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Darren (1599 KP) rated The Pelican Brief (1993) in Movies
Jun 21, 2019
Story: The Pelican Brief starts when two Supreme Court Justices are assassinated, bring the country to a stand still in shock. Law student Darby Shaw (Roberts) puts together a theory of who was behind the assassinations, which she presents to her boyfriend and professor Thomas (Shepard), one theory that has turned his head.
After the theory is presented to the people investigating, Darby and Tom start getting targeted, when journalist friend of one of the victims Gray Grantham (Washington) start investigating a bigger conspiracy going on within the government, one that will put both their lives in danger.
Thoughts on The Pelican Brief
Characters – Darby is a law student having an affair with her professor, after the assassinations, she comes up with a theory about who was behind them, which sees her become a target for the people behind it, she doesn’t know who to trust seeing anybody she does get killed, her last resort is Gray. Gray is a journalist that has worked with the victims in the past, he is willing to dig for the truth, he does become Darby’s last resort and works with her to expose the truth which will become the biggest story of his career. Thomas Callahan is the connection between Darby and the people involved, he is a professor, with her theory interesting him at his own risk. We do go through many different political figures in search for the truth here, each one has their own agenda and could be involved.
Performances – Julia Roberts in the leading role is strong as she gives us a strong independent figure that has been running for her life trying to expose the truth. Denzel Washington was a growing star at the time of release, here he makes us believe that he is a star in the role which is filled with the determination and skill to start ahead of the game. The rest of the cast are all strong with them each getting the moments to shine with them all having the importance to the story.
Story – The story follows a law student and journalist that must team up to investigate the assassinations of the two members of the supreme court that puts both their lives in danger as it could bring the political system down. This story does give us plenty of swerves along the way as it does keep us guessing just to where everything will be going, it does show us how a political system will be used to gain an advantage and can be used to cover up anything that will incriminate them. The idea of the cover up shows just how corruption can effect so many lives and is ready to be exposed.
Crime/Mystery – The crime side of the film shows just how the laws can be bent to help the people who want to make the most money, how much they will do to cover up their secrets and how corrupt they will become. The mystery side of the film show just how the corruption needs to be investigated, how far up the chain it could go too.
Settings – The film is set in a couple of major cities in America Washington and New York mostly, which show just how the big companies will use the political power to make the most money.
Scene of the Movie – The video.
That Moment That Annoyed Me – It is too long, with too many characters at times.
Final Thoughts – This is a political thriller that does keep you guessing, it shows how far up the chain corruption can go and how covering it up can be the only option.
Overall: Political thriller 101
https://moviesreview101.com/2019/06/19/the-pelican-brief-1993/
After the theory is presented to the people investigating, Darby and Tom start getting targeted, when journalist friend of one of the victims Gray Grantham (Washington) start investigating a bigger conspiracy going on within the government, one that will put both their lives in danger.
Thoughts on The Pelican Brief
Characters – Darby is a law student having an affair with her professor, after the assassinations, she comes up with a theory about who was behind them, which sees her become a target for the people behind it, she doesn’t know who to trust seeing anybody she does get killed, her last resort is Gray. Gray is a journalist that has worked with the victims in the past, he is willing to dig for the truth, he does become Darby’s last resort and works with her to expose the truth which will become the biggest story of his career. Thomas Callahan is the connection between Darby and the people involved, he is a professor, with her theory interesting him at his own risk. We do go through many different political figures in search for the truth here, each one has their own agenda and could be involved.
Performances – Julia Roberts in the leading role is strong as she gives us a strong independent figure that has been running for her life trying to expose the truth. Denzel Washington was a growing star at the time of release, here he makes us believe that he is a star in the role which is filled with the determination and skill to start ahead of the game. The rest of the cast are all strong with them each getting the moments to shine with them all having the importance to the story.
Story – The story follows a law student and journalist that must team up to investigate the assassinations of the two members of the supreme court that puts both their lives in danger as it could bring the political system down. This story does give us plenty of swerves along the way as it does keep us guessing just to where everything will be going, it does show us how a political system will be used to gain an advantage and can be used to cover up anything that will incriminate them. The idea of the cover up shows just how corruption can effect so many lives and is ready to be exposed.
Crime/Mystery – The crime side of the film shows just how the laws can be bent to help the people who want to make the most money, how much they will do to cover up their secrets and how corrupt they will become. The mystery side of the film show just how the corruption needs to be investigated, how far up the chain it could go too.
Settings – The film is set in a couple of major cities in America Washington and New York mostly, which show just how the big companies will use the political power to make the most money.
Scene of the Movie – The video.
That Moment That Annoyed Me – It is too long, with too many characters at times.
Final Thoughts – This is a political thriller that does keep you guessing, it shows how far up the chain corruption can go and how covering it up can be the only option.
Overall: Political thriller 101
https://moviesreview101.com/2019/06/19/the-pelican-brief-1993/
Gareth von Kallenbach (980 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
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Laura Doe (1350 KP) rated This Party’s Dead in Books
Mar 8, 2021
Well, who would have thought a book about death and death festivals would be so entertaining? We start the book on what the author calls the “Worst Tuesday” when her father-in-law to be is found dead in his house and has unfortunately been for over a week. What then follows is a series of events that although not funny at the time are funny when you look back – the funeral directors becoming locked in the room with the body, a sandwich throwing incident in the local shop and deciding whether food is a good enough reason to cure a case of agoraphobia.
In an idea to cure her agoraphobia and the death anxiety she has developed since her father-in-law-to-be passed, the author (Erica) decides to visit festivals around the world that celebrate rather than mourn death.
We start of in Mexico at the colourful Day of the Dead celebrations, and we are taken through the story behind La Catrina and the traditions that aren’t normally seen by tourists because it isn’t the party side. Next we are taken to Nepal and the Gaijatra festival which is led by a cow (or if a cow is unavailable a boy dressed as a cow). Next, we go to Sicily where there are biscotti specially made to represent bones and sugar knights. Madagascar’s Famadihana involves families “turning the bones” where they take their ancestors from the crypts and rewrap them and put their names on them before putting them back. China’s tomb-sweeping festival (Qingming) where they burn paper effigies of iPhones and money is next on the tour and then swiftly onto Japan’s Obon festival where they spend three days visiting their ancestors and honouring them with offerings. Finally we stop at Bali, where they can have a corpse resting in their house for years until family arguments are settled and they also will take them out of their tomb and hang out with them. Finally, we go back to the UK where Erica and her husband finally scatter her father-in-laws ashes.
Erica takes us through a journey of learning to accept death (unless you’re of the transhuman persuasion) and gives us a book full of humour whilst doing it. It’s definitely made me realise death shouldn’t be such a taboo subject and gave me a lot to think about. You can also visit her Instagram @thepartysdead for pictures of her journey!
In an idea to cure her agoraphobia and the death anxiety she has developed since her father-in-law-to-be passed, the author (Erica) decides to visit festivals around the world that celebrate rather than mourn death.
We start of in Mexico at the colourful Day of the Dead celebrations, and we are taken through the story behind La Catrina and the traditions that aren’t normally seen by tourists because it isn’t the party side. Next we are taken to Nepal and the Gaijatra festival which is led by a cow (or if a cow is unavailable a boy dressed as a cow). Next, we go to Sicily where there are biscotti specially made to represent bones and sugar knights. Madagascar’s Famadihana involves families “turning the bones” where they take their ancestors from the crypts and rewrap them and put their names on them before putting them back. China’s tomb-sweeping festival (Qingming) where they burn paper effigies of iPhones and money is next on the tour and then swiftly onto Japan’s Obon festival where they spend three days visiting their ancestors and honouring them with offerings. Finally we stop at Bali, where they can have a corpse resting in their house for years until family arguments are settled and they also will take them out of their tomb and hang out with them. Finally, we go back to the UK where Erica and her husband finally scatter her father-in-laws ashes.
Erica takes us through a journey of learning to accept death (unless you’re of the transhuman persuasion) and gives us a book full of humour whilst doing it. It’s definitely made me realise death shouldn’t be such a taboo subject and gave me a lot to think about. You can also visit her Instagram @thepartysdead for pictures of her journey!
Unsheltered
7.0
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(via goodreads.com) The New York Times bestselling author of Flight Behavior, The Lacuna, and The...
Kristy H (1252 KP) rated Just One Look in Books
Aug 12, 2021
A slightly bland thriller
After an incident at the law firm where she works, Cassie Woodson finds herself temping. She's reviewing correspondence for a fraud case--several tiers removed from her life as a lawyer. While going through the tedious emails, she discovers a series of exchanges between one of the firm partners, Forest Watts, and his wife Annabelle. Cassie can't help but read them, fixating on the way Forest seems to love and adore his wife. But when she finds a way to "accidentally" meet Forest, her fixation with the Watts turns into a full blown obsession.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
Andy K (10826 KP) rated Peppermint (2018) in Movies
Apr 14, 2019
You've seen it all before
I hate to sound like a broken record here, but these movies are all starting to run together for me.
The premise, innocent woman has her family gunned down in front of her eyes. She goes off the grid for several years and then returns to track down and administer her own form of private justice in her complete transformation into a hardened killer. Along the way she encounters the usual sympathetic cop, dirty cop, innocent bystanders and becomes a social media sensation.
It is all too familiar like the recent Death Wish and Equalizer remakes it feels like this story has been told too many times recently and better than this one. The characters (especially the villains) are so generic and unmemorable they just blend into the background.
These "take the law into your own hands" films really have to go above and beyond to deliver something unique for me to be memorable since they are so formula these days and this one definitely did not.
I did enjoy watching Jennifer Garner kick some bad guy ass, but even that was done better in the recent Atomic Blonde.
Overall, meh.
The premise, innocent woman has her family gunned down in front of her eyes. She goes off the grid for several years and then returns to track down and administer her own form of private justice in her complete transformation into a hardened killer. Along the way she encounters the usual sympathetic cop, dirty cop, innocent bystanders and becomes a social media sensation.
It is all too familiar like the recent Death Wish and Equalizer remakes it feels like this story has been told too many times recently and better than this one. The characters (especially the villains) are so generic and unmemorable they just blend into the background.
These "take the law into your own hands" films really have to go above and beyond to deliver something unique for me to be memorable since they are so formula these days and this one definitely did not.
I did enjoy watching Jennifer Garner kick some bad guy ass, but even that was done better in the recent Atomic Blonde.
Overall, meh.
Mayhawke (97 KP) rated The Big Over Easy: An Investigation with the Nursery Crime Division in Books
Feb 7, 2018
Fford. If you don't know him you should, especially if you love Adams & Pratchett
I picked this up on the off-chance , when it was on special offer. This is how I like to try out writers that are new to me. Buy 'em cheap and then it doesn't matter if (as is so often the case) they end up in the secondhand-bookshop.
If only more of them had fulfilled their promise as this did!
I really wasn't entirely clear on what I was getting, (that happens to me sometimes - I thought 'The Mummy' was a horror film!) but I'm so very glad I got it.
What Adams did for Sci-Fi and Pratchett did for Fantasy, so now Fford s doing for the 'tec novel. This amazing imagination give us a story in which Humpty-Dumpty, noted intellectual, womaniser and law-bender,is found dead at the bottom of a wall. It looks like suicide, but is it? Enter Jack Spratt hard-working, family-man detective with the Nursery Crimes Division.
Few things, even those I love actually make me laugh out loud, but this managed it on several occasions. If you like off-the-wall, bizarre or just plain silly, buy this.Then buy the rest of his books.
If only more of them had fulfilled their promise as this did!
I really wasn't entirely clear on what I was getting, (that happens to me sometimes - I thought 'The Mummy' was a horror film!) but I'm so very glad I got it.
What Adams did for Sci-Fi and Pratchett did for Fantasy, so now Fford s doing for the 'tec novel. This amazing imagination give us a story in which Humpty-Dumpty, noted intellectual, womaniser and law-bender,is found dead at the bottom of a wall. It looks like suicide, but is it? Enter Jack Spratt hard-working, family-man detective with the Nursery Crimes Division.
Few things, even those I love actually make me laugh out loud, but this managed it on several occasions. If you like off-the-wall, bizarre or just plain silly, buy this.Then buy the rest of his books.
