"I have a Polaroid of Kurt Cobain on my kitchen corkboard. It's him holding a kitten, two of my favourite things in the world: Kurt and kittens, the two 'k's! I was deeply in love [laughs] with him, on a hormonal level, for a long time. But I think in terms of what he taught me as a budding creative person and an angsty, very troubled teenager. It sounds really cheesy, but he got me through many many days of bunking school. When I think of Bleach, I've just put [points to phone] "bunking school", that's basically what I did. Just that first track 'Blew', there's that bass sound [sings], and it was just so dirty and rank and then there's feedback and his voice - [sings] "NO RECESS!' - on 'School'. What was so exciting about the fact that they had become so loved and so big was that they didn't compromise any of that aggression, anger and rawness. I just love people that become really successful by not compromising anything, and being completely true to their own spirit. At that time, I was starting to writing books of poetry and play guitar in my bedroom. I'd pretend to get the train to school, and then come back in and climb through the window and just spend all day with Bleach and Incesticide on a tape, and I'd just turn them over and [listen to] 'Dive', 'Love Buzz' and 'Floyd The Barber'. It was just the ability to play this album as loud in my bedroom as I possibly could and just scream along to it, and just feel there was a little soulmate, who had this similar thing, just guiding me through. I think that visceralness really gave voice to something that I was finding difficult to express and because I was finding my own singing voice, and very shy about it, it was like really nice to be able to not have to sound, as a girl, pretty and nice - all the female musicians like that, they're very beautiful, but to get that kind of guttural, animalistic scream was really liberating."