"Camelot!"
"It's only a model"
"Shhh"
…
"On second thoughts, let's not go there. 'Tis a silly place"
With that out of the way, this is a sequel - or, as the author (Giles Kristian) himself puts it - more of a companion piece to his earlier (and originally conceived as being standalone) novel Lancelot, although I feel that he REALLY should have stuck with his original name for the novel: Galahad.
Calling it Camelot, to me, does the novel a bit of a disservice, with that location not really a key factor in the story. What is, however, is the central character (and first person narrator) of Galahad himself: Lancelot's son, raised by Christian monks following his fathers death in the climax of the previous, who (here) is not as pure and devout and, well, 'holy' as he is otherwise sometimes depicted, and who is still haunted by his legacy.
Various other characters from Arthurian legend themselves make an appearance, most notably (on the character front) Gawain, Merlin and Iselle whilst (on the 'Quest'/story front) we have a reimagining of The Green Knight, and the Search for The Holy Grail.
Like "Lancelot" before it, this is well worth a read.
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Mark @ Carstairs Considers (2609 KP) rated In the Spirit of French Murder in Books
Apr 29, 2026 (Updated Apr 29, 2026)
I tend to avoid the paranormal in the books I read, and I was disappointed to see it was a major part of this book. Worse yet, it really slowed down the beginning of the mystery. Fortunately, we did get a decent mystery with some good twists and a nice climax. And the book, at least the ARC I read, could never decide which part of March the story was set in. However, I was interested to see what happened to the characters next. And I appreciated the look at what life was like in the resistance in Paris during World War II. All told, this was a mixed bag that fans of the series will still appreciate.
Mark @ Carstairs Considers (2609 KP) rated A Fashionably French Murder in Books
May 1, 2025 (Updated May 1, 2025)
It was nice to be back in 1950 Paris, once again seeing what life was like for people trying to rebuild their lives after the war. Yes, Julia Child has a strong presence in this book again, so there is lots of talk about French cuisine. So expect your mouth to water. The pacing of the mystery was a bit uneven, thanks in part to a couple of subplots, but I appreciated some of the twists we got along the way. The characters are fun as always, and I am curious to see where one storyline will go in the next book. All told, anyone interested in Julia Child or life in Paris in 1950 will be glad they picked up this book.
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