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RəX Regent (349 KP) rated Batman Begins (2005) in Movies
Feb 19, 2019
Batman has always seemed to make great viewing and with the darker takes on him of the past to decades, great movies. This was a real treat though. It’s almost a rational take on an irrational super hero. Christopher Nolan has managed to give Batman a human face and the world he inhabits a sense of scale and realism. But that’s not to say that it is lacking in the sense of the theatrical.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Purple Phoenix Games (2266 KP) rated Valeria: Card Kingdoms in Tabletop Games
Jun 12, 2019
Imagine yourself a Duke/Duchess. You have land that needs to be developed. You have paltry starting resources and access to a Farmer to produce goods and a Knight to protect them. You need to build the greatest Dukedom/Duchy to prosper for generations and fend off the impending monster attack. In typical RPG fashion I ask you, “What. Do. You. Do?”
DISCLAIMER!! This review is for vanilla Valeria: Card Kingdoms. We have plans to add in the expansions in the near future. Once we do, we will add that information to this review or to a new review and link to it from here. -T
Okay, I have to admit, I Kickstarted Villages of Valeria (VoV) and Quests of Valeria (QoV) before picking up Valeria: Card Kingdoms (VCK). Why? Well, because I was wary of shared universe games at the time, so I tried one: Villages of Valeria. Dude, it’s a great game (review to come). When I Kickstart something I usually tend to go all-in. So I have the good stuff. Same with Quest for Valeria (review to come). I simply missed the boat on the first installment because I was late to the game.
Fast forward to me actually buying the game and trying it out. The mechanics felt very familiar (thanks Machi Koro), and the iconography was very familiar too (thanks VoV and QoV). But VCK excelled and rocked my world so much that I just cannot get enough of it.
Without paraphrasing the rulebook and teaching the entire game here, I’ll give a quick rules synopsis. You roll 2d6 on your turn and activate cards based on what you roll. Rolled a 3 and a 5? Ok, activate the 3 card. Also the 5 card. So far it sounds just like Machi Koro right? Here’s where it improves on MK. You also activate the 8 card (because 3+5=8). BUT ALSO EVERYONE ELSE ACTIVATES THEIR 3, 5, and 8 CARDS. Then you take two actions, which could be recruiting more citizen cards to activate when rolled, getting resources, defeating monsters, adding buildings to your Dukedom/Duchy. Most VP at the end of the game wins.
Roll dice, activate cards, take actions, win the game. It’s so simple, but yet so so so much fun. The game looks incredible when setup, there are a ton of card areas, monsters, the dice are big and chunky, game play is super fast, and you are always involved – even on your opponents’ turns. What more could you ask for? I’ll tell you: a super positive Purple Phoenix Games score of 22 / 24. It’s my favorite game of all time, after all.
https://purplephoenixgames.wordpress.com/2019/01/09/valeria-card-kingdoms-review/
DISCLAIMER!! This review is for vanilla Valeria: Card Kingdoms. We have plans to add in the expansions in the near future. Once we do, we will add that information to this review or to a new review and link to it from here. -T
Okay, I have to admit, I Kickstarted Villages of Valeria (VoV) and Quests of Valeria (QoV) before picking up Valeria: Card Kingdoms (VCK). Why? Well, because I was wary of shared universe games at the time, so I tried one: Villages of Valeria. Dude, it’s a great game (review to come). When I Kickstart something I usually tend to go all-in. So I have the good stuff. Same with Quest for Valeria (review to come). I simply missed the boat on the first installment because I was late to the game.
Fast forward to me actually buying the game and trying it out. The mechanics felt very familiar (thanks Machi Koro), and the iconography was very familiar too (thanks VoV and QoV). But VCK excelled and rocked my world so much that I just cannot get enough of it.
Without paraphrasing the rulebook and teaching the entire game here, I’ll give a quick rules synopsis. You roll 2d6 on your turn and activate cards based on what you roll. Rolled a 3 and a 5? Ok, activate the 3 card. Also the 5 card. So far it sounds just like Machi Koro right? Here’s where it improves on MK. You also activate the 8 card (because 3+5=8). BUT ALSO EVERYONE ELSE ACTIVATES THEIR 3, 5, and 8 CARDS. Then you take two actions, which could be recruiting more citizen cards to activate when rolled, getting resources, defeating monsters, adding buildings to your Dukedom/Duchy. Most VP at the end of the game wins.
Roll dice, activate cards, take actions, win the game. It’s so simple, but yet so so so much fun. The game looks incredible when setup, there are a ton of card areas, monsters, the dice are big and chunky, game play is super fast, and you are always involved – even on your opponents’ turns. What more could you ask for? I’ll tell you: a super positive Purple Phoenix Games score of 22 / 24. It’s my favorite game of all time, after all.
https://purplephoenixgames.wordpress.com/2019/01/09/valeria-card-kingdoms-review/
Christina Haynes (148 KP) rated The Cruel Prince in Books
Jul 24, 2018
The Cruel Prince
Jude is a mortal in a Fae world. She was brought into that world when a Faerie called Madoc killed her Mother and Father. He took her, her twin sister Taryn and older (half Fae sister) Vivi to his mansion and raised her as his own. She learnt how to sword fight, and how to strategise as if she was Fae. She wanted to be like the Fae. she grew to love their world and not want to go back to the human realm. But she never wanted to be them. She did want to be like them, but better.
"Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever."
The Fae don't treat the humans well, they use them as slaves or take them as wives or husbands. Though that could be see as a nice thing, the latter is not. They drug them with Fae magic and most humans are unaware of where they are and whom their company is. Truth is Fae would die out if it wasn't for humans. Humans breed and most have more than one. Fae don't or wait a long time and some only have one child. Not all Fae are bad, sure Madoc killed her parents but he also raised her and her sister and treated them rather well. This gives her respect with the other Fae, as Madoc is the kings General and very powerful one at that. But Fae can be bad, they can be mean and nasty.
Cardan is the worst.
When Jude looks at him, she hates him. He hates her too. But when they look at each other they can't breathe.
This is the story of Jude and Cardan. Jude is wanting to be better than the Fae, she is tired of them being horrible to her and humans alike. She wants Cardan to stop being nasty, she wants to be a knight for the palace. She wants to do something. Cardan wants to get drunk and drink his life away. To carry on being the Cruel Prince.
That's all about to change for them both. But one will lose and the other will gain... for now.
This book is brilliant, the twist at the end is something to look forward too. It's got a slow start, but the writing is great so that helps. But once you get half way and you uncover the story, your be hooked. I promise... remember Fae can't lie.
I can't wait for 'The Wicked King' 2019
4.5 – I REALLY LIKED IT (because of the slow start - but doesn't mean it was bad... I just wanted to know the story earlier as I'm impatient)
Love, Christina
"Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever."
The Fae don't treat the humans well, they use them as slaves or take them as wives or husbands. Though that could be see as a nice thing, the latter is not. They drug them with Fae magic and most humans are unaware of where they are and whom their company is. Truth is Fae would die out if it wasn't for humans. Humans breed and most have more than one. Fae don't or wait a long time and some only have one child. Not all Fae are bad, sure Madoc killed her parents but he also raised her and her sister and treated them rather well. This gives her respect with the other Fae, as Madoc is the kings General and very powerful one at that. But Fae can be bad, they can be mean and nasty.
Cardan is the worst.
When Jude looks at him, she hates him. He hates her too. But when they look at each other they can't breathe.
This is the story of Jude and Cardan. Jude is wanting to be better than the Fae, she is tired of them being horrible to her and humans alike. She wants Cardan to stop being nasty, she wants to be a knight for the palace. She wants to do something. Cardan wants to get drunk and drink his life away. To carry on being the Cruel Prince.
That's all about to change for them both. But one will lose and the other will gain... for now.
This book is brilliant, the twist at the end is something to look forward too. It's got a slow start, but the writing is great so that helps. But once you get half way and you uncover the story, your be hooked. I promise... remember Fae can't lie.
I can't wait for 'The Wicked King' 2019
4.5 – I REALLY LIKED IT (because of the slow start - but doesn't mean it was bad... I just wanted to know the story earlier as I'm impatient)
Love, Christina
Sophia (Bookwyrming Thoughts) (530 KP) rated Avalon Rising (Metal & Lace, #2) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Joker (2019) in Movies
Mar 10, 2020
This is the film of the year for me. A comic book adaptation like no other. Thought-provoking and difficult to watch it conveys more than just the transformation from abnormal loner to one of the greatest comic villains ever. Joaquin Phoenix’s performance goes some way to matching the psychotic heights of Heath Ledger’s incarnation in The Dark Knight. Ledger was posthumously awarded an Oscar for that performance and I would expect Phoenix to be front and centre when award season comes around.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
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Enter Kid Chameleon and experience SEGA's colossal platformer! Unleash your super powers in...
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******************** Dragon Quest IV, the first instalment in the Zenithian Trilogy, is now out on...
Felipe (17 KP) rated Chaplin (1992) in Movies
Dec 7, 2020
A modern tragedy meant to be one of the greats
Contains spoilers, click to show
Richard Attenborough delivers another masterpiece of cinematic biography and is a worthy successor to Ghandi. The structure of the film is told as a flashback while Charlie Chaplin is writing his autobiography with a fictional editor that does not exist. We see for the first time the flaws of who Chaplin is as a person and we see him confront his past in a way that is painful not unlike how it is painful when we relive moments in our lives we would rather choose to forget. However, the success of the film is how it strips the illusion of who Chaplin was and presents to us a person who is tragically flawed but who is unbale to appreciate his own genius. An example is when Chaplin's version of the invention of the Tramp is seen for what he imagined it to be an idealized moment in which the character is calling to him except for what it really was, We see the reality of the movies during this time; a hectic spur of the moment improvised invention drawn from real life. Yet we see Chaplin as the midwife to this new artform the movies and we see him develop it for what it is, the highest expression of art that stirs our imagination and makes us believe anything is possible. We even cry during Chaplin's moments of personal tragedy; the insanity and loss of his mother; repeated failed marriages; the death of his best friend, Douglas Fairbanks and finally his tragic and painful exile from America the only place he knew as home all taking place in the backdrop of the invention and evolution of cinema. However, I feel that in the end Chaplin is the one that comes out triumphant. In the last moments of the movie we see how Chaplin despairs that he feels that he has been forgotten and made irrelevant by the changing times; he feels that the weight of not only his age but the weight of the world on his shoulders and yet we see that everything he believes himself to be is completely wrong when Hollywood bestows on him the greatest honor which is not only the special Oscar but also a standing ovation. His final triumph is to be made a knight by Queen Elizabeth II, we are truly made to see that although flawed he is triumphant in the end.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Presenting Celia Cruz
Book
Celia de la Caridad Cruz Alfonso lived a life larger than most. In a career that spanned fifty years...