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Adventure and Redemption
I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
<i>I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
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postapocalypticplayground (27 KP) rated Circe in Books
May 29, 2018
I admit that I purchased this book solely on the cover which is amazing and the first edition print run has the most amazing embossing on the hard cover itself – like Helios himself the sun is luminescent when it shines upon it!
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
Hazel (1853 KP) rated Storm Watcher in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
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