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Sneak a peek at the poetry book THE FORGOTTEN WORLD by Nick Courtright on my blog. This looks like an interesting read for sure!

https://alltheupsandowns.blogspot.com/2021/08/book-blitz-forgotten-world-by-nick.html

**BOOK SYNOPSIS**
In his third collection, poet Nick Courtright explores the world at large in an effort to reconcile selfhood as an American in the international community, while also seeking anchors for remembering a wider world often lost to view in our shared though increasingly isolated experience of reality.

Beginning in Africa with investigations of religion and love, The Forgotten World then moves to Latin America to tackle colonialism and whiteness. From there it travels to Asia to discuss economic stratification and Europe to explore art and mental health, culminating in a stirring homecoming to troubled America, where family, the future, and what matters most rise to the forefront of consideration.

Through all of it, Courtright displays a deft hand, at once pained, at once bright, to discover that although the wider world seems farther away than before, the lessons it offers are more needed than ever.

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GustavoCampello (6 KP) rated Dogs Don't Wear Pants (2019) in Movies

Feb 10, 2022

Dogs Don't Wear Pants (2019)

2019 | Drama, International, Romance

8.0

(1 Ratings)

Movie Rating

The film reminded me a lot of the Mexican Leap Year, despite being a more pop version, as its Latin counterpart is rawer, denser and sadder. It doesn't mean that this film doesn't have its moments of rawness, density and sadness, but it is aesthetically more beautiful, it has a certain American film standard. The scenes of Juha trying to hold on to his wife's memories are very sad. The actors make the movie work, the duo, as strange as it may seem, managed to forge a nice chemistry. There is a lot that was left open and that could be better worked on in countless points, Juha's relationship with her daughter is just one of them. The ending left me with mixed feelings, but I got into the mood. The film only gets lost when it tries to emulate some points of Hollywood cinema, otherwise it made a good film. Krista Kosonen steals the scenes in which she appears, an actress who deserves much more than being an extra in Blade Runner.