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Merissa (12622 KP) rated Knight to Castle Two (Diviner's Game #2) in Books

Feb 12, 2021 (Updated Aug 3, 2023)  
Knight to Castle Two (Diviner's Game #2)
Knight to Castle Two (Diviner's Game #2)
Jennifer Cody | 2021 | LGBTQ+, Paranormal, Romance
10
10.0 (1 Ratings)
Book Rating
KNIGHT TO CASTLE TWO is the second book in the Diviner's Game trilogy and this time we find out just what's going on with human Headsman, Loki, and his step-brother Drakon, Gage.

We met with Loki and Gage in book one, and this one runs on a parallel time, so we see some of the same events but from their eyes instead. This is incredibly hard to do but excellently executed by Jennifer Cody.

Loki and Gage are as close as two people can be, but DO NOT share blood. They are not related in any way, apart from being step-brothers. Their relationship might raise a few eyebrows but is not incestuous in any way. What it is though, is hot as hell! Loki is a leather-wearing, kick-ass, take no s**t Headsman, but Gage is the force in their relationship. I loved seeing what makes both of them tick.

A little bit more of the intrigue is unravelled in this book, but not enough for me! I guess I'll just have to read the third book to find out the whole story. Oh, what a shame. The pacing is just as perfect as the first book, and I also loved seeing Matt and Deejay through someone else's eyes too.

What a fantastic trilogy this is turning out to be. Two down, one to go, and I honestly can't wait. Absolutely recommended!

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Feb 12, 2021
  
Batman Begins (2005)
Batman Begins (2005)
2005 | Action, Mystery, Sci-Fi
Good start to the DARK KNIGHT trilogy
BATMAN BEGINS is a seminal film in the oeuvre of Christopher Nolan for a variety of reasons. Certainly, it became his biggest Box Office success to date and marked him as an "A" list Director. Also, you start seeing the recurring actors that I call "the Nolan players" in his films - Michael Caine, Cillian Murphy, Ken Watanabe. But, most importantly, BATMAN BEGINS starts showing the Hallmarks of what a "Christopher Nolan" film is.

What are "hallmarks of a Christopher Nolan" film? Well...the film starts with a long tracking shot.. If you just showed me this shot, I would have instantly said "Christopher Nolan". Nolan plays with time (as usual) in this film, albeit, in a "standard" flash back, flash forward way. And, of course, there is the driving Hans Zimmer score and marvelous Cinematography by frequent Nolan collaborator Wally Pfister. All sure signs that you are watching something directed by Nolan.

BATMAN BEGINS, of course, tells the origin story of Bruce Wayne/Batman. While most of us (including me) rolled their eyes in 2005 at the thought of another Batman flick (the memories of George Clooney and his "Bat-Nipples" still fresh), Nolan had a different idea - a serious take on the material. And it is the realism and grit that make this film work. Instead of making a COMIC BOOK movie, Nolan made a movie BASED ON a comic book (an important distinction) and this spin on this genre works very well.

Downing the cowl in this film is Christian Bale. At the time, he was NOT a household name. As a matter of fact, he was beginning to be branded as a young, talented actor who was somewhat difficult to work with. Casting Bale in the title role was a stroke of genius by Nolan. He is the perfect embodiment of this character. Showing the dark side - and intensity - that this character needs, Bale also brings a bit of playfullness that I did not remember to the part - and this helps balance the character, he is just not all "Dark Knight" (do you hear me current JUSTICE LEAGUE Directors/Writers)?

Michael Caine is also perfectly cast as the fatherly figure, Alfred Pennywise (Bruce Wayne's Butler) as is Gary Oldman as Police Sgt. Jim Gordon. What makes Oldman's casting so interesting is that it was so against type for him. The same can be said for Liam Neeson's casting as Ducard. You could argue that "Liam Neeson - Action Star" grew from this role. Along for the ride is good ol' Morgan Freeman as Lucius Fox, the "Q" of this series, so we get an answer to the age old question "how does Batman get all those wonderful toys". Finally, I have to admit that - upon rewatching this film - I was surprised at how good Katie Holmes is in the role of Rachel Dawes. Sure, it ends up being the typical "damsel in distress" role at the end, but until then she brings a character of strength to the screen that more than holds her own against Bale.

But, make no mistake about it, this film is not just about the characters, it is about the vision - and the action - that Nolan brings to the screen and he brings it hard. This film is dark - and works here. Up until now, SuperHero films were multi-colored, bright COMIC BOOK looking films, but Nolan brings grit, realism and darkness to the proceedings here. It is a jarring change that instantly made this film very interesting to watch (of course, it also ushered in the era of "dark" films, but I can't blame Nolan for poor copycats).

Nolan also relied on - primarily - practical effectst througout this film and the movie has a heaviness to it because of it. When a train crashes, you feel that a train has crashed. When Batman breaks through the window, you can FEEL the window break. This sort of visceral experience just can't be duplicated on a green screen.

Not everything in this film works - Tom Wilkerson's mob boss Falcone is a bit too cartoon-y for my tastes and Cillian Murphy's villain SCARECROW just isn't villiany enough for me - but these are quibbles in a film that was unique for it's time - and ushered in a whole new way to make SuperHero films. A type of film that Nolan will continue to tweak - and improve on - in the subsequent films in this Dark Knight series.

One final note, when rewatching a film from over 10 years ago, it is fun (at least for me) to see "stars before they were stars" in small roles. In this one, Katie Holme's Rachel Dawes character helps a little boy through the carnage of the final battle. I kept looking at that little boy and saying to myself - who is that? GAME OF THRONES fans will recognize that little boy is none other than King Joffrey himself, Jack Gleeson.

If you haven't seen BATMAN BEGINS in awhile, check it out - it holds up well.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)
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Wonder Woman (2017)
Wonder Woman (2017)
2017 | Action, Fantasy, War
The casting of Gal Gadot (1 more)
The correct spirit and mood for the film/character
Another CGI generic villain (0 more)
Finally seeing Wonder Woman for the first time, I am torn between joining the film's praise bandwagon and complaining about another stupid villain. While I certainly don't want to go back to the cheesy Bane, Poisin Ivy, Mr. Freeze days of old, I also am not a big fan of the generic CGI villain, in this case Ares, God of War. I would think they could come up with a happy medium using The Dark Knight as a basis for a complex, grounded human character.

As for Wonder Woman herself, I thought Gal Gadot was amazing in personality, spirit, and the physical embodiment of Wonder Woman as a modern, yet retro female superhero.


Unfortunately, the film's historical setting and perspective has already been done better in the first Captain America film, but had to be the way they did it to make it close to the comic book origin of the character. The scene where Wonder Woman emerges on the battlefield was very strong as you, the viewer, had been anticipating this moment throughout the first half of the film.


The use of CGI during some of the fight scenes with the Nazi soldiers was poor and looked very false. Even when she jumped great distances, I thought that looked fake and was more believable in a Hulk film or even the Wonder Woman TV series from the 1970s.


I also sorely missed an appearance by the original Wonder Woman, Lynda Carter. They have said they will have her in the next film. They had better. 😊


Overall, I enjoyed the film more than most recent superhero flicks, but in 10 years, won't all these films just start to run together?
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Goddess in the Stacks (553 KP) rated Rebel of the Sands in Books

May 19, 2018 (Updated May 19, 2018)  
Rebel of the Sands
Rebel of the Sands
Alwyn Hamilton | 2016 | Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (6 Ratings)
Book Rating
Amani is a girl in a country that doesn't value women, and treats them as useless property only good for breeding sons. The country is basically occupied by another country that the Sultan is "allied" with, but lets run roughshod over his people. She has her sights set on escaping her backwoods, dead-end town, and running to the capital city, where the aunt she's never met lives. All of that is derailed when she meets Jin at an underground shooting competition, and then later hides him from the armed forces hunting him.

The country is definitely middle-east inspired, but there's a lot of religion-bashing, and complaining about the culture oppressing women. It's the same problem I have with a lot of knight-and-castle era fantasy - just because historically in OUR world those time periods weren't kind to women, doesn't mean they have to be the same in fantasy. It's FANTASY! It can be anything you want! Break the tropes! It's a fine line to walk, taking the good parts of a culture without just cherry-picking and appropriating the culture, and who's judging what the good and bad parts are, anyway? So I understand it's difficult, but bashing the culture in a book inspired by their mythology is not quite cool, either. I feel like City of Brass, another fantasy book set in the middle east, hit a better middle ground of embracing the culture of the inspiration without bashing parts of it.

That gripe aside, I really enjoyed the world-building. I'm not quite sold on the characters yet - Amani is far too quick to abandon things she should fight for - but I'm interested enough to see how they progress in the next two books.

You can find all my reviews at http://goddessinthestacks.wordpress.com
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Hot Winter Nights (Heartbreaker Bay, #6)
10
10.0 (1 Ratings)
Book Rating
Lucas Knight never wants to get shot again. If thinking the pain from a bullet in your side was bad, being stuck at home not released for work duty is a bigger pain to deal with. To top it off he wakes up with a woman at his side and no memory of how they got there. He gets the hell out of his apartment before she wakes up and it gets awkward. Making his way into the office to see if maybe he could fudge his way around his non-release and get back into a case. Joe and Archer might throw him a bone if they see him around the office.

Molly Malone is tired of living as Joe’s younger sister or just the office help. She wants to get her own case to solve for their company and thinks Santa might just be the way. Waking up in Lucas’ bed, even knowing nothing happened, lands her the perfect opportunity to get what she wants one way or another.

Molly and Lucas set out to vindicate the angry elves and figure out the money trail. All the while they start understanding their attraction to each other. Can they find a way to mix business and pleasure for the whole package?

I loved this book, my first Heartbreaker Bay book to read (though I have most on my TBR shelf). I absolutely loved the hashtags as chapter titles angle. And the relationship between Molly and Lucas has all the dimensions we look for in a partner. Her father brings awareness to PTSD and protective father’s humor where their daughters are concerned. I voluntarily read an advance copy without expectations for review. Any and all opinions expressed are my own. 4 ½ stars for this return to Heartbreaker Bay.