"The Catcher In The Rye was assigned reading for me in seventh grade. I think the reason everybody in the world connects with this book is because it's about being isolated — just slightly outside of what you perceive to be the norm. It's the ultimate story of being a little bit on the outside, and I think everybody sort of regards themselves as being that way. And the language! It was the first book I ever read that made me laugh out loud."

"My buddy Cruz Angeles first turned me on to the films of Wong Kar-wai in my early years in New York City. In the Mood for Love is just flawless. The performance are restrained and yet so full of deep internal life. A glance, a gesture, carries so much weight. You can say so much with what you don’t say. The performances by Tony Leung and Maggie Cheung are wonderful. And the cinematography, the visual language of the film, is stunning."

"Reading Their Eyes for perhaps the eleventh time, I am still amazed. .. that it speaks to me as no novel, past or present, has ever done; and that the language of the characters, that ‘comical nigger dialect’ that has been laughed at, denied, ignored, or ‘improved’ so that white folks and educated black folks can understand it, is simply beautiful. There is enough self-love in that one book – love of community, culture, traditions – to restore a world. Or create a new one."

"Like Orwell, Twain is better-known for his canonical fiction, but he was also a genius of observation, and this early work, which is broadly non-fiction, about his early career as a riverboat pilot, is my favorite. It’s not uproarious, like “Roughing It,” but it dives deep into its milieu. “The face of the water, in time, became a wonderful book—a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve.”"