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Lyndsey Gollogly (2893 KP) rated Endless Knight (The Arcana Chronicles, #2) in Books
Sep 28, 2020
163 of 200
Audio
Endless Night ( Arcana chronicles book 2)
By Kresley Cole
Shocking secrets
Evie has fully come into her powers as the Tarot Empress, and Jack was there to see it all. She now knows that the teens who've been reincarnated as the Tarot are in the throes of an epic battle. It's kill or be killed, and the future of mankind hangs in the balance.
Unexpected allies
With threats lurking around every corner, Evie is forced to trust her newfound alliance. Together they must fight not only other Arcana, but also Bagmen zombies, post-apocalyptic storms, and cannibals.
Gut-wrenching treachery
When Evie meets Death, things get even more complicated. Though falling for Jack, she's drawn to the dangerous Endless Knight as well. Somehow the Empress and Death share a history, one that Evie can't remember--but Death can't forget...
I didn’t think I could enjoy the second as much as the first book but I did! I listened to it on Audio which I’m still getting used to. I’m absolutely in love with Death and god knows what Evie sees in Jack he is so annoying!! So yea I’m team Death! This was fast paced and full of adventure I would absolutely recommend Kresley Cole! The whole story that we finally hear about Death and the Empress is absolutely fascinating can't wait to see where this dark path goes!
Audio
Endless Night ( Arcana chronicles book 2)
By Kresley Cole
Shocking secrets
Evie has fully come into her powers as the Tarot Empress, and Jack was there to see it all. She now knows that the teens who've been reincarnated as the Tarot are in the throes of an epic battle. It's kill or be killed, and the future of mankind hangs in the balance.
Unexpected allies
With threats lurking around every corner, Evie is forced to trust her newfound alliance. Together they must fight not only other Arcana, but also Bagmen zombies, post-apocalyptic storms, and cannibals.
Gut-wrenching treachery
When Evie meets Death, things get even more complicated. Though falling for Jack, she's drawn to the dangerous Endless Knight as well. Somehow the Empress and Death share a history, one that Evie can't remember--but Death can't forget...
I didn’t think I could enjoy the second as much as the first book but I did! I listened to it on Audio which I’m still getting used to. I’m absolutely in love with Death and god knows what Evie sees in Jack he is so annoying!! So yea I’m team Death! This was fast paced and full of adventure I would absolutely recommend Kresley Cole! The whole story that we finally hear about Death and the Empress is absolutely fascinating can't wait to see where this dark path goes!
Fetching (Unleashed Romance #1)
8.0
Rate It
Book
He’s her knight in shining armor. Only she’s no damsel in distress. Wyatt I’m a self-made...
Adult Comedy Romance
LEGO® Batman: Beyond Gotham
Games and Entertainment
App
***LEGO® Batman: Beyond Gotham requires iOS 8 or later and is compatible with iPhone 4S and iPad2...
Lyndsey Gollogly (2893 KP) rated Hidden Hope ( Hope book 1) in Books
Dec 7, 2022
219 of 230
Kindle
Hidden Hope ( Hope book 1)
By Elizabeth Knight
⭐️⭐️⭐️
It all started with a naked man in an alley….
Oh did that get your attention?
Good, now listen up. For years I’ve been fighting to be on my own and out from under my father’s control. I thought I’d finally managed it after I got my dream job in a London emergency room. Things were going great. I was making good money and even had a place of my own. I should have known the good times wouldn’t last. I apparently was engaged to a man my father picked out and soon found myself kidnapped, tortured, and forced into becoming someone else.
My whole life I’ve been lied to and something was hidden inside me... and now it’s set free.
It was good. Easy to follow exactly what you come to expect from this type of book and subject. I liked her writing style. My only issues if without being to harsh and it’s not necessarily just this book, why oh why when it’s a newly turned female wolf alpha or not to they turn her in to a raging nympho who has to mate every male in site? It gets a bit tedious and I’m not taking anything away from this author as I actually liked the book but this is becoming a bugbear of mine.
Kindle
Hidden Hope ( Hope book 1)
By Elizabeth Knight
⭐️⭐️⭐️
It all started with a naked man in an alley….
Oh did that get your attention?
Good, now listen up. For years I’ve been fighting to be on my own and out from under my father’s control. I thought I’d finally managed it after I got my dream job in a London emergency room. Things were going great. I was making good money and even had a place of my own. I should have known the good times wouldn’t last. I apparently was engaged to a man my father picked out and soon found myself kidnapped, tortured, and forced into becoming someone else.
My whole life I’ve been lied to and something was hidden inside me... and now it’s set free.
It was good. Easy to follow exactly what you come to expect from this type of book and subject. I liked her writing style. My only issues if without being to harsh and it’s not necessarily just this book, why oh why when it’s a newly turned female wolf alpha or not to they turn her in to a raging nympho who has to mate every male in site? It gets a bit tedious and I’m not taking anything away from this author as I actually liked the book but this is becoming a bugbear of mine.
David McK (3425 KP) rated Joker (2019) in Movies
Oct 27, 2019 (Updated Dec 5, 2021)
So, we've had plenty of Batman movies, stretching right back to the Adam West era.
But, prior to this, never one about his most famous nemesis; about the Joker.
And that, I felt, was always part of the appeal: we never really had a clear hold on who the Joker was, why he was the way he was, where he came from.
As the character himself says in one of the movies: "If I have a past, I would prefer it to be multiple choice …"
With that said, this film does just that, giving the Joker a tragic past (and somewhat different than that he had in Tim Burton's 1989 Batman film), with - or so I thought, when I first heard about it - taking inspiration from the seminal comic 'The Killing Joke' ("all it takes is one bad day …").
Joaquin Phoenix puts in a powerhouse performance here as Arthur Fleck, a struggling comedian who suffers from a debilitating illness that causes him to break into uncontrollable laughter at the most inopportune of times, who also suffers from severe mental health issues.
With Bruce Wayne only making a short appearance, I do have to say, however, that (to me) the timeline see's somewhat 'off': I always saw Joker and Batman as being roughly the same age, but by the time this Bruce becomes the Dark Knight (and yes, his parent's murder does happen in the film), this Joker would be near retirement age ...
But, prior to this, never one about his most famous nemesis; about the Joker.
And that, I felt, was always part of the appeal: we never really had a clear hold on who the Joker was, why he was the way he was, where he came from.
As the character himself says in one of the movies: "If I have a past, I would prefer it to be multiple choice …"
With that said, this film does just that, giving the Joker a tragic past (and somewhat different than that he had in Tim Burton's 1989 Batman film), with - or so I thought, when I first heard about it - taking inspiration from the seminal comic 'The Killing Joke' ("all it takes is one bad day …").
Joaquin Phoenix puts in a powerhouse performance here as Arthur Fleck, a struggling comedian who suffers from a debilitating illness that causes him to break into uncontrollable laughter at the most inopportune of times, who also suffers from severe mental health issues.
With Bruce Wayne only making a short appearance, I do have to say, however, that (to me) the timeline see's somewhat 'off': I always saw Joker and Batman as being roughly the same age, but by the time this Bruce becomes the Dark Knight (and yes, his parent's murder does happen in the film), this Joker would be near retirement age ...
Lady of Valour ( Warrior book 3)
8.0
Rate It
Book
She tempted him to defy his king and surrender his heart . . . Left a widow by her cruel...
Justice Prevails (Sin City Uniforms #3)
10.0
Rate It
Book
Never judge a sexy man by his cover… Beau is deadly serious when it comes to his job as a...
MM Contemporary Romance Romantic Suspense
Mark @ Carstairs Considers (2200 KP) rated A Murder Most French in Books
Apr 25, 2024 (Updated Apr 25, 2024)
Murder Most Rare
When this book opens, Julia Child is excited about a demonstration that a famous chef is going to be doing that afternoon at Le Cordon Bleu, and she insists that her friend and neighbor, Tabitha Knight, go with her. However, the demonstration ends abruptly when the chef dies after taking a sip of a rare and expensive wine he’d received just before the event started. Despite vowing to stay out of it, Tabitha can’t help but wonder what is going on. Can she figure it out?
As I was reading this book, I couldn’t help but wonder why the characters, who are speaking French, are throwing French words into every line of dialogue. But that writing quirk aside, this was another great book. I loved getting to visit the characters again, and Tabitha was just as smart and resourceful as in the first book. Meanwhile, the new characters lead us on a merry chase in a well-constructed mystery. I was satisfied when everything was explained. As with the first book, there is a smattering of foul language. Once again, Paris in post the World War II era came to life, and I enjoyed this look at the time period. Don’t read this book hungry since all the talk of food will make your mouth water. I enjoyed getting to spend more time with Tabitha and Julia and look forward to their next adventure.
As I was reading this book, I couldn’t help but wonder why the characters, who are speaking French, are throwing French words into every line of dialogue. But that writing quirk aside, this was another great book. I loved getting to visit the characters again, and Tabitha was just as smart and resourceful as in the first book. Meanwhile, the new characters lead us on a merry chase in a well-constructed mystery. I was satisfied when everything was explained. As with the first book, there is a smattering of foul language. Once again, Paris in post the World War II era came to life, and I enjoyed this look at the time period. Don’t read this book hungry since all the talk of food will make your mouth water. I enjoyed getting to spend more time with Tabitha and Julia and look forward to their next adventure.
David McK (3425 KP) rated The Dark Knight Rises (2012) in Movies
Jun 30, 2019 (Updated Aug 2, 2024)
The final part of Christopher Nolan's Christian Bale starring Batman trilogy (after both Batman Begins and The Dark Knight) that takes a large part of its inspiration from the 1990s Knightfall series of graphic novels in introducing the character of Bane: the man who (quote unquote) 'Breaks the Bat'.
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.
Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)
We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).
RəX Regent (349 KP) rated The Dark Knight (2008) in Movies
Feb 19, 2019
Batman Begins‘ ending was a brilliant nod towards the things that were to come, as Gary Oldman’s, newly promoted Lieutenant Jim Gordon flashes The Joker’s calling card, Batman’s revival had now well and truly begun. A film with lesser known villains was about to retread more familiar ground with the introduction of The Joker and Harvey Dent/Two Face.
But this was Christopher Nolan’s more grounded take on the superhero, and his villains needed to be much more than the hammy caricatures that we’d seen before. The late Heath Ledger made the role of The Joker his own in ways that no-one could have imagined. This was a dark, evil and terrifying take on the character with an evil sense if humour but he is in keeping with the villain that we know so well.
The origins of the Dark Knight were covered expertly in the first film, and now it is time to take that story one step further, so consequently this is now more about crime in Gotham City. The criminal underworld is now in turmoil as Batman, Gordon and the new District Attorney, Harvey Dent are leaning on them, but when things turn ugly, they turn ugly!
The beauty of this film is that it takes off pretty much from where the first left off, but the tone has changed a bit. This owes a lot to Michael Mann’s, Heat, and focuses much more on Wayne/Batman’s attempts to rid the city of crime, whilst his opposite and nemesis, The Joker, is proving himself to be nothing less than a pure anarchist, unreasonable and nonnegotiable.
Is this better than Batman Begins? Yes, but only fractionally. It’s slightly tighter and more complex, with every set piece seamlessly moving on to the next complex sequence, where the grand plan is rarely what it appears to be. The film’s narrative is deceptive, playing with its characters and the audience alike. This is film-making at it’s very best. The perfect blend of grand direction, passionate character development and performance and writing, with a narrative and structure designed to engage and enthrall the viewer without patronising or insulting their intelligence.
I believe that this film is a masterpiece and genuinely the best movie of this genre ever made. There are so many examples of how to do a comic adaptation and many great examples to boot, but I feel that this blends them all so well. It’s a franchise film without falling into the trap of being part of franchise. Each film is a real film its own right, with a plot, arch and tone.
The narrative continues, but the feel evolves to suit the film, and though Begins and Knight seamlessly work together, either could also be taken as a film by themselves, each with the integrity to hold their own. But as a franchise movie, it is still littered with nods to the future, or in some cases, more subtle entries into the lore.
Take Mr. Reese for example. This was a name used by The Riddler and many suspected at the time that it was linked to the third film, but so far, there’s no talk of The Riddler’s involvement, in fact there has been an outright denial. But I believe that in effect, he has already appeared, though in a much muted manner. Mr. Coleman Reese, or Mister-REES (mysteries anyone?), threatens to out Wayne as Batman but is stopped by The Joker, but maybe the fact that he worked for a consultancy employed by Wayne Enterprises and threatened Wayne with blackmail etc… was a mild acknowledgment of The Riddler’s character.
This is what we’re talking about when we look at Nolan’s work. He spares nothing, but delivers the film in ways that doesn’t always conform to your expectations. And don’t forget th line about the Cats line either…
Overall, The Dark Knight is the epitome of the reboot genre, taking so much from the original source without copying, but bringing a genuinely deep, thoughtful and emotional take on a comic book character who dresses like a bat and solves crime… May the genius of Christopher Nolan and his team carry on for years to come, but I do fear that he’s heading for a fall, purely on the basis that no-one can produce films of this outstanding quality for ever… can they?
But this was Christopher Nolan’s more grounded take on the superhero, and his villains needed to be much more than the hammy caricatures that we’d seen before. The late Heath Ledger made the role of The Joker his own in ways that no-one could have imagined. This was a dark, evil and terrifying take on the character with an evil sense if humour but he is in keeping with the villain that we know so well.
The origins of the Dark Knight were covered expertly in the first film, and now it is time to take that story one step further, so consequently this is now more about crime in Gotham City. The criminal underworld is now in turmoil as Batman, Gordon and the new District Attorney, Harvey Dent are leaning on them, but when things turn ugly, they turn ugly!
The beauty of this film is that it takes off pretty much from where the first left off, but the tone has changed a bit. This owes a lot to Michael Mann’s, Heat, and focuses much more on Wayne/Batman’s attempts to rid the city of crime, whilst his opposite and nemesis, The Joker, is proving himself to be nothing less than a pure anarchist, unreasonable and nonnegotiable.
Is this better than Batman Begins? Yes, but only fractionally. It’s slightly tighter and more complex, with every set piece seamlessly moving on to the next complex sequence, where the grand plan is rarely what it appears to be. The film’s narrative is deceptive, playing with its characters and the audience alike. This is film-making at it’s very best. The perfect blend of grand direction, passionate character development and performance and writing, with a narrative and structure designed to engage and enthrall the viewer without patronising or insulting their intelligence.
I believe that this film is a masterpiece and genuinely the best movie of this genre ever made. There are so many examples of how to do a comic adaptation and many great examples to boot, but I feel that this blends them all so well. It’s a franchise film without falling into the trap of being part of franchise. Each film is a real film its own right, with a plot, arch and tone.
The narrative continues, but the feel evolves to suit the film, and though Begins and Knight seamlessly work together, either could also be taken as a film by themselves, each with the integrity to hold their own. But as a franchise movie, it is still littered with nods to the future, or in some cases, more subtle entries into the lore.
Take Mr. Reese for example. This was a name used by The Riddler and many suspected at the time that it was linked to the third film, but so far, there’s no talk of The Riddler’s involvement, in fact there has been an outright denial. But I believe that in effect, he has already appeared, though in a much muted manner. Mr. Coleman Reese, or Mister-REES (mysteries anyone?), threatens to out Wayne as Batman but is stopped by The Joker, but maybe the fact that he worked for a consultancy employed by Wayne Enterprises and threatened Wayne with blackmail etc… was a mild acknowledgment of The Riddler’s character.
This is what we’re talking about when we look at Nolan’s work. He spares nothing, but delivers the film in ways that doesn’t always conform to your expectations. And don’t forget th line about the Cats line either…
Overall, The Dark Knight is the epitome of the reboot genre, taking so much from the original source without copying, but bringing a genuinely deep, thoughtful and emotional take on a comic book character who dresses like a bat and solves crime… May the genius of Christopher Nolan and his team carry on for years to come, but I do fear that he’s heading for a fall, purely on the basis that no-one can produce films of this outstanding quality for ever… can they?