Suswatibasu (1701 KP) rated Rings (2017) in Movies
Oct 30, 2017 (Updated Oct 30, 2017)
For one, assume that Samara is evil. There are no two ways about that. So why these do-gooders continually attempt to save her is beyond me. Do they never learn? And two, after seeing what Samara can do to a person's face in the previous films, this seems to be less frightening in the third and hopefully final film in the trilogy. Hence the above the qualm - less is more.
The Japanese films diverge massively, and the best part of it is the fact that they don't need to be over-dramatic to create pure fear. Japanese and Korean subtlety does not translate well in the US film industry and its uniqueness is why the movies were exemplary. Not worth your time.
Nick Beaty (70 KP) rated The Mule (2018) in Movies
Dec 6, 2019 (Updated Dec 6, 2019)
From the start the movie feels a little bit disjointed and a bit all over the place but if you can get past that and the blatant plot holes in the script, there is a half decent movie in there somewhere.
Clint Eastwood is solid as always as the 90 year old, politically incorrect Korean war veteran. However the very talented supporting cast including Bradley Cooper & Laurence Fishburne feel very restricted and underused, I can't actually believe Laurence Fishburne took this role if I'm being honest, as his screen time is very limited to say the least.
To sum it up if you are a Clint Eastwood fan like myself then on the whole, The Mule is a watchable and at times enjoyable movie. Although admittedly not his greatest piece of work, if this does indeed turn out to be his last movie then I think we can all safely say it has been one hell of a career for a true Hollywood legend.
Awix (3310 KP) rated Parasite (2019) in Movies
Feb 14, 2020
Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
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