Search

Search only in certain items:

Girl in the Walls
Girl in the Walls
A. J. Gnuse | 2021 | Fiction & Poetry, Mystery, Thriller
10
10.0 (2 Ratings)
Book Rating
This book really captured my imagination, and I was constantly questioning whether what I was reading was supposed to be real or paranormal. To me, it read like a ghost story for pretty much the entire book. This is a good thing, by the way.
A young girl has the ability to disappear into the walls of a house and live alongside the people who live there without their knowledge. Now if that doesn’t sound like a ghost story, then what is she? I think that the girl wanted to be like a ghost - themes such as grief and belonging are prominent in this novel. The only attachment the girl has, is to the house itself - she seems to have no family or friends.
There is such an eerie feeling to this book that really unsettled me, and as the boys who live in the house start to realise that someone else is living there with them and look for outside help, the anxiety is tangible. Frankly, there were some breathtaking moments of the “Oh no!” variety.
I honestly can’t believe that this is the authors debut novel - it’s really that good.
Many thanks to The Pigeonhole and to A. J. Gnuse for reading along with us.
  
40x40

Sean Astin recommended Gandhi (1982) in Movies (curated)

 
Gandhi (1982)
Gandhi (1982)
1982 | Biography, Drama, History

"I tell people that my favorite film is Gandhi, but my actual favorite film is Patton. Well, you know, there’s so many ideas in the two of them. You know, Patton says, “God help me; I love it so,” with regard to war, and Gandhi is willing to die and to encourage a lot of other people to be willing to die in service of a peaceful civil disobedience. So both things have to do with creating change. So, with Gandhi, I think Ben Kingsley’s portrait — just physically, how he looks, and the way he sounds when he’s delivering that sentient dialogue — and then Attenborough’s canvas — the visual canvas of India, the trains and all that stuff — and then, just my knowledge of the history of people pushing back against colonialism; all of those things just lift you up. They lift you up. The idea of Martin Sheen reporting back to America about what he’s seeing and the obvious lessons that are learned from these people who are willing to walk into abuse in order to make the point that they should be free — I love it because it’s like, “What can we learn from places and people around the world?” I love that. I love the international richness of it, the cultural richness."

Source