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Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
JT (287 KP) rated Dead Man Down (2013) in Movies
Mar 10, 2020
If you’re looking for a film that is as dark and disturbing as The Girl with the Dragon Tattoo, you might be a little disappointed here.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Only a little however, director Niels Arden Oplev’s first English language feature produces effective results in what is a very good revenge thriller. Colin Farrell plays gangland enforcer Victor who during a shoot out saves the life of his boss Alphonse (Howard) who is being tormented by an unknown hell bent on making his life uncomfortable.
Victor has his own agenda, getting as close to Alphonse as possible before exacting revenge for the murder of his wife and daughter years earlier. On the surface it looks like any bog standard Hollywood revenge thriller but dig a little deeper and therein lies an intricate story that weaves its way through to an explosive finale.
Oplev brings back Dragon Tattoo star Noomi Rapace and gives her a darker character, (one that she’ll be able to relate with) who has a past that has scared her, both inside and out, she’s after some revenge of her own. Comparisons will be drawn to her most famous female lead, Lisbeth Salander.
Rapace plays Beatrice, a lonely individual who lives with her slightly deaf mother Valentine (Isabelle Huppert) who has a penchant for cooking and Tupperware and it would be argued her talents are wasted in this. Beatrice blackmails Victor when she catches him knocking off a gang member in his apartment, and tells him that she’ll go to he police unless he helps her kill someone from her past.
Despite coming across as a revenge-actioner in the trailers the film itself has a lot more going for it than that, there is so much more to the story than just cracking heads and explosions. Beatrice’s pain at being scarred by a drunk diver who all but got away leaves her encased in worry and self pity, while Valentine does her best to push her back out into the world.
The relationship between Victor and Beatrice is cagey at first, but this isn’t an initial romance that is going to blossom with them walking off into the sunset together, not at the beginning anyway. It is hard to tell who really wants what and its more about the coming together of two lost souls whose first thought in life is revenge, leaving everything else to come second.
The on screen chemistry between the two lead protagonists is believable, Farrell is steely eyed and strong and Rapace conveys herself with devilish intrigue while at the same time giving off a sense of vulnerability. Terrance Howard is slick and does a decent job, although I could think of a number of other actors who probably could have pulled off the character with a great deal more menace.
The action is pretty good, the highlight being the pulsating last 15 minutes which to be honest was well worth the admission price alone. There was what I would call a ‘copout’ moment at the end, and after everything that Farrell had gone through I would have thought more attention would have been centered on that, instead I left feeling slightly short changed.
It’s a solid film from Niels Arden Oplev with some great acting and a finale that will leave you gasping for an encore.
Night Reader Reviews (683 KP) rated Three Black Boys: Tomorrow After Supper in Books
Apr 6, 2020
Honest Review for Free Copy of Book
Three Black Boys: Tomorrow After Supper Volume 1 by Zangba Thomson is two books in one or it could be considered two parts of one book. This is one book that you do not want to dismiss out of turn because it just may surprise you.
Barnes, Demus, and Baker are three young black boys living in Southside Jamaica Queens, New York. The three boys are close friends and spend a lot of time together. They all have dreams of their own but their living situations make it hard for them to realize their dreams. Barnes spends his time spelling drugs and instruments of death to provide for himself and his sick mother. However, things change when Barnes takes his mother to a doctor and discovers that she has Black Fever Disease and will die in a month or less if she doesn't get a liver transplant that will cost a quarter of a million dollars. Branes, wanting to save his mother’s life, convinces his friends to help him get the money in the only way they know how, robbery.
Tomorrow After Supper is when Barnes, Demus, and Baker have a chance to redeem themselves since their intentions where pure. Ego has stollen the cosmic melatonin tree which provides everyone on Earth with their immune system and released a Death Virus on the planet. It is up to the Three Black Boys to recover the tree before everyone dies and Ego takes over.
This book not only exposes a disease (Black Fever Disease) that few have even heard of but shows how desperate things can get for those living on a low income or in poverty. The second half of the book is just as interesting and entertaining (also reminded me of Dante's Inferno) as the boys get a chance to redeem themselves. Some of the characters I was not able to fully connect into the story. The detectives and Ten-Ten Winz could have used more backstory as to how they are connected to the Three Black Boys and what they were doing. Also, some of the languages was a bit different for me.
Adults and young adults alike will enjoy this book, providing they don’t dismiss it out of turn. It would probably be fine for even middle school-aged children to read. It is very little in the lines of rough language and I believe most who read this will be impressed. I rate it 3 out of 4. Overall it had a great plot to it. Unfortunately, since a few of the characters confused me a bit I can not give it full points. This goes for both the original book and Tomorrow After Supper. I will admit I ended up looking up Black Fever Disease after reading this book.
Edited to add: I have read over some other reviews of this book and noticed that the second section seems to get a negative review in favor of the more realistic and serious first section. I enjoyed both sections equally. I feel like the second relies much heavier on symbolism and can understand how some who only read the section at face value could have found it lacking.
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Barnes, Demus, and Baker are three young black boys living in Southside Jamaica Queens, New York. The three boys are close friends and spend a lot of time together. They all have dreams of their own but their living situations make it hard for them to realize their dreams. Barnes spends his time spelling drugs and instruments of death to provide for himself and his sick mother. However, things change when Barnes takes his mother to a doctor and discovers that she has Black Fever Disease and will die in a month or less if she doesn't get a liver transplant that will cost a quarter of a million dollars. Branes, wanting to save his mother’s life, convinces his friends to help him get the money in the only way they know how, robbery.
Tomorrow After Supper is when Barnes, Demus, and Baker have a chance to redeem themselves since their intentions where pure. Ego has stollen the cosmic melatonin tree which provides everyone on Earth with their immune system and released a Death Virus on the planet. It is up to the Three Black Boys to recover the tree before everyone dies and Ego takes over.
This book not only exposes a disease (Black Fever Disease) that few have even heard of but shows how desperate things can get for those living on a low income or in poverty. The second half of the book is just as interesting and entertaining (also reminded me of Dante's Inferno) as the boys get a chance to redeem themselves. Some of the characters I was not able to fully connect into the story. The detectives and Ten-Ten Winz could have used more backstory as to how they are connected to the Three Black Boys and what they were doing. Also, some of the languages was a bit different for me.
Adults and young adults alike will enjoy this book, providing they don’t dismiss it out of turn. It would probably be fine for even middle school-aged children to read. It is very little in the lines of rough language and I believe most who read this will be impressed. I rate it 3 out of 4. Overall it had a great plot to it. Unfortunately, since a few of the characters confused me a bit I can not give it full points. This goes for both the original book and Tomorrow After Supper. I will admit I ended up looking up Black Fever Disease after reading this book.
Edited to add: I have read over some other reviews of this book and noticed that the second section seems to get a negative review in favor of the more realistic and serious first section. I enjoyed both sections equally. I feel like the second relies much heavier on symbolism and can understand how some who only read the section at face value could have found it lacking.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
Gareth von Kallenbach (980 KP) rated Knight of Cups (2016) in Movies
Aug 6, 2019
I’ll just come out and say it … This movie for all it’s grandeur with its ensemble cast and it’s amazing photographic work and direction is something that should be shown at film festivals and in art house movie theaters and NOT your mainstream chain theaters. Someplace where you can order a meal and perhaps a glass of wine or a local ale. Why? If the movie has Christian Bale in its cast you know there’s going to be drama involved regardless of whether or not the movie itself is dramatic. THIS particular film is a drama that could be compared to something written by Shakespeare.
‘Knight Of Cups’ is a romantic drama written and directed by Terrence Malick and stars an ensemble cast including Christian Bale, Cate Blanchett, Antonio Banderas, Natalie Portman, Brian Dennehy, Armin Muller-Stahl, Isabel Lucas, Freida Pinto, Wes Bentley, Imogen Poots, Teresa Palmer, and Peter Matthiessen.
“Once there was a young prince whose father, the king of the East, sent him down into Egypt to find a pearl. But when the prince arrived, the people poured him a cup. Drinking it, he forgot he was the son of a king, forgot about the pearl and fell into a deep sleep.”
Rick (Bale) is a successful writer born into a powerful family in L.A. The son of Joseph (Dennehy) and brother to Barry (Bently). After the lose of a second brother as well as his mother, Rick becomes disillusioned and loses himself in the excesses found in the ‘City Of Angles’ and nearby Las Vegas. Along this aimless journey he encounters 6 different women Nancy (Blanchett) a doctor, Elizabeth (Portman) a married woman, Helen (Pinto), Isabel (Lucas), Karen (Palmer), and Della (Poots) looking to form some sort of bond or connection. Perhaps even to discover love only to encounter more lose. He wanders from cities, to beaches, then from mountains to deserts. Searching for something meaningful, some purpose all the while trying to hold what remains of his family and his own sanity together and along the way encounters a cast of colorful characters who have their own ideas about life and their own views on how he should live his.
This film was pretty much Malick’s attempt at making an art film with a large budget and a star studded cast. That’s just the thing. He succeeded and it was just too much. From a technical standpoint, it was wonderfully directed with its landscapes and ‘not-the-norm’ angles and close-ups but it simultaneously took away from the people and the story. It was almost as though they were trying to combine a film on the Discovery Channel with a drama. The film was two minutes shy of 2 hours long. Had the director been able to shave 20 minutes from it, then I could see it given a limited run in major theaters. I have to give kudos to the actors and actresses who were on top of their game which made the film worth sitting through once. The film is rated R for scenes of violence, nudity, and language. If you’re enduring one of those days where you just need to disappear and NOT communicate with anyone for a while, go see this movie. It’s runtime and complexity will help take your mind off your troubles. I’d highly recommend though that you save the film for viewing at home. I’ll give this film 3 out of 5 stars.
‘Knight Of Cups’ is a romantic drama written and directed by Terrence Malick and stars an ensemble cast including Christian Bale, Cate Blanchett, Antonio Banderas, Natalie Portman, Brian Dennehy, Armin Muller-Stahl, Isabel Lucas, Freida Pinto, Wes Bentley, Imogen Poots, Teresa Palmer, and Peter Matthiessen.
“Once there was a young prince whose father, the king of the East, sent him down into Egypt to find a pearl. But when the prince arrived, the people poured him a cup. Drinking it, he forgot he was the son of a king, forgot about the pearl and fell into a deep sleep.”
Rick (Bale) is a successful writer born into a powerful family in L.A. The son of Joseph (Dennehy) and brother to Barry (Bently). After the lose of a second brother as well as his mother, Rick becomes disillusioned and loses himself in the excesses found in the ‘City Of Angles’ and nearby Las Vegas. Along this aimless journey he encounters 6 different women Nancy (Blanchett) a doctor, Elizabeth (Portman) a married woman, Helen (Pinto), Isabel (Lucas), Karen (Palmer), and Della (Poots) looking to form some sort of bond or connection. Perhaps even to discover love only to encounter more lose. He wanders from cities, to beaches, then from mountains to deserts. Searching for something meaningful, some purpose all the while trying to hold what remains of his family and his own sanity together and along the way encounters a cast of colorful characters who have their own ideas about life and their own views on how he should live his.
This film was pretty much Malick’s attempt at making an art film with a large budget and a star studded cast. That’s just the thing. He succeeded and it was just too much. From a technical standpoint, it was wonderfully directed with its landscapes and ‘not-the-norm’ angles and close-ups but it simultaneously took away from the people and the story. It was almost as though they were trying to combine a film on the Discovery Channel with a drama. The film was two minutes shy of 2 hours long. Had the director been able to shave 20 minutes from it, then I could see it given a limited run in major theaters. I have to give kudos to the actors and actresses who were on top of their game which made the film worth sitting through once. The film is rated R for scenes of violence, nudity, and language. If you’re enduring one of those days where you just need to disappear and NOT communicate with anyone for a while, go see this movie. It’s runtime and complexity will help take your mind off your troubles. I’d highly recommend though that you save the film for viewing at home. I’ll give this film 3 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Pitch Perfect (2012) in Movies
Aug 7, 2019
I have to admit, I am a sucker for movies with singing and dancing. And when there’s competition involved, even better! When I saw the trailer for Pitch Perfect, my first thought was it looked like “Bring It On” but for a capella groups. My second thought was, “Where do I line up?”
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
BookInspector (124 KP) rated Secrets of Southern Girls in Books
Sep 24, 2020
I am very pleased to participate in my first #SpotlightTour, and thanks a lot to Sourcebooks Landmark and Liz Kelsch for inviting me. When I saw the description of this book, it really left me intrigued and raised a lot of questions. I am really glad I chose this book, because it is full of secrets and sorrow, and it is amazing to read, how it all unfolds in front of you.
When I finished reading this book, first mind which came to me was “Looking for Reba” (instead of "Looking for Alaska" by J. Green). I think it had that vibe going on, but this book was way better for me. The characters of this book are very interesting and really diverse; most of them seem really complicated and tired of Reba’s memory/ghost following them around. The main characters of this book supposed to be Julie and August, but Reba and Toby steals the spotlight with their story. Reba’s memory seems to ruin all these people’s lives. Julie separated from her husband due to constant memory of Reba, and the guilt, which was eating her. August never forgot his first love and never moved on in his life, looking for answers. Toby left obsessed with Reba’s memory and chooses not to let go of it. I really loved the way author portrayed the feelings of these characters, especially Reba’s. The detail of it, the teenage confusion of what she wants, choices which had to be made when you are still in school. They absolutely fascinated me. I really enjoy when authors tell the story from different character’s perspective, and this books didn’t leave me disappointed. All the characters are different personalities, and reading from different perspectives made the book more colourful and way more interesting to read.
The plot of the book starts quite slowly, by introducing Julie and her family. Well let me be honest with you, it dragged a little bit at the beginning, but once Julie and August got the diary, the whole book turns around into this fast paced and incredibly twisty adventure. So my advice would be, just be patient, because what is coming up will shock you, and will grip you so hard, that it will be hard to put it down (At least that’s what happened to me) . The plot takes the story back to the times when Reba was alive and back to present day, to show how those discoveries influenced the living characters. I had to put down the book couple of times, just to take a breath and let the truth sink in. I just didn’t expect to find out so many secrets and well hidden lies.
The writing style of this novel is very pleasant to read, with easy and understandable manner and short chapters. I would like to throw in a warning (for parents), that this book contains sex scenes and foul language, even though this book is about teenagers, it is an adult read. Even the ending of this book left me surprised, by throwing in some more unexpected turns, which help to come to nice conclusion of this book and leave the ghosts to rest. Haley Harrigan used her degree in Creative Writing very well in this debut novel, and I will definitely be waiting for her upcoming books. So if you looking for some good, secrets unfolding novel, with twists and turns that grips you in, get this book and indulge yourself into Southern heat.
When I finished reading this book, first mind which came to me was “Looking for Reba” (instead of "Looking for Alaska" by J. Green). I think it had that vibe going on, but this book was way better for me. The characters of this book are very interesting and really diverse; most of them seem really complicated and tired of Reba’s memory/ghost following them around. The main characters of this book supposed to be Julie and August, but Reba and Toby steals the spotlight with their story. Reba’s memory seems to ruin all these people’s lives. Julie separated from her husband due to constant memory of Reba, and the guilt, which was eating her. August never forgot his first love and never moved on in his life, looking for answers. Toby left obsessed with Reba’s memory and chooses not to let go of it. I really loved the way author portrayed the feelings of these characters, especially Reba’s. The detail of it, the teenage confusion of what she wants, choices which had to be made when you are still in school. They absolutely fascinated me. I really enjoy when authors tell the story from different character’s perspective, and this books didn’t leave me disappointed. All the characters are different personalities, and reading from different perspectives made the book more colourful and way more interesting to read.
The plot of the book starts quite slowly, by introducing Julie and her family. Well let me be honest with you, it dragged a little bit at the beginning, but once Julie and August got the diary, the whole book turns around into this fast paced and incredibly twisty adventure. So my advice would be, just be patient, because what is coming up will shock you, and will grip you so hard, that it will be hard to put it down (At least that’s what happened to me) . The plot takes the story back to the times when Reba was alive and back to present day, to show how those discoveries influenced the living characters. I had to put down the book couple of times, just to take a breath and let the truth sink in. I just didn’t expect to find out so many secrets and well hidden lies.
The writing style of this novel is very pleasant to read, with easy and understandable manner and short chapters. I would like to throw in a warning (for parents), that this book contains sex scenes and foul language, even though this book is about teenagers, it is an adult read. Even the ending of this book left me surprised, by throwing in some more unexpected turns, which help to come to nice conclusion of this book and leave the ghosts to rest. Haley Harrigan used her degree in Creative Writing very well in this debut novel, and I will definitely be waiting for her upcoming books. So if you looking for some good, secrets unfolding novel, with twists and turns that grips you in, get this book and indulge yourself into Southern heat.
Wow, this read was an absolute emotional rollercoaster, sometimes shattering my heart into million pieces and making me angry for all the injustice author had to suffer, and sometimes making me feel so proud for all the achievements Christine was able to conquer.
This book is a memoir of Christine Clayfield, where she is sharing her life story. The story begins when she was five years old, and it continues throughout her life, including rebellious teenage years, until the present, when she is 58 years old. All the past memories were triggered when suddenly she gets a call, that her mother is very ill and she has to return to Belgium, where she faces the ghosts from her past. Her youth years are very brutal and the amount of violence and abuse she had to face from her father is absolutely unbelievable. To top her already sad life, she married a violent man, who made her life even more miserable. I tend to question people’s choices in these type of books. Why they didn’t look for help? Why they didn’t complain to other family members? Why they stayed silent? And in many books I do find the answers which sound illogical, but not in this book. Christine explains everything very clearly, and for me, her thoughts and feelings fully explain every choice she had to make. I’m absolutely touched by how honest this book is. Christine poured her heart out and is sharing the deepest and darkest events with the readers, and I applaud her bravery because, I believe, it should have been a really difficult book to write.
The events in this book were jumping between present and past, giving a little insight of what will come. The author shared a beautiful story of how she met her present husband and the letters they shared while apart. They were absolutely adorable. The amount of topics discussed in this book is huge, such as child abuse, bullying, mentally caused illnesses, family problems, relationships with friends, alcoholism, loose sexual behaviour, domestic violence, business ideas, distance relationship, effects of divorce, and many many more. The author is openly speaking about nuns and their cruelty, and I thought nuns supposed to be kind and helpful, but they looked like tyrants rather than saints. (I kind of knew it, but still, was stupidly surprised about this fact 😀 )
The writing style is very pleasant and the language is easy and understandable. The chapters are a decent length and it doesn’t leave you bored. I would like to throw in a disclaimer, this book is not very easy mentally, there is a lot of cruelty and violence and does have a lot of heartbreaking moments, so tissues and strong nerves are recommended. 🙂 I loved the way Christine rounded up her novel, it left me really satisfied. So, to conclude, this work is incredibly inspiring and I do believe it should be widely spread to share the awareness of how you can do anything you put your mind to. That “can do” attitude, clear goals and a lot of hard work will make you successful, no matter what you endured in life. It is all in you, you just need to find it. Please do support this book, there is a lot of things to learn from Christine because she is freaking amazing and her story is absolutely inspiring. Enjoy 🙂
This book is a memoir of Christine Clayfield, where she is sharing her life story. The story begins when she was five years old, and it continues throughout her life, including rebellious teenage years, until the present, when she is 58 years old. All the past memories were triggered when suddenly she gets a call, that her mother is very ill and she has to return to Belgium, where she faces the ghosts from her past. Her youth years are very brutal and the amount of violence and abuse she had to face from her father is absolutely unbelievable. To top her already sad life, she married a violent man, who made her life even more miserable. I tend to question people’s choices in these type of books. Why they didn’t look for help? Why they didn’t complain to other family members? Why they stayed silent? And in many books I do find the answers which sound illogical, but not in this book. Christine explains everything very clearly, and for me, her thoughts and feelings fully explain every choice she had to make. I’m absolutely touched by how honest this book is. Christine poured her heart out and is sharing the deepest and darkest events with the readers, and I applaud her bravery because, I believe, it should have been a really difficult book to write.
The events in this book were jumping between present and past, giving a little insight of what will come. The author shared a beautiful story of how she met her present husband and the letters they shared while apart. They were absolutely adorable. The amount of topics discussed in this book is huge, such as child abuse, bullying, mentally caused illnesses, family problems, relationships with friends, alcoholism, loose sexual behaviour, domestic violence, business ideas, distance relationship, effects of divorce, and many many more. The author is openly speaking about nuns and their cruelty, and I thought nuns supposed to be kind and helpful, but they looked like tyrants rather than saints. (I kind of knew it, but still, was stupidly surprised about this fact 😀 )
The writing style is very pleasant and the language is easy and understandable. The chapters are a decent length and it doesn’t leave you bored. I would like to throw in a disclaimer, this book is not very easy mentally, there is a lot of cruelty and violence and does have a lot of heartbreaking moments, so tissues and strong nerves are recommended. 🙂 I loved the way Christine rounded up her novel, it left me really satisfied. So, to conclude, this work is incredibly inspiring and I do believe it should be widely spread to share the awareness of how you can do anything you put your mind to. That “can do” attitude, clear goals and a lot of hard work will make you successful, no matter what you endured in life. It is all in you, you just need to find it. Please do support this book, there is a lot of things to learn from Christine because she is freaking amazing and her story is absolutely inspiring. Enjoy 🙂
Night Reader Reviews (683 KP) rated The Deadly Highway in Books
Nov 30, 2020
Good Book but a lot of errors
The Deadly Highway by T. Harrogate is a decent book, but I feel like it is still in the early stages of publishing. It could still use quite a bit of work. The book also escalates very quickly, even for it being a short book.
Lucy’s father is an alcoholic and because of his choices the two of them live in a one room apartment on the poor side of town. Her father has forbidden Lucy to interact with the others living in their neighborhood in an act of denial about their situation. These rules have left Lucy feeling alone and isolated to the point that she feels she can not take it any longer. Mix that with the cramped, dirty living conditions, and her father’s drunken anger and Lucy decides to run away.
As she is leaving home Lucy runs into two other teens who live close by called Julia and Graham. The two question Lucy on where she is going and decide to run away with her. Graham quickly becomes the leader of the group and they plan for him to steal a car. Unfortunately for the girls it is already too late by the time they discover what Graham is doing with the owners of the cars. By the time they make their discovery Graham has the girls completely under his control and they are just along for the ride.
Surprisingly enough this book did offer some twists at the end that I was not expecting, thought the chapter names are dead giveaways. At the same time the book itself was not quiet what I expected and was mostly enjoyable. I also liked the word of warning at the end of the book for those that still believe things like this can’t or won’t happen to them. Unfortunately this book needs edited again and closely at that. Frequently words are completely left out, sentences restart in the middle, or the wrong word is used entirely. There are also multiple timeline errors and consistency problems with things such as names. I also wish there was just a little more detail and background into the lives of all three teenagers.
Due to the content of this book it is best for mature young adults and adults. The simplistic language and writing style, along with the short page count makes it ideal for those who struggle with reading or don’t read often. This book dose contain murder and rape although nothing goes into detail. I rate this book 2 out of 4. Originally I was going to give this book 3 with its saving grace being its simplicity. However, upon finishing this book I discovered that the people this book is best suited for would possible struggle with all the errors, making it unreadable to them. Overall the book is good but its hard to read in its current state, it still needs a lot of work.
The Deadly Highway | Book| Austin Macauley Publishers
https://nightreaderreviews.blogspot.com/
Lucy’s father is an alcoholic and because of his choices the two of them live in a one room apartment on the poor side of town. Her father has forbidden Lucy to interact with the others living in their neighborhood in an act of denial about their situation. These rules have left Lucy feeling alone and isolated to the point that she feels she can not take it any longer. Mix that with the cramped, dirty living conditions, and her father’s drunken anger and Lucy decides to run away.
As she is leaving home Lucy runs into two other teens who live close by called Julia and Graham. The two question Lucy on where she is going and decide to run away with her. Graham quickly becomes the leader of the group and they plan for him to steal a car. Unfortunately for the girls it is already too late by the time they discover what Graham is doing with the owners of the cars. By the time they make their discovery Graham has the girls completely under his control and they are just along for the ride.
Surprisingly enough this book did offer some twists at the end that I was not expecting, thought the chapter names are dead giveaways. At the same time the book itself was not quiet what I expected and was mostly enjoyable. I also liked the word of warning at the end of the book for those that still believe things like this can’t or won’t happen to them. Unfortunately this book needs edited again and closely at that. Frequently words are completely left out, sentences restart in the middle, or the wrong word is used entirely. There are also multiple timeline errors and consistency problems with things such as names. I also wish there was just a little more detail and background into the lives of all three teenagers.
Due to the content of this book it is best for mature young adults and adults. The simplistic language and writing style, along with the short page count makes it ideal for those who struggle with reading or don’t read often. This book dose contain murder and rape although nothing goes into detail. I rate this book 2 out of 4. Originally I was going to give this book 3 with its saving grace being its simplicity. However, upon finishing this book I discovered that the people this book is best suited for would possible struggle with all the errors, making it unreadable to them. Overall the book is good but its hard to read in its current state, it still needs a lot of work.
The Deadly Highway | Book| Austin Macauley Publishers
https://nightreaderreviews.blogspot.com/
Eleanor Luhar (47 KP) rated Whisper to Me in Books
Jun 24, 2019
This book is fantastic. I know it sounds cheesy, but I literally could not put it down.
The plot isn't just one simple story line; it's twists and turns and ups and downs all over the place. Cass is writing to someone - who is never named, actually - recapping events. The style means that she can switch from talking about the past to describing her current situation and feelings, in the present. She's able to reflect on the past, add a whole new level to the story. I loved it. And when "you" are in the story, she describes you but also skips the mundane details that you would already know, keeping the story really interesting. It really sounded like she was writing to someone.
Cass's letter/email is an apology, an explanation, for hurting someone. She acknowledges this right from the start, but it takes a long, long time to get into what really happened. Not in a boring, dragged-out way, but in a suspenseful way. Constantly, I wanted to know what she was referring to, what had happened to require the writing of this email.
So the plot is, as I said, not a straight line at all. But some important things are:
Cass starts to hear a voice. A voice that's not there, not really.
Cass meets "you" and the voice is quiet and everything is great. But things go wrong. Things go so, so wrong.
Cass's dad has issues - untreated PTSD from serving as a MARINE.
Cass has some, uh, unacknowledged issues caused by the death of her mother.
Cass meets Paris. Paris is sunshine and love and happiness.
There's a serial killer on the loose.
As you can see, there is a lot going on in this book. I won't tell you how all the things link together, but it's so clever. And oh, so heartbreaking.
Let's just say that you know it's coming - you can tell by Cass's choice of language that something is going to happen - but you still hope for some miracle.
Leading on from that last point, the characters are fantastic. Paris is honestly just amazing; I really fell in love with her. Probably more than Cass's actual love interest. Oops. And Cass's dad is so complex, clearly struggling with some stuff, and although he does wrong and he gets angry and he scares Cass sometimes you don't hate him, not really, and neither does Cass. He's her dad and she loves him, and he's trying his best and I could really feel that.
Some books really do just click with you, and this was one of those for me. I made excuses to read for longer than planned, stayed up later. It was lovely to have that excitement back when reading, even if I do feel kind of sad and empty now it's finished.
Part of me wants some kind of follow-up, but I also know that that would kind of ruin the whole mysterious, imaginative element that the ending leaves. I don't know.
I would completely definitely certainly recommend it. It covers so much - mental illnesses and single parents and love and death and sex workers and just so many different aspects of life that you maybe wouldn't expect to find thrown together into one book. But Cass doesn't seem crazy, isn't made out to be some kind of mental patient. And no single theme dominates the story - this isn't just about love, or just about murder. It's about life.
Definitely 5 stars. I adored this book.
The plot isn't just one simple story line; it's twists and turns and ups and downs all over the place. Cass is writing to someone - who is never named, actually - recapping events. The style means that she can switch from talking about the past to describing her current situation and feelings, in the present. She's able to reflect on the past, add a whole new level to the story. I loved it. And when "you" are in the story, she describes you but also skips the mundane details that you would already know, keeping the story really interesting. It really sounded like she was writing to someone.
Cass's letter/email is an apology, an explanation, for hurting someone. She acknowledges this right from the start, but it takes a long, long time to get into what really happened. Not in a boring, dragged-out way, but in a suspenseful way. Constantly, I wanted to know what she was referring to, what had happened to require the writing of this email.
So the plot is, as I said, not a straight line at all. But some important things are:
Cass starts to hear a voice. A voice that's not there, not really.
Cass meets "you" and the voice is quiet and everything is great. But things go wrong. Things go so, so wrong.
Cass's dad has issues - untreated PTSD from serving as a MARINE.
Cass has some, uh, unacknowledged issues caused by the death of her mother.
Cass meets Paris. Paris is sunshine and love and happiness.
There's a serial killer on the loose.
As you can see, there is a lot going on in this book. I won't tell you how all the things link together, but it's so clever. And oh, so heartbreaking.
Let's just say that you know it's coming - you can tell by Cass's choice of language that something is going to happen - but you still hope for some miracle.
Leading on from that last point, the characters are fantastic. Paris is honestly just amazing; I really fell in love with her. Probably more than Cass's actual love interest. Oops. And Cass's dad is so complex, clearly struggling with some stuff, and although he does wrong and he gets angry and he scares Cass sometimes you don't hate him, not really, and neither does Cass. He's her dad and she loves him, and he's trying his best and I could really feel that.
Some books really do just click with you, and this was one of those for me. I made excuses to read for longer than planned, stayed up later. It was lovely to have that excitement back when reading, even if I do feel kind of sad and empty now it's finished.
Part of me wants some kind of follow-up, but I also know that that would kind of ruin the whole mysterious, imaginative element that the ending leaves. I don't know.
I would completely definitely certainly recommend it. It covers so much - mental illnesses and single parents and love and death and sex workers and just so many different aspects of life that you maybe wouldn't expect to find thrown together into one book. But Cass doesn't seem crazy, isn't made out to be some kind of mental patient. And no single theme dominates the story - this isn't just about love, or just about murder. It's about life.
Definitely 5 stars. I adored this book.
Eleanor Luhar (47 KP) rated True Calling in Books
Jun 24, 2019
This was free in the Amazon Kindle store and I thought it looked pretty cool, so I downloaded it a few months ago. Despite being just 369 pages long, it took me a shockingly long time to read...
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.