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The Darkest Sin
9.0
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Set in Renaissance Florence, The Darkest Sin is an atmospheric historical thriller by D. V. Bishop...
Historical fiction Renaissance Florence Italy
The Bootlegger’s Daughter
8.0
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In Prohibition-era Los Angeles, two women on opposite sides of the law must take control of their...
Mark @ Carstairs Considers (2352 KP) rated We Three Queens in Books
Nov 20, 2024
An Invasion of Guests
Lady Georgiana is enjoying her new life as a mother, but she is about to be besieged by guests. First comes Wallis Simpson at the request of King Edward while he tries to figure out how he can marry her. Then comes Georgie’s brother and sister-in-law as they look for a school for their son. Finally, Sir Hubert returns home with a film crew in tow. They want to feature the estate in a film about Henry the VIII. Unfortunately, not long after the film crew arrives someone vanishes. Can Georgie figure out what is happening?
Over the course of this series (hard to believe we are on book 18), I’ve enjoyed watching real history unfold, and I liked that again here. Unfortunately, the story started slowly and was uneven. Still, the ending did tie things up logically. Fortunately, the regular characters are their normal charming shelves, and the new characters fit into Georgie’s world. Fans will enjoy catching up with Georgie and the gang. If that’s not you, head back to the beginning to get to know the characters before you pick up this book.
Over the course of this series (hard to believe we are on book 18), I’ve enjoyed watching real history unfold, and I liked that again here. Unfortunately, the story started slowly and was uneven. Still, the ending did tie things up logically. Fortunately, the regular characters are their normal charming shelves, and the new characters fit into Georgie’s world. Fans will enjoy catching up with Georgie and the gang. If that’s not you, head back to the beginning to get to know the characters before you pick up this book.
Ranch Dressing
10.0
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Get ready for a laugh-out-loud adventure with Samantha Kidd, the most stylish sleuth in Ribbon,...
Chris Sawin (602 KP) rated Conviction (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Betty Anne (Swank) and Kenneth Waters (Rockwell) are siblings who have been close ever since childhood. However Kenneth has always had problems with the law that only escalated as he got older and Betty Anne was always there for him to bail him out or give him a ride home. Now that he's facing life in prison for a murder he may not have even committed, Betty Anne is convinced that her brother is innocent of the charges even though everyone else has accepted the fact that Kenneth is a murderer including his daughter, Mandy (Graynor). Betty Anne is willing to do whatever it takes to make her brother a free man even if it means putting herself through law school, becoming a lawyer, and reopening a case that's 16 years old.
On the surface, Conviction seems like a very mixed bag. There had been little to no promotion for it out here while the trailer hadn't really been attached to any recent screenings. I do recall seeing a trailer for the film one time online months ago, but that's it. Truth be told, that's usually the best way to see a film. No scene has the chance to be overplayed because you had seen the trailer however many times. Conviction is very much an independent film and is borderline nonexistent even though it had a limited release last week. The result was not only an extremely emotional and powerful film, but Conviction also features some of the strongest performances of the year.
The dramatic film jumps around in time right from the beginning. We're shown the horrific aftermath of Katharina Brow's gruesome murder and then jump back to the present day where we see Betty Anne visiting Kenneth in prison. Soon after that, we travel back into the past where we're shown the adult lives of Betty Anne and Kenneth. They're very much a part of each other's lives even when they both have families of their own to worry about. Kenneth's run ins with the law become more frequent as he seems to be picked up whenever the law is broken in Ayer, Massachusetts. Then, we jump even further back into the past during Betty Anne and Kenneth's childhood. They were very close even at that age, but they didn't live normal lives. They were stealing, trespassing, and breaking and entering at an early age. The time jumps were kind of infrequent and abrupt; they seemed to just happen at whim but provided quite a bit of background history about Betty Anne and Kenneth that was crucial to the overall story.
I'm honestly not a fan of Hilary Swank. She's just never done anything for me. The main point of interest for me was Sam Rockwell. Ever since his magnificent performance in last year's Moon, I've been trying to see as many of his films as possible and they very rarely disappoint. Conviction relies on the chemistry between Swank and Rockwell though. The whole movie wouldn't be anything without the connection those two have. Swank is incredibly family driven as the aftermath of her devoting most of her life to freeing her brother takes its toll on the rest of her life and her family. Rockwell is as fantastic as ever as just a simple expression on his face seems to say more about his character than any kind of reaction could, but his emotional outbursts are just as spectacular. Before he went to prison, Kenneth Waters seemed like a family man with a warm personality that cracked a lot of jokes but flew off the handle at the drop of a hat and lost control that usually resulted in a trip downtown. Prison is tearing him apart and it shows not only in Rockwell's performance but Swank's as well.
Conviction is one of the most effective dramas of the year that delivers an impact you'll be feeling long after you leave the theater. It takes you on a roller coaster of emotions that is well worth the ride. All the chips on the table lie in the hands of Hilary Swank and Sam Rockwell while their on-screen presence alone seems to drive the film even when they're not saying anything. One of the best aspects of the film is that Betty Anne believes her brother is innocent and even when that comes into question, she doesn't want to hear any of it. Near the end of the film, it doesn't really seem to matter if Kenneth is innocent or not. Betty Anne believes it to be true and that's good enough for her. Her passion seems to be the underlying factor of this film. If you're looking for a film that feels heartfelt and genuine, then Conviction is a film you may want to look into.
On the surface, Conviction seems like a very mixed bag. There had been little to no promotion for it out here while the trailer hadn't really been attached to any recent screenings. I do recall seeing a trailer for the film one time online months ago, but that's it. Truth be told, that's usually the best way to see a film. No scene has the chance to be overplayed because you had seen the trailer however many times. Conviction is very much an independent film and is borderline nonexistent even though it had a limited release last week. The result was not only an extremely emotional and powerful film, but Conviction also features some of the strongest performances of the year.
The dramatic film jumps around in time right from the beginning. We're shown the horrific aftermath of Katharina Brow's gruesome murder and then jump back to the present day where we see Betty Anne visiting Kenneth in prison. Soon after that, we travel back into the past where we're shown the adult lives of Betty Anne and Kenneth. They're very much a part of each other's lives even when they both have families of their own to worry about. Kenneth's run ins with the law become more frequent as he seems to be picked up whenever the law is broken in Ayer, Massachusetts. Then, we jump even further back into the past during Betty Anne and Kenneth's childhood. They were very close even at that age, but they didn't live normal lives. They were stealing, trespassing, and breaking and entering at an early age. The time jumps were kind of infrequent and abrupt; they seemed to just happen at whim but provided quite a bit of background history about Betty Anne and Kenneth that was crucial to the overall story.
I'm honestly not a fan of Hilary Swank. She's just never done anything for me. The main point of interest for me was Sam Rockwell. Ever since his magnificent performance in last year's Moon, I've been trying to see as many of his films as possible and they very rarely disappoint. Conviction relies on the chemistry between Swank and Rockwell though. The whole movie wouldn't be anything without the connection those two have. Swank is incredibly family driven as the aftermath of her devoting most of her life to freeing her brother takes its toll on the rest of her life and her family. Rockwell is as fantastic as ever as just a simple expression on his face seems to say more about his character than any kind of reaction could, but his emotional outbursts are just as spectacular. Before he went to prison, Kenneth Waters seemed like a family man with a warm personality that cracked a lot of jokes but flew off the handle at the drop of a hat and lost control that usually resulted in a trip downtown. Prison is tearing him apart and it shows not only in Rockwell's performance but Swank's as well.
Conviction is one of the most effective dramas of the year that delivers an impact you'll be feeling long after you leave the theater. It takes you on a roller coaster of emotions that is well worth the ride. All the chips on the table lie in the hands of Hilary Swank and Sam Rockwell while their on-screen presence alone seems to drive the film even when they're not saying anything. One of the best aspects of the film is that Betty Anne believes her brother is innocent and even when that comes into question, she doesn't want to hear any of it. Near the end of the film, it doesn't really seem to matter if Kenneth is innocent or not. Betty Anne believes it to be true and that's good enough for her. Her passion seems to be the underlying factor of this film. If you're looking for a film that feels heartfelt and genuine, then Conviction is a film you may want to look into.
Darren (1599 KP) rated The Pelican Brief (1993) in Movies
Jun 21, 2019
Story: The Pelican Brief starts when two Supreme Court Justices are assassinated, bring the country to a stand still in shock. Law student Darby Shaw (Roberts) puts together a theory of who was behind the assassinations, which she presents to her boyfriend and professor Thomas (Shepard), one theory that has turned his head.
After the theory is presented to the people investigating, Darby and Tom start getting targeted, when journalist friend of one of the victims Gray Grantham (Washington) start investigating a bigger conspiracy going on within the government, one that will put both their lives in danger.
Thoughts on The Pelican Brief
Characters – Darby is a law student having an affair with her professor, after the assassinations, she comes up with a theory about who was behind them, which sees her become a target for the people behind it, she doesn’t know who to trust seeing anybody she does get killed, her last resort is Gray. Gray is a journalist that has worked with the victims in the past, he is willing to dig for the truth, he does become Darby’s last resort and works with her to expose the truth which will become the biggest story of his career. Thomas Callahan is the connection between Darby and the people involved, he is a professor, with her theory interesting him at his own risk. We do go through many different political figures in search for the truth here, each one has their own agenda and could be involved.
Performances – Julia Roberts in the leading role is strong as she gives us a strong independent figure that has been running for her life trying to expose the truth. Denzel Washington was a growing star at the time of release, here he makes us believe that he is a star in the role which is filled with the determination and skill to start ahead of the game. The rest of the cast are all strong with them each getting the moments to shine with them all having the importance to the story.
Story – The story follows a law student and journalist that must team up to investigate the assassinations of the two members of the supreme court that puts both their lives in danger as it could bring the political system down. This story does give us plenty of swerves along the way as it does keep us guessing just to where everything will be going, it does show us how a political system will be used to gain an advantage and can be used to cover up anything that will incriminate them. The idea of the cover up shows just how corruption can effect so many lives and is ready to be exposed.
Crime/Mystery – The crime side of the film shows just how the laws can be bent to help the people who want to make the most money, how much they will do to cover up their secrets and how corrupt they will become. The mystery side of the film show just how the corruption needs to be investigated, how far up the chain it could go too.
Settings – The film is set in a couple of major cities in America Washington and New York mostly, which show just how the big companies will use the political power to make the most money.
Scene of the Movie – The video.
That Moment That Annoyed Me – It is too long, with too many characters at times.
Final Thoughts – This is a political thriller that does keep you guessing, it shows how far up the chain corruption can go and how covering it up can be the only option.
Overall: Political thriller 101
https://moviesreview101.com/2019/06/19/the-pelican-brief-1993/
After the theory is presented to the people investigating, Darby and Tom start getting targeted, when journalist friend of one of the victims Gray Grantham (Washington) start investigating a bigger conspiracy going on within the government, one that will put both their lives in danger.
Thoughts on The Pelican Brief
Characters – Darby is a law student having an affair with her professor, after the assassinations, she comes up with a theory about who was behind them, which sees her become a target for the people behind it, she doesn’t know who to trust seeing anybody she does get killed, her last resort is Gray. Gray is a journalist that has worked with the victims in the past, he is willing to dig for the truth, he does become Darby’s last resort and works with her to expose the truth which will become the biggest story of his career. Thomas Callahan is the connection between Darby and the people involved, he is a professor, with her theory interesting him at his own risk. We do go through many different political figures in search for the truth here, each one has their own agenda and could be involved.
Performances – Julia Roberts in the leading role is strong as she gives us a strong independent figure that has been running for her life trying to expose the truth. Denzel Washington was a growing star at the time of release, here he makes us believe that he is a star in the role which is filled with the determination and skill to start ahead of the game. The rest of the cast are all strong with them each getting the moments to shine with them all having the importance to the story.
Story – The story follows a law student and journalist that must team up to investigate the assassinations of the two members of the supreme court that puts both their lives in danger as it could bring the political system down. This story does give us plenty of swerves along the way as it does keep us guessing just to where everything will be going, it does show us how a political system will be used to gain an advantage and can be used to cover up anything that will incriminate them. The idea of the cover up shows just how corruption can effect so many lives and is ready to be exposed.
Crime/Mystery – The crime side of the film shows just how the laws can be bent to help the people who want to make the most money, how much they will do to cover up their secrets and how corrupt they will become. The mystery side of the film show just how the corruption needs to be investigated, how far up the chain it could go too.
Settings – The film is set in a couple of major cities in America Washington and New York mostly, which show just how the big companies will use the political power to make the most money.
Scene of the Movie – The video.
That Moment That Annoyed Me – It is too long, with too many characters at times.
Final Thoughts – This is a political thriller that does keep you guessing, it shows how far up the chain corruption can go and how covering it up can be the only option.
Overall: Political thriller 101
https://moviesreview101.com/2019/06/19/the-pelican-brief-1993/
Gareth von Kallenbach (980 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
BS
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