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Lee (2222 KP) rated Santa Clarita Diet - Season 3 in TV
Apr 7, 2019
I remember watching season 1 of Santa Clarita Diet and wondering after just a few episodes if it would ever make it to another season. Don't get me wrong, I loved the humour and the craziness of the show, but wasn’t sure how they would ever manage to stretch the idea out any further than that. Well, we're now onto season 3 of what has proven to be one of the funniest and most consistently well written shows around right now, with no signs of it slowing down anytime soon.
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Movie Metropolis (309 KP) rated Sausage Party (2016) in Movies
Jun 11, 2019
Utterly Ridiculous
Just when Sharknado: the 4th Awakens made you think film-making couldn’t get any more ridiculous, a movie like Sausage Party comes along to remind you that Hollywood can always go that one step further to mind-boggling peculiarity.
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Night Reader Reviews (683 KP) rated The Adventures of Pugalugs: The Beginning in Books
Jan 9, 2020
The Adventures of Pugalugs: The Beginning by Jessica Parish and with artwork by Helen Poole was amazing. This is the first in what the author hopes to be a set of over thirty books about a little pug puppy. These books are even based on a pugs real adventures. There are some Coming Soon titles on the inside of the book that I look forward to seeing because I have a lot of hope for this series.
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
Debbiereadsbook (1441 KP) rated Her Reluctant Heart in Books
May 23, 2024
bloody LOVED this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
What this is, my good book peeps, is the story of a woman, who has twice been burned, finding that sometimes, the third time really is a charm!
I LOVED this book! I have a minor niggle, but it really is a minor one, and I'll come back to that.
Sam is working hard to keep her family together. She struggles as a single parent to three exceptionally gifted children, without any help from their sperm donor (Eldest child's words, not mine!) or loser number two. Then Tony rail-roads himself into her life, and knocks things way off kilter.
What I especially loved about this, was the patience that Sam had with Tony, and vice versa, except maybe the spoiling thing. Sam is wary, and it takes time for her to fully open up to Tony about loser numbers one and two. Once he knows this, he tries, really REALLY hard to see things from Sam's point of view. He messes up, yes, but once Sam realises he only did that thing for HER and her children, with nothing wanted in return, she comes around.
I loved the kids: they really are amazing and they take to Tony wonderfully well. They warn him to look after their mum, and he takes that very VERY seriously.
I loved how Sam, once she found her feet, slotted into Tony's world. It was daunting, meeting all these Hollywood A-listers was difficult at best, but Tony's real friends, not the three dollar bills ones, took to Sam equally well. And the kids too!
It's deeply emotional, given what Sam has been through, and I felt her at some points, having been through some things like her myself. It's not overly smexy though, and I think for this book, it was a perfect amount of smexiness. It takes Sam time to let Tony get that close to her, and I loved that he was willing to wait for this amazing woman who couldn't see that she was!
I adored, I mean, it made me cry, what Tony did with Sam's house plans. That really was a wonderful way to show here that he was serious about her and the kids. Bawled my head off when she discovered the kitchen!
So, my niggle. And as I said, it really is just a niggle and me being greedy, but it's my review, and this is how I feel.
We don't get Tony. At all. And I desperately wanted to hear from him at some point along the way. Once I realised it was just Sam's point of view, I was resigned to not hearing from him. It would have just made this book, I think. Not that it takes away from this outstanding piece of work!
I wonder how much of the author I see in Sam. It's written in such a way that makes me think there is SOME author in Sam, and I loved that.
I loved this book, no Tony notwithstanding so it can only get. . . .
5 full and shiny stars.
*same worded review will appear elsewhere
What this is, my good book peeps, is the story of a woman, who has twice been burned, finding that sometimes, the third time really is a charm!
I LOVED this book! I have a minor niggle, but it really is a minor one, and I'll come back to that.
Sam is working hard to keep her family together. She struggles as a single parent to three exceptionally gifted children, without any help from their sperm donor (Eldest child's words, not mine!) or loser number two. Then Tony rail-roads himself into her life, and knocks things way off kilter.
What I especially loved about this, was the patience that Sam had with Tony, and vice versa, except maybe the spoiling thing. Sam is wary, and it takes time for her to fully open up to Tony about loser numbers one and two. Once he knows this, he tries, really REALLY hard to see things from Sam's point of view. He messes up, yes, but once Sam realises he only did that thing for HER and her children, with nothing wanted in return, she comes around.
I loved the kids: they really are amazing and they take to Tony wonderfully well. They warn him to look after their mum, and he takes that very VERY seriously.
I loved how Sam, once she found her feet, slotted into Tony's world. It was daunting, meeting all these Hollywood A-listers was difficult at best, but Tony's real friends, not the three dollar bills ones, took to Sam equally well. And the kids too!
It's deeply emotional, given what Sam has been through, and I felt her at some points, having been through some things like her myself. It's not overly smexy though, and I think for this book, it was a perfect amount of smexiness. It takes Sam time to let Tony get that close to her, and I loved that he was willing to wait for this amazing woman who couldn't see that she was!
I adored, I mean, it made me cry, what Tony did with Sam's house plans. That really was a wonderful way to show here that he was serious about her and the kids. Bawled my head off when she discovered the kitchen!
So, my niggle. And as I said, it really is just a niggle and me being greedy, but it's my review, and this is how I feel.
We don't get Tony. At all. And I desperately wanted to hear from him at some point along the way. Once I realised it was just Sam's point of view, I was resigned to not hearing from him. It would have just made this book, I think. Not that it takes away from this outstanding piece of work!
I wonder how much of the author I see in Sam. It's written in such a way that makes me think there is SOME author in Sam, and I loved that.
I loved this book, no Tony notwithstanding so it can only get. . . .
5 full and shiny stars.
*same worded review will appear elsewhere
Awkward, failed attempt at satire?
After college, Elinor moves to New York with her journalism degree and dreams of writing pieces that mean something. She sees a future with her boyfriend, Mike, also a journalist. Instead, Elinor lives in a cramped apartment with no kitchen, sleeps on a foam pad, and nannies to two slightly whiny and obsessive children. She thinks her future is looking up when she's offered a position at Journalism.ly, a digital brand a la BuzzFeed. But soon Elinor learns that her sole function there is to produce pieces that go "viral" and then she and Mike break up, pushing her into a deeper depression. Is it even possible to have the creative and romantic life she dreamed of, Elinor wonders?
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
Sarah (7800 KP) rated Amazon Echo Dot (3rd Generation) in Tech
Nov 4, 2019
Wonderfully useful and functional
I’m one of those people who often takes a while to get into and accept new technology. Not because I’m a technophobe, in fact I’m a massive techie and often the go to person for tech related issues within my family and friends. My issue is that I find a lot of technology is encouraging people to become lazier or become out of touch with basic home skills (like smart ovens or washers, I just don’t get it!). I’ve often lumped smart speakers like the Echo Dot in the same category in that I just didn’t see the point in them when most people still have functioning old school speaker systems. However I can honestly say my mind has definitely been changed for the better on the Echo.
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Gareth von Kallenbach (980 KP) rated The Invisible Man (2020) in Movies
Feb 27, 2020
Cecilia Kass (Elizabeth Moss) is a woman living in fear. Despite living a life of wealth and privilege in a seaside home; she is ready to take drastic steps in her life.
Cecilia is trying to escape from her controlling and abusive husband who despite being considered a wealthy genius in the field of Optics; has made her life a living hell and forces her to make a daring escape that has her barely getting away with the help of her sister Alice (Harriett Dyer).
The film picks up two weeks later where Cecilia is hiding with a friend of her sister Officer James Lanier (Aldis Hodge) and his daughter Sydney (Storm Reid). Cecilia is scared to even leave the house and do simple tasks such as checking the mailbox and is livid when her sister comes to visit as she is sure that her husband will find her by tracking her Sister.
Alice informs Cecilia that her husband has killed himself and she is now free to live without fear. Cecilia gets a letter informing her that she is to receive 100K a month to the sum of five million dollars as part of her husband’s will. The fact that nobody should have her mailing address does seem odd to her as does that fact that the estate is being handled by her ex’s brother Tom (Michael Dorman).
With her new wealth Cecilia gifts James and also sets up a school fund for Sydney and begins to emerge from her shell.
It is around this time that unusual things begin to happen to her. A lost item from the night of her escape shows up and a mysterious kitchen fire starts. Cecelia also wakes up to find the covers off the bed and what appears to be something unseen standing on the blankets when she attempts to pull them up.
When she expresses her concerns to James that her husband is alive and exacting revenge, both he and Tom ignore her and when things begin to escalate, Cecilia is the one who starts to look more and more unstable as the tormenting continues and her life spins out of control.
The film is Written and Directed by Leigh Whannell who rose to prominence as one of the co-creators of the “SAW” franchise. The film is the perfect example of how to do a film of this sort as it is very clever in how it is paced and allows for the suspense to build without relying on many of the standard Horror Film staples.
The film is also good about having things happen before it pulls back so it is not an extended series of intense moments but several incidents between the tension and setup.
The cast is very good and what is amazing is that the film was made for a $7 million dollar budget yet looks every bit of a major studio film.
There are some interesting twists along the way as while I was able to predict two of them; the others were a very nice surprise.
It is so refreshing to see a film like this come along as in many ways it can help redefine the Horror genre and proves that you can make a quality movie that is also scary and intense.
I for one hope we see more from this franchise in the near future.
4.5 stars out of 5.
Cecilia is trying to escape from her controlling and abusive husband who despite being considered a wealthy genius in the field of Optics; has made her life a living hell and forces her to make a daring escape that has her barely getting away with the help of her sister Alice (Harriett Dyer).
The film picks up two weeks later where Cecilia is hiding with a friend of her sister Officer James Lanier (Aldis Hodge) and his daughter Sydney (Storm Reid). Cecilia is scared to even leave the house and do simple tasks such as checking the mailbox and is livid when her sister comes to visit as she is sure that her husband will find her by tracking her Sister.
Alice informs Cecilia that her husband has killed himself and she is now free to live without fear. Cecilia gets a letter informing her that she is to receive 100K a month to the sum of five million dollars as part of her husband’s will. The fact that nobody should have her mailing address does seem odd to her as does that fact that the estate is being handled by her ex’s brother Tom (Michael Dorman).
With her new wealth Cecilia gifts James and also sets up a school fund for Sydney and begins to emerge from her shell.
It is around this time that unusual things begin to happen to her. A lost item from the night of her escape shows up and a mysterious kitchen fire starts. Cecelia also wakes up to find the covers off the bed and what appears to be something unseen standing on the blankets when she attempts to pull them up.
When she expresses her concerns to James that her husband is alive and exacting revenge, both he and Tom ignore her and when things begin to escalate, Cecilia is the one who starts to look more and more unstable as the tormenting continues and her life spins out of control.
The film is Written and Directed by Leigh Whannell who rose to prominence as one of the co-creators of the “SAW” franchise. The film is the perfect example of how to do a film of this sort as it is very clever in how it is paced and allows for the suspense to build without relying on many of the standard Horror Film staples.
The film is also good about having things happen before it pulls back so it is not an extended series of intense moments but several incidents between the tension and setup.
The cast is very good and what is amazing is that the film was made for a $7 million dollar budget yet looks every bit of a major studio film.
There are some interesting twists along the way as while I was able to predict two of them; the others were a very nice surprise.
It is so refreshing to see a film like this come along as in many ways it can help redefine the Horror genre and proves that you can make a quality movie that is also scary and intense.
I for one hope we see more from this franchise in the near future.
4.5 stars out of 5.
Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
Kirk Bage (1775 KP) rated Mother! (2017) in Movies
Mar 3, 2020
Pretentious. Is a word that sends shivers down my spine much more than any pseudo horror movie. It conveys the idea that the creator of a work is out of control, resorting to shock value over intelligent content. If the creator meant it all, then it is not pretentious, only dangerous.
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Ivana A. | Diary of Difference (1171 KP) rated Rachel's Pudding Pantry in Books
Oct 2, 2020
A fast read that talks about family, love, grief and finding reasons to be happy!
Rachel’s Pudding Pantry is a story about Rachel, who is a farmer in the modern world, living with her mum Jill and her little daughter Maisy. Rachel and her family has been dealing with a lot of grief in the last couple of years, and are struggling financially to keep the farm running.
The one thing that glues this family together, and keeps them happy is the baking and the making of lovely sweet puddings. They bake all day, especially grandma Jill, and they are the perfect example of what a family should look like – full with joy, love and laughter.
I loved the personality Rachel has;
She always puts her family in the first place, cares about her daughter and mum so much. Everything she is doing, she is doing for them, and she is always positive minded. It was such a refreshing moment for me to find such character.
Rachel and her mum are dealing with grief, losing a person in their family that meant a lot to them. This moment of sadness can be felt throughout the book, and I loved it. It shows that grief is a constant battle – it is not easy to lose someone you love, and you don’t get over it very easily. Years could pass, and you will still have the emptiness in your heart. I felt this on my skin, when I lost my grandfather in January. Even after three months, I still think of him every single day, and hope that he is looking over me and is proud of who I have become.
I was also very positively pleased with the other supportive characters surrounding Rachel’s story. Tom was the perfect neighbor – the one you always call for help and will always help you when you need him. He is always caring and trustworthy, and sometimes, I felt awkward when Rachel always came to him for help. Knowing myself, I would be so embarrassed to keep asking for help.
Then we have her best-friend Eve. She was my superhero, and a friend anyone would wish for. She was always supportive, always there for Rachel with her never-ending love. It is a priceless relationship these two ladies have, and I couldn’t help but be a massive fan of them.
The only thing that kept bothering me throughout the book, and is not that big of a deal anyways, was the fact that despite their financial struggles, Jill kept baking for like thirty people every single day (this is before they started the new business). If that was me, I wouldn’t bake that often. I guess it was a fact that just stuck with me for a while.
Even though it is not my usual read, I honestly really enjoyed this book. I am seriously considering giving this genre more time, and reading more books similar to this.
It was a quick, pleasurable read. It always made me feel happy and content, and eager to go in the kitchen and bake some sweets. Because I am a lazy one, I just bought sweets and ate them instead. Tell you what – that also works quite fine!
Rachel’s Pudding Pantry is a story about Rachel, who is a farmer in the modern world, living with her mum Jill and her little daughter Maisy. Rachel and her family has been dealing with a lot of grief in the last couple of years, and are struggling financially to keep the farm running.
The one thing that glues this family together, and keeps them happy is the baking and the making of lovely sweet puddings. They bake all day, especially grandma Jill, and they are the perfect example of what a family should look like – full with joy, love and laughter.
I loved the personality Rachel has;
She always puts her family in the first place, cares about her daughter and mum so much. Everything she is doing, she is doing for them, and she is always positive minded. It was such a refreshing moment for me to find such character.
Rachel and her mum are dealing with grief, losing a person in their family that meant a lot to them. This moment of sadness can be felt throughout the book, and I loved it. It shows that grief is a constant battle – it is not easy to lose someone you love, and you don’t get over it very easily. Years could pass, and you will still have the emptiness in your heart. I felt this on my skin, when I lost my grandfather in January. Even after three months, I still think of him every single day, and hope that he is looking over me and is proud of who I have become.
I was also very positively pleased with the other supportive characters surrounding Rachel’s story. Tom was the perfect neighbor – the one you always call for help and will always help you when you need him. He is always caring and trustworthy, and sometimes, I felt awkward when Rachel always came to him for help. Knowing myself, I would be so embarrassed to keep asking for help.
Then we have her best-friend Eve. She was my superhero, and a friend anyone would wish for. She was always supportive, always there for Rachel with her never-ending love. It is a priceless relationship these two ladies have, and I couldn’t help but be a massive fan of them.
The only thing that kept bothering me throughout the book, and is not that big of a deal anyways, was the fact that despite their financial struggles, Jill kept baking for like thirty people every single day (this is before they started the new business). If that was me, I wouldn’t bake that often. I guess it was a fact that just stuck with me for a while.
Even though it is not my usual read, I honestly really enjoyed this book. I am seriously considering giving this genre more time, and reading more books similar to this.
It was a quick, pleasurable read. It always made me feel happy and content, and eager to go in the kitchen and bake some sweets. Because I am a lazy one, I just bought sweets and ate them instead. Tell you what – that also works quite fine!