"I had my operatic knowledge, and I had this interesting collection of artists I was dedicated to: Judy Garland, Nina Simone and so on – I could have put Nina Simone on this list – but this record by Bob Dylan was a way to relate to my parents a little bit. I wouldn't necessarily say I'm a huge Dylan fan, but I appreciate him, I understand his greatness, and it's really now that I'm starting to dig into his catalogue and cherish his existence. But in general, I'd say a lot of his recordings make me think of my dad – that's not the sexiest thing, but Blonde on Blonde broke through the barrier, and particularly the song 'I Want You' kept the thread going."

"Throughout my writing life I have relied on Marina Warner to guide me through the hidden realms of literature and culture. She has a wast knowledge of folk stories, religious tracts, legends and classical works from all points of the globe and her analysis of how they continue to be present in our lives and work is always inspiring. In Stranger Magic she tells the story of how Scheherazade’s tales in The Arabian Nights were embraced and appropriated by western culture without ever loosing their original power. As I am working my way towards a new novel which includes the influence of Arabic culture on medieval Icelandic writing Warner has once again provided me with her keen insight into the mechanisms of how stories travel."