jack was willing to do whatever it took to save Sarah and keep his family together. I found Nate Huckley to be an awesome bad guy although simply referring to him as "bad guy" seems so wrong because he is so much more. Huckley is intelligent, witty, and knows exactly what he wants. I found him to be scary mostly due to how he could be anywhere he wanted no matter what. He could also make people do whatever he wanted them too. He's definitely one of my favorite baddies in a book. My favorite character, however, was Joseph Lonetree. I loved how hardcore he came across although he proved to be a big softie. I understood his need to do what he did. Lonetree didn't take any crap from anyone.
I enjoyed the dialogue and found that it flowed smoothly and freely. I mostly enjoyed reading about Jack though. There is some swear words as well as violence and gore so be warned if that's not your thing.
Overall, Night Chill is a creepy story that leaves you wondering what if this really did and has been happening. The plot is fantastic, the world building spooky, and the characters amazing!
I'd recommend this book to those aged 18+ who are fans of classic horror and for fans of writers such as Richard Laymon.
(I received this title in ebook format for free from the tour host in exchange for a fair and honest review).
Debbiereadsbook (1069 KP) rated The Strength Of His Heart (Enhanced #4) in Books
Jul 15, 2019
my fav of the four!
Independent reviewer for Divine Magazine, I was gifted the AUDIO version of this book.
This is book 4 in the Enhanced series, and it’s not necessary to have read/listened to the other three books, but it might help give you a better picture of what it means to be Enhanced, and what this team means to Vance.
All Vance wanted to do, as a child, was follow in his father’s footsteps and join the police force. Waking up with the mark on his face put pays to that, but he was one of the lucky ones. His family did not treat him any differently, and they love Vance, period. Sam’s upbringing is very different, never knowing his father, and his mother dying when was he was a small child. Joining the DEA as an undercover agent helped him get over that, but now he wants out. Meeting Vance and the members of HERO is a dream come true, and Vance himself is a wet dream come true for Sam. But Sam won’t be drawn into anything with the much bigger man, he suffered before and will not again. But when Sam is kidnapped and Vance’s undercover gig is blown, they have to trust each other’s heart will be strong enough to get them out of this.
Vance is a sweetheart! Oh, I loved him here, once we get into his head. He really just wants to look after people, even though his gift was size and strength, he doesn’t want to use it. And Sam? Sam pushes all of Vance’s buttons and then some, he really does. Vance is smitten, right from when we met Sam in book three, and being partnered with Sam here? Vance is in heaven. At least till Sam and Vance have an encounter that ends all kinds of wrong for all kinds of reasons and neither man will talk to the other.
Sam’s past comes back to kidnap him here, and when it’s discovered WHO? I did NOT see that one coming, let me tell ya! But what they are doing with Enhanced adults and indeed some children, is awful, and it’s difficult reading, it really is.
This is far less explicit than the other three books, but I think it didn’t need to be. There is enough of Vance and Sam’s emotions to keep you going!
We meet Vance’s brother here. And while I had him pegged as the partner of a certain nurse, it turns out I am wrong and one of the team is strangely affected by Daniel. Their story, I *think* is next and I cannot wait to read it! Or listen, rather, cos I don’t like to flip between listening and reading in a series!
Nick J. Russo again narrates.
I am loving the combination of Ms Sue and Mr Russo, I really am!
Russo’s voices are clear and consistent across all four books, and his reading voice is deep and even. I have no trouble keeping up with multiple person conversations.
It’s the EMOTIONS I find, that Russo gets across. You can’t always pick that up when you read a book, no matter how well it’s written (and these books are VERY well written!) but hearing someone’s voice, telling you about their rotten childhood and what they had to do to survive, it gets you, right in the heart. I had to stop what I was doing many times, just to LISTEN, you know?? I had to concentrate on what was being said, cos it got to me so much.
I hope that Russo will continue to narrate the books that Victoria Sue continues to write! Cos you know, everyone needs to be happy, and they ain’t right now!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
This is book 4 in the Enhanced series, and it’s not necessary to have read/listened to the other three books, but it might help give you a better picture of what it means to be Enhanced, and what this team means to Vance.
All Vance wanted to do, as a child, was follow in his father’s footsteps and join the police force. Waking up with the mark on his face put pays to that, but he was one of the lucky ones. His family did not treat him any differently, and they love Vance, period. Sam’s upbringing is very different, never knowing his father, and his mother dying when was he was a small child. Joining the DEA as an undercover agent helped him get over that, but now he wants out. Meeting Vance and the members of HERO is a dream come true, and Vance himself is a wet dream come true for Sam. But Sam won’t be drawn into anything with the much bigger man, he suffered before and will not again. But when Sam is kidnapped and Vance’s undercover gig is blown, they have to trust each other’s heart will be strong enough to get them out of this.
Vance is a sweetheart! Oh, I loved him here, once we get into his head. He really just wants to look after people, even though his gift was size and strength, he doesn’t want to use it. And Sam? Sam pushes all of Vance’s buttons and then some, he really does. Vance is smitten, right from when we met Sam in book three, and being partnered with Sam here? Vance is in heaven. At least till Sam and Vance have an encounter that ends all kinds of wrong for all kinds of reasons and neither man will talk to the other.
Sam’s past comes back to kidnap him here, and when it’s discovered WHO? I did NOT see that one coming, let me tell ya! But what they are doing with Enhanced adults and indeed some children, is awful, and it’s difficult reading, it really is.
This is far less explicit than the other three books, but I think it didn’t need to be. There is enough of Vance and Sam’s emotions to keep you going!
We meet Vance’s brother here. And while I had him pegged as the partner of a certain nurse, it turns out I am wrong and one of the team is strangely affected by Daniel. Their story, I *think* is next and I cannot wait to read it! Or listen, rather, cos I don’t like to flip between listening and reading in a series!
Nick J. Russo again narrates.
I am loving the combination of Ms Sue and Mr Russo, I really am!
Russo’s voices are clear and consistent across all four books, and his reading voice is deep and even. I have no trouble keeping up with multiple person conversations.
It’s the EMOTIONS I find, that Russo gets across. You can’t always pick that up when you read a book, no matter how well it’s written (and these books are VERY well written!) but hearing someone’s voice, telling you about their rotten childhood and what they had to do to survive, it gets you, right in the heart. I had to stop what I was doing many times, just to LISTEN, you know?? I had to concentrate on what was being said, cos it got to me so much.
I hope that Russo will continue to narrate the books that Victoria Sue continues to write! Cos you know, everyone needs to be happy, and they ain’t right now!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**