Search
Search results
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Curious George Goes Camping by i Read With
Book and Education
App
**A Children eBook Awards Silver Winner - Best Language Development and Early Childhood App** **A...
Collins-Robert Concise French Dictionary
Reference and Education
App
57,000 headwords and more than 190,000 translations • more than 90,000 phrases • full...
Portuguese Video Dictionary - Learn and Speak with Video Phrasebook
Travel and Reference
5.5
Rate It
App
Do you ever wish when traveling that you could have someone who could teach you their local language...
Dutch Video Dictionary - Translate, Learn and Speak with Video Phrasebook
Travel and Reference
App
Do you ever wish when traveling that you could have someone who could teach you their local language...
Goddess in the Stacks (553 KP) rated Gender Outlaw: On Men, Women and the Rest of Us in Books
Jul 23, 2019
This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
Night Reader Reviews (683 KP) rated Will Shaksper's Secret in Books
Feb 4, 2020
Honest Review for Free Copy of Book
As there is nothing to prove otherwise I have to label Will Shaksper’s Secret by John Hole as a work of fiction through the way it is written would almost suggest otherwise. Without a works-cited or a bibliography or anything saying it is even loosely based in fact I can not give this book any other category.
In 1584 John Heminges is dismissed from his job largely due to sleeping with his boss’s wife. During his interactions with her, she robs him, leaving him penniless and alone. It is because of this that he ends up on the outside of a playhouse and saves Henry Condell thus connecting him to the theater. Within the preforming group he meats Christopher Marlowe and Will Shaksper.
As it happens Christopher Marlowe gets into quite a bit of trouble for preaching atheism in a time when the church is struggling to begin with. This results in the threat of execution hanging over him. To protect him from this fate, other performers create a plan to make it appear that Christopher Marlowe is dead, allowing him to disappear. After he has been gone for some time Will Shaksper stars producing some wonder plays of amazing quality but they always come following a visit from a messenger.
The concept of Will Shakespear not actually being the famous playwright that everyone knows him to be is interesting. Also, the circumstances that allowed to trade of writing from Christopher Marlowe to Will Shaksper was strange in a way that makes one question if things could actually have worked out that way. Sadly to say thought the title and description on the back promise an interesting read yet the book fails to deliver. The book itself ended up being very dry and the “blustering, boiserous journey” ended up dragging and slow.
Adults who enjoy Shakspere both in language and historically would be the type of person ideally interested in this book. They dry style and language used best suits this book for those who are true fand of literary classics. Others may attempt to read it but might find the language a bit difficult. I rate this book 1 out of 4. The back of this book promises a much more interesting story than what it actually is. Besides being dry the plot is largely lost among the language. I understand what was being attempted and give the author credit for it, but I believe it largely missed the mark.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
In 1584 John Heminges is dismissed from his job largely due to sleeping with his boss’s wife. During his interactions with her, she robs him, leaving him penniless and alone. It is because of this that he ends up on the outside of a playhouse and saves Henry Condell thus connecting him to the theater. Within the preforming group he meats Christopher Marlowe and Will Shaksper.
As it happens Christopher Marlowe gets into quite a bit of trouble for preaching atheism in a time when the church is struggling to begin with. This results in the threat of execution hanging over him. To protect him from this fate, other performers create a plan to make it appear that Christopher Marlowe is dead, allowing him to disappear. After he has been gone for some time Will Shaksper stars producing some wonder plays of amazing quality but they always come following a visit from a messenger.
The concept of Will Shakespear not actually being the famous playwright that everyone knows him to be is interesting. Also, the circumstances that allowed to trade of writing from Christopher Marlowe to Will Shaksper was strange in a way that makes one question if things could actually have worked out that way. Sadly to say thought the title and description on the back promise an interesting read yet the book fails to deliver. The book itself ended up being very dry and the “blustering, boiserous journey” ended up dragging and slow.
Adults who enjoy Shakspere both in language and historically would be the type of person ideally interested in this book. They dry style and language used best suits this book for those who are true fand of literary classics. Others may attempt to read it but might find the language a bit difficult. I rate this book 1 out of 4. The back of this book promises a much more interesting story than what it actually is. Besides being dry the plot is largely lost among the language. I understand what was being attempted and give the author credit for it, but I believe it largely missed the mark.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
Imagistory: Schools Edition - A Storytelling App
Education and Book
App
"This app is an educators dream come true" - BestAppsforKids.com Review (4.9 Stars) * "This app is...
Learning Swift
Book
Develop the skills required to create compelling, maintainable, and robust iOS and OS X apps with...
Laos Keyboard for iPhone and iPad
Utilities and Productivity
App
The following Laos Keyboard is a Keyboard application that is aimed to accommodate even the highest...