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Mark @ Carstairs Considers (2206 KP) rated Ashes Never Lie in Books

Nov 29, 2024 - 7:14 PM (Updated Nov 29, 2024 - 7:17 PM)  
Ashes Never Lie
Ashes Never Lie
Lee Goldberg | 2024 | Mystery
8
8.0 (1 Ratings)
Book Rating
Team Ups are Hot
When a new house burns down before the new owners can move in, the fire department is ready to chalk it up to faulty wiring. But arson investigators Walter Sharpe and Andrew Walker think something else is going on. Before they can fully investigate that case, they are pulled to another arson, but the evidence just points to a bigger mystery. Teaming up with homicide detective Eve Ronin and Duncan Pavone, can the four figure out either case?

As a fan of Lee’s other books, I really enjoyed seeing Eve and Duncan pop up in this book. If you haven’t met them before, no need to worry, you’ll easily follow their characters here. Meanwhile, it was nice to get to know Sharpe and Walker more in their second case, this time told from Walker’s third person point of view. Something about the set up didn’t quite work for me, but once the book got rolling, I was hooked all the way to the over the top but still fun climax. We get a little bit of language and crude humor here, but it is kept to a minimum. On the other hand, there are lots of jokes and teasing that I did enjoy. Overall, this is another winner you’ll have a hard time putting down.
  
Cold War (2018)
Cold War (2018)
2018 | Drama, Music, Romance
A meditation on love
There are some movies that I can bang the review out the moment I leave the theater (for example, ANY movie starring Dwayne "The Rock" Johnson). There are other films that I need to sit with for a few days and sort out my feelings and thoughts about them. Such is the case with the Polish film COLD WAR.

I am an "Oscar completist" and, thus, needed to see this film, not because I am a big fan of foreign films or because I am culturally literate, but because the Director of this film, Pawel Pawlikowski, was nominated for an Oscar for Best Director.

And I'm glad I saw this film, for COLD WAR is a rich, thoughtful, meditation on love and sacrifice that is full of mood and emotion. This film was conceived, written and directed by Pawlikowski and it shows on the screen. There is much heart on display here. It is said that Pawlikowski patterned the two lead characters after the tumultuous relationship of his parents (he even gave them his parents name), so I gotta think there is some knowledge and depth to these characters and their situations that resonate.

I walked into this film not knowing much about the plot or characters and this actually worked in the favor of the film, so I won't say much about it now except to say that this film follows the characters Zula (Joanna Kulig) and Wiktor (Tomasz Kot) as they experience life and love in Poland in the years just following WWII, the "Cold War" years.

As far as the acting goes, both Kulig and Kot are strong and they share a rich chemistry with each other. The film crackled when these two personalities were on the screen together and didn't crackle when they weren't together, so that must say something for their performances. Anyone else on the screen is "fine" (read: forgettable) in service of the plot and the two leads.

But, make no mistake, this film is a Director's film and Pawlikowski deserves the Academy Award nomination he received. The scenes are lush, and very "European" (lots of shots of still objects with a single viola playing in the background). The film was shot in black and white and this really helps the "behind the Iron Curtain" feel of things.

This film was also nominated for Best Foreign Language Film, and I think it has a good shot for that award (Pawlikowski is, I feel, a long shot for his award). Which makes this film worth seeing, just know you are getting a Polish language film, centered on two characters, with lots of long, lingering "beauty" shots setting up environment and feel. Don't expect fast pacing and action.

Letter Grade: B+

7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
ST
Servant: The Kindred (Servant, #3)
4
4.0 (1 Ratings)
Book Rating
I almost feel bad having this series as my first review since I have absolutely nothing good to say about this book, or the series for that matter. Every element of this book was just terrible, from the language to the plot development, or lack thereof.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasn’t bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word “the” or “and”. The fact that Gaby couldn’t form a sentence without saying the f-word seemed a bit juvenile to me. Foster’s attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luther’s arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gaby’s character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luther’s partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gaby’s past and parents. Any surprise I had about her parentage was nullified by Foster’s writing style.

I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
  
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